The Complete Works of William Shakespeare, 第 1 卷Ginn, Heath, 1881 |
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第 1 到 5 筆結果,共 25 筆
第 71 頁
... exit of mortality , This a re - entrance to a plaudite . J. M. * Upon the Lines and Life of the Famous Scenic Poet , Master WILLIAM SHAKESPEARE . THOSE hands which you so clapp'd , go now and wring , You Britons brave ; for done are ...
... exit of mortality , This a re - entrance to a plaudite . J. M. * Upon the Lines and Life of the Famous Scenic Poet , Master WILLIAM SHAKESPEARE . THOSE hands which you so clapp'd , go now and wring , You Britons brave ; for done are ...
第 86 頁
... Exit . 1 Mer . Sir , I commend you to your own content . [ Exit . Ant . S. He that commends me to mine own content Commends me to the thing I cannot get . 44 8 The Poet often has peruse for mark or observe closely . So in Hamlet , iv ...
... Exit . 1 Mer . Sir , I commend you to your own content . [ Exit . Ant . S. He that commends me to mine own content Commends me to the thing I cannot get . 44 8 The Poet often has peruse for mark or observe closely . So in Hamlet , iv ...
第 89 頁
... Exit . 15 " Your Worship " was in common use as a phrase of deference , mean- ing somewhat less than " your Honour . " 16 O'er - raught is an old form of o'er - reached ; here meaning cheated or defrauded . To cozen had the same meaning ...
... Exit . 15 " Your Worship " was in common use as a phrase of deference , mean- ing somewhat less than " your Honour . " 16 O'er - raught is an old form of o'er - reached ; here meaning cheated or defrauded . To cozen had the same meaning ...
第 93 頁
... Exit . Luc . Fie , how impatience loureth in your face ! Adr . His company must do his minions grace , Whilst I at home starve for a merry look . Hath homely age th ' alluring beauty took From my poor cheek ? then he hath wasted it ...
... Exit . Luc . Fie , how impatience loureth in your face ! Adr . His company must do his minions grace , Whilst I at home starve for a merry look . Hath homely age th ' alluring beauty took From my poor cheek ? then he hath wasted it ...
第 111 頁
... Exit . Enter , from the House , DROMIO of Syracuse running . Ant . S. Why , how now , Dromio ! where runn'st thou so fast ? Dro . S. Do you know me , sir ? am I Dromio ? am I your man ? am I myself ? Ant . S. Thou art Dromio , thou art ...
... Exit . Enter , from the House , DROMIO of Syracuse running . Ant . S. Why , how now , Dromio ! where runn'st thou so fast ? Dro . S. Do you know me , sir ? am I Dromio ? am I your man ? am I myself ? Ant . S. Thou art Dromio , thou art ...
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Ægeon Antipholus Ben Jonson chain Collier's second folio correction daughter death didst doth Duke Dyce edition Eglamour Enter Ephesus Exeunt Exit fair father fool gentle gentlemen Gentlemen of Verona give grace hair hand hath Henry Condell honour husband instance Item John Heminge John Shakespeare Julia Julius Cæsar King labour lady Launce letter live look lord Lucetta LUCIANA Madam Marry master means merry mind mistress old copies old text original reads phrase plays Poet Poet's pray printed probably quibble SCENE seems sense servant Shake Silvia Sir Proteus Sir Thurio sister Snitterfield speak Speed Stratford Stratford-upon-Avon sure Susanna Hall sweet Syracuse tell thee thing thou art thou hast thought thyself Twelfth Night unto Valentine Venus and Adonis verse villain wife William Shakespeare word