The Unity of the Senses: Interrelations Among the Modalities |
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第 1 到 3 筆結果,共 58 筆
第 53 頁
559 ) . " There is , to be sure , some correlation between the perceived size of a
sound and the actual size of the object producing it : Large objects , when set into
resonant motion , tend to produce low frequency sounds ( hence low pitched and
...
559 ) . " There is , to be sure , some correlation between the perceived size of a
sound and the actual size of the object producing it : Large objects , when set into
resonant motion , tend to produce low frequency sounds ( hence low pitched and
...
第 89 頁
3 is the way the synesthetic colors progress regularly from lighter to darker as
vowel pitch descends from high to low : lel and lil are high pitched , bright
sounding vowels , and they produce the whitest colors — or , at least , they
produce white ...
3 is the way the synesthetic colors progress regularly from lighter to darker as
vowel pitch descends from high to low : lel and lil are high pitched , bright
sounding vowels , and they produce the whitest colors — or , at least , they
produce white ...
第 148 頁
From it , we can say that when Stimuli A and B produce the same neural
response , they will yield the same perceptual experience ; but we cannot say
that because A and B produce the same perceptual experience , they necessarily
produce ...
From it , we can say that when Stimuli A and B produce the same neural
response , they will yield the same perceptual experience ; but we cannot say
that because A and B produce the same perceptual experience , they necessarily
produce ...
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內容
The Doctrine of Equivalent Information | 11 |
CrossModal Perception of Form | 21 |
CrossModal Perception of Space | 29 |
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常見字詞
activity analogies appear associations attributes auditory bitter brightness called cells cold colors common constant correspondences cross-modal dark described different senses dimensions discrimination doctrine duration effect energy equal equivalence example exist experience expression fact Figure frequency function give given green hand hearing images important increases instance intensity intrinsic language least length light loudness magnitude matching meanings mechanisms metaphor modalities nature neural noted objects odor organ perceived perception perhaps physical pitch play poem poetry possible presented primary principle processes produce properties psychological psychophysical qualities relation relationship relatively reported resemble responses seems sensation senses sensory shape sight similar single smell sound space spatial stimulus subjects suggest sweet symbolism synesthesia synesthetic synesthetic metaphor tactile taste theory tion tone touch transfer unity universal vision visual vowels