Shakespeare's Webs: Networks of Meaning in Renaissance DramaRoutledge, 2012年12月6日 - 192页 In this book, renowned Renaissance drama critic Arthur F. Kinney argues that Shakespeare's method of composing plays through networks of meanings can be seen as a harbinger of today's information technology. Drawing upon hypertext and cognitive theory--areas that have for some time promised to take on more importance in the sphere of Shakespeare Studies--as well as the central metaphor of the Routledge collection The Renaissance Computer, Kinney looks in detail at four objects/images in Shakespeare's plays--mirrors, maps, clocks, and books--and explores the ways in which they make up networks of meaning within single plays and across the dramatist's body of work that anticipate in some ways the networks of meaning or "information" now possible in the computer age. |
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第vii页
... man contemplating a skull; Antony and Cleopatra (1607), a woman with an asp; Romeo and Juliet (1596), a young woman with a dagger. Sometimes this link between character and prop is so strong that certain objects can gesture toward a ...
... man contemplating a skull; Antony and Cleopatra (1607), a woman with an asp; Romeo and Juliet (1596), a young woman with a dagger. Sometimes this link between character and prop is so strong that certain objects can gesture toward a ...
第5页
... mans life with Courtly demeaners.” Hoby confounded mirroring with fashioning long before Spenser would: “Cicero an excellent Oratour, in three bookes of an Oratour unto his brother, fashioneth such a one as never was, nor yet is like to ...
... mans life with Courtly demeaners.” Hoby confounded mirroring with fashioning long before Spenser would: “Cicero an excellent Oratour, in three bookes of an Oratour unto his brother, fashioneth such a one as never was, nor yet is like to ...
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常见术语和短语
according action activity become bell body brain called Cambridge Claudius clock cognitive concept continues court cultural daughter death divided early Elizabethan England English face father fear Figure give glass Goneril Hamlet hand hath Henry History hold hour human Italy John Juliet Kent kind King Lady land language Lear learning lines live London looking lord marginal mark material matter means measure memory mind mirror nature night notes objects observation Ophelia painted past patterns person play Polonius possible practice present Quoted record reference reflection rhetoric Richard Romeo rule scene seems sense Shakespeare’s soul speak stage tells thee things Thomas thou thought tion true turn University Press writes York