The Unity of the Senses: Interrelations Among the ModalitiesAcademic Press, 1978 - 289 頁 |
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第 1 到 3 筆結果,共 58 筆
第 81 頁
... given letter while I imagine its outline [ 1949 , p . 33 ] . Given their proprioceptive rather than psychoacoustic basis , it is not surprising to discover that Nabokov's colored vowels and consonants fail to evidence any simple ...
... given letter while I imagine its outline [ 1949 , p . 33 ] . Given their proprioceptive rather than psychoacoustic basis , it is not surprising to discover that Nabokov's colored vowels and consonants fail to evidence any simple ...
第 116 頁
... given criterion ; the criterion - a point along the abscissa - is a value of sensory activity that the subject uses as a cutoff to decide whether any particular trial con- tained a test stimulus . According to the theory , the subject ...
... given criterion ; the criterion - a point along the abscissa - is a value of sensory activity that the subject uses as a cutoff to decide whether any particular trial con- tained a test stimulus . According to the theory , the subject ...
第 167 頁
... given interval of time . An intense stimulus may not be able to produce bigger neural impulses , but it can produce more of them . The general notion that sensation intensity somehow resembles the level of neural activity gained ...
... given interval of time . An intense stimulus may not be able to produce bigger neural impulses , but it can produce more of them . The general notion that sensation intensity somehow resembles the level of neural activity gained ...
內容
The Doctrine of Equivalent Information | 11 |
The Doctrine of Analogous Sensory Attributes | 49 |
The Doctrine of Common Psychophysical Properties | 127 |
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常見字詞
activity analogies appear associations attributes auditory bitter brightness called cells cold colors common constant correspondences cross-modal dark described different senses dimensions discrimination doctrine duration effect energy equal equivalence example exist experience expression fact Figure frequency function give given green hand hearing images important increases instance intensity intrinsic language least length light loudness magnitude matching meanings mechanisms metaphor modalities nature neural noted objects odor organ perceived perception perhaps physical pitch play poem poetry possible presented primary principle processes produce properties psychological psychophysical qualities relation relationship relatively reported resemble responses seems sensation senses sensory shape sight similar single smell sound space spatial stimulus subjects suggest sweet symbolism synesthesia synesthetic tactile taste theory tion tone touch transfer unity universal vision visual vowels