The Unity of the Senses: Interrelations Among the ModalitiesAcademic Press, 1978 - 289 頁 |
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第 1 到 3 筆結果,共 36 筆
第 64 頁
... sweet , and sweet for bitter ! " CROSS - MODAL COMPARISONS OF SENSORY QUALITY The entire area of cross - modality comparisons of sensory quality has hardly been explored experimentally , although a few occasions have brought out guesses ...
... sweet , and sweet for bitter ! " CROSS - MODAL COMPARISONS OF SENSORY QUALITY The entire area of cross - modality comparisons of sensory quality has hardly been explored experimentally , although a few occasions have brought out guesses ...
第 71 頁
... sweet , while sweet - salt and sour - bitter correspond to the complementary pairs of primary colors . Pikler considers the analogy as material as well as formal , and regards salt as a sort of gustatory yellow ( on the ground of its ...
... sweet , while sweet - salt and sour - bitter correspond to the complementary pairs of primary colors . Pikler considers the analogy as material as well as formal , and regards salt as a sort of gustatory yellow ( on the ground of its ...
第 216 頁
... sweet . " From the " Goodnight , sweet prince " directed at Hamlet to the pipes on Keats's Grecian urn whose " heard melodies are sweet , " poetry is as chock full of sweets as the nearly extinct neighborhood candy store . As a matter ...
... sweet . " From the " Goodnight , sweet prince " directed at Hamlet to the pipes on Keats's Grecian urn whose " heard melodies are sweet , " poetry is as chock full of sweets as the nearly extinct neighborhood candy store . As a matter ...
內容
The Doctrine of Equivalent Information | 11 |
The Doctrine of Analogous Sensory Attributes | 49 |
The Doctrine of Common Psychophysical Properties | 127 |
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常見字詞
activity analogies appear associations attributes auditory bitter brightness called cells cold colors common constant correspondences cross-modal dark described different senses dimensions discrimination doctrine duration effect energy equal equivalence example exist experience expression fact Figure frequency function give given green hand hearing images important increases instance intensity intrinsic language least length light loudness magnitude matching meanings mechanisms metaphor modalities nature neural noted objects odor organ perceived perception perhaps physical pitch play poem poetry possible presented primary principle processes produce properties psychological psychophysical qualities relation relationship relatively reported resemble responses seems sensation senses sensory shape sight similar single smell sound space spatial stimulus subjects suggest sweet symbolism synesthesia synesthetic tactile taste theory tion tone touch transfer unity universal vision visual vowels