| Samuel Taylor Coleridge - 1816 - 242 頁
...than from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...wrote down the lines that are here preserved. At this OF KUBLA KHAN. 53 moment he was unfortunately called out by a person on business from Porlock, and... | |
| 1816 - 592 頁
...lines of poetry — " if that indeed," says be, ' can be called composition, in which all the nuages rose up before him as things, with a parallel production...sensation, or consciousness of effort." — On awaking he began to write down these effusions ; but being called off, and detained above an hour, he found to... | |
| 1816 - 676 頁
...from two to three hundred lines; if that, indeed, can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expression, without any sensation or consciousness of effort. On awaking, he appeared to nimself to... | |
| Samuel Taylor Coleridge - 1828 - 374 頁
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...unfortunately called out by a person on business from Parlock, and detained by lam above an hour, and on his return to his room, found to his no small surprise... | |
| Samuel Taylor Coleridge - 1829 - 400 頁
...lines; if that indeed can be called composition in which all the images rose up before him as tliingi, with a parallel production of the correspondent expressions,...any sensation or consciousness of effort. On awaking be appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
| 1829 - 558 頁
...composition had almost always happened to him in the production of his poems, viz., that " the images rose up before him as things, with a parallel production of the correspondent expressions." We cannot but believe that usually his " visions flit very palpably before him," from the effect of... | |
| Samuel Taylor Coleridge - 1831 - 628 頁
...that indeed can be called composition in which nil the image« rose UP b<Ttir<j him an things, witli n awaAinp h« appeared to himself to have a •li-iimrt recollection of tlie whole, and taking his pen.... | |
| Samuel Taylor [poetical works] Coleridge - 1834 - 312 頁
...two to three hundred lines ; if that indeed can be called composition in which all the images roso up before him as things, with a parallel production...consciousness of effort. On awaking he appeared to him•elf to have a distinct recollection of the whole, and taking hi* pen, ink, and paper, instantly... | |
| Samuel Taylor Coleridge - 1835 - 320 頁
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any se%sation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection... | |
| 1837 - 1032 頁
...therein.. two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...without any sensation or consciousness of effort." Ou awaking he instantly sat down to commit his poem to paper. After having written so many lines as... | |
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