Strange Fruit: Plays on Lynching by American WomenKathy A. Perkins, Judith L. Stephens Indiana University Press, 1998年1月22日 - 423 頁 "These lynching dramas may not present the picture that America wants to see of itself, but these visions cannot be ignored because they are grounded—not only in the truth of white racism's toxic effect on our national existence but also in the truth that there exists a contesting, collective response that is part of an on-going and continually building momentum." —Theaatre Journal |
內容
History and Critical Context JUDITH L STEPHENS | 3 |
The Impact of Lynching on the Art of African American Women KATHY A PERKINS | 15 |
THE PLAYS AND PLAYWRIGHTS | 21 |
Angelina Weld Grimké | 23 |
Rachel 1916 | 27 |
Mary Powell Burrill | 79 |
Aftermath 1919 | 82 |
Corrie Crandall Howell | 92 |
May Miller | 174 |
Nails and Thorns 1933 | 177 |
Ann Seymour Link | 189 |
Lawd Does You Undahstan? 1936 | 191 |
Evelyn Keller Caldwell 206 Voice in the Wilderness 1944 | 202 |
Lillian Smith | 221 |
Strange Fruit 1945 | 225 |
Endesha Ida Mae Holland | 298 |
The Forfeit 1925 | 94 |
Georgia Douglas Johnson | 99 |
A Sunday Morning in the South 1925 | 103 |
Safe c 1929 | 110 |
BlueEyed Black Boy c 1930 | 116 |
Contents 121 Regina M Anderson Andrews | 121 |
Climbing Jacobs Ladder 1931 | 124 |
Annie Nathan Meyer | 133 |
Black Souls 1932 | 138 |
Miss Ida B Wells 1983 | 301 |
Sandra Seaton | 317 |
The Bridge Party 1989 | 320 |
Michon Boston | 366 |
Iolas Letter 1994 | 368 |
APPENDIX I THE WRITERS LEAGUE AGAINST LYNCHING | 409 |
APPENDIX 2 TABLE OF LYNCHING DRAMAS | 411 |
417 | |