The Unity of the Senses: Interrelations Among the Modalities |
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第 1 到 3 筆結果,共 34 筆
第 33 頁
AUDITORY PERCEIVED DURATION VISUAL Figure 2 . 5 . To both ear and eye ,
the perceived duration of a stimulus grows just about in proportion to its physical
duration . But any given physical duration seems longer when heard than when ...
AUDITORY PERCEIVED DURATION VISUAL Figure 2 . 5 . To both ear and eye ,
the perceived duration of a stimulus grows just about in proportion to its physical
duration . But any given physical duration seems longer when heard than when ...
第 135 頁
Within certain limits , there are equivalences between stimulus intensity and
stimulus duration , and between stimulus intensity and stimulus size . To the
extent that sensation depends on all three variables — intensity , duration , size -
any one ...
Within certain limits , there are equivalences between stimulus intensity and
stimulus duration , and between stimulus intensity and stimulus size . To the
extent that sensation depends on all three variables — intensity , duration , size -
any one ...
第 136 頁
In order to keep the magnitude of sensation constant when stimulus duration or
size changes , stimulus intensity must change in just the opposite way . A
hyperbolic relation means , mathematically , that a given , constant proportional
change ...
In order to keep the magnitude of sensation constant when stimulus duration or
size changes , stimulus intensity must change in just the opposite way . A
hyperbolic relation means , mathematically , that a given , constant proportional
change ...
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內容
The Doctrine of Equivalent Information | 11 |
CrossModal Perception of Form | 21 |
CrossModal Perception of Space | 29 |
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activity analogies appear associations attributes auditory bitter brightness called cells cold colors common constant correspondences cross-modal dark described different senses dimensions discrimination doctrine duration effect energy equal equivalence example exist experience expression fact Figure frequency function give given green hand hearing images important increases instance intensity intrinsic language least length light loudness magnitude matching meanings mechanisms metaphor modalities nature neural noted objects odor organ perceived perception perhaps physical pitch play poem poetry possible presented primary principle processes produce properties psychological psychophysical qualities relation relationship relatively reported resemble responses seems sensation senses sensory shape sight similar single smell sound space spatial stimulus subjects suggest sweet symbolism synesthesia synesthetic synesthetic metaphor tactile taste theory tion tone touch transfer unity universal vision visual vowels