The Unity of the Senses: Interrelations Among the ModalitiesAcademic Press, 1978 - 289 頁 |
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第 1 到 3 筆結果,共 19 筆
第 32 頁
... universal . Mention has already been made of the fact that auditory intervals appear to be slightly longer than visual intervals of the identical real duration ( Behar & Bevan , 1961 ; Goldstone & Goldfarb , 1963 ; S. S. Stevens ...
... universal . Mention has already been made of the fact that auditory intervals appear to be slightly longer than visual intervals of the identical real duration ( Behar & Bevan , 1961 ; Goldstone & Goldfarb , 1963 ; S. S. Stevens ...
第 51 頁
... universal suprasensory attributes , that is , three properties or dimensions that apply to sensory experience of all modalities . These three are intensity , quality , and duration , to which Külpe added a fourth and somewhat less ...
... universal suprasensory attributes , that is , three properties or dimensions that apply to sensory experience of all modalities . These three are intensity , quality , and duration , to which Külpe added a fourth and somewhat less ...
第 58 頁
... universal brightness was picked up and extended by Börnstein ( 1936 ) . According to Börnstein , sharp touch and cold are bright , warmth is dark ; the tastes of urea ( bitter ) and sucrose ( sweet ) are bright , that of magnesium ...
... universal brightness was picked up and extended by Börnstein ( 1936 ) . According to Börnstein , sharp touch and cold are bright , warmth is dark ; the tastes of urea ( bitter ) and sucrose ( sweet ) are bright , that of magnesium ...
內容
The Doctrine of Equivalent Information | 11 |
The Doctrine of Analogous Sensory Attributes | 49 |
The Doctrine of Common Psychophysical Properties | 127 |
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常見字詞
activity analogies appear associations attributes auditory bitter brightness called cells cold colors common constant correspondences cross-modal dark described different senses dimensions discrimination doctrine duration effect energy equal equivalence example exist experience expression fact Figure frequency function give given green hand hearing images important increases instance intensity intrinsic language least length light loudness magnitude matching meanings mechanisms metaphor modalities nature neural noted objects odor organ perceived perception perhaps physical pitch play poem poetry possible presented primary principle processes produce properties psychological psychophysical qualities relation relationship relatively reported resemble responses seems sensation senses sensory shape sight similar single smell sound space spatial stimulus subjects suggest sweet symbolism synesthesia synesthetic tactile taste theory tion tone touch transfer unity universal vision visual vowels