The Motivated Sign: Iconicity in Language and Literature 2

Olga Fischer, Max Nänny
John Benjamins Publishing Company, 2001 - 387 頁
This volume, a sequel to "Form Miming Meaning" (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the '"mise en abyme"', to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare's rhetoric, the structural design of Margaret Atwood's writings and the changing fashions in fictional landscape description. Thus, these analyses of 'the motivated sign' represent yet another strong challenge to "Saussure's dogma of arbitrariness" (Jakobson).

讀者評論 - 撰寫評論


其他版本 - 查看全部

關於作者 (2001)

Olga Fischer is Professor of Germanic Linguistics at the University of Amsterdam, where her PhD thesis Syntactic Change and Causation: Developments in Infinitival Constructions in English was accepted in 1990. She is a contributor to the Cambridge History of the English Language (CUP 1992),
co-author of The Syntax of Early English (CUP 2000), and co-editor of Form Miming Meaning and Pathways of Change (Benjamins 2000 and 2001).