Shakespeare's Webs: Networks of Meaning in Renaissance DramaRoutledge, 2012年12月6日 - 192页 In this book, renowned Renaissance drama critic Arthur F. Kinney argues that Shakespeare's method of composing plays through networks of meanings can be seen as a harbinger of today's information technology. Drawing upon hypertext and cognitive theory--areas that have for some time promised to take on more importance in the sphere of Shakespeare Studies--as well as the central metaphor of the Routledge collection The Renaissance Computer, Kinney looks in detail at four objects/images in Shakespeare's plays--mirrors, maps, clocks, and books--and explores the ways in which they make up networks of meaning within single plays and across the dramatist's body of work that anticipate in some ways the networks of meaning or "information" now possible in the computer age. |
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共有 28 个结果,这是第 1-5 个
第xx页
... Richard II's mirror, and such significations may involve contemporary, embodied dispositions such as the late Tudor idea that mirrors of crystal would reflect precisely the images before them. But such a trajectory of interaction—what ...
... Richard II's mirror, and such significations may involve contemporary, embodied dispositions such as the late Tudor idea that mirrors of crystal would reflect precisely the images before them. But such a trajectory of interaction—what ...
第xxi页
... Richard II's mirror is not simply his own theatrical desire to perform with it, nor just the meanings the Elizabethan culture assigned to mirrors generally, but also the specific complex in which Richard holds it on the stage: before ...
... Richard II's mirror is not simply his own theatrical desire to perform with it, nor just the meanings the Elizabethan culture assigned to mirrors generally, but also the specific complex in which Richard holds it on the stage: before ...
第xxiii页
... Richard II ask for a mirror and inquire into its significance may well judge his actions in very different ways. Landholders willing their property to their kin, as Lear does, may practice the unusual Kentish law of gavelkind (as Lear ...
... Richard II ask for a mirror and inquire into its significance may well judge his actions in very different ways. Landholders willing their property to their kin, as Lear does, may practice the unusual Kentish law of gavelkind (as Lear ...
第1页
... Richard II—the newly usurped King makes an inquiry that may have puzzled, even troubled, some of the playgoers by the mid-1590s: “Good king, great king,” he asks of Bolingbroke, —and yet not greatly good — An if my word be sterling yet ...
... Richard II—the newly usurped King makes an inquiry that may have puzzled, even troubled, some of the playgoers by the mid-1590s: “Good king, great king,” he asks of Bolingbroke, —and yet not greatly good — An if my word be sterling yet ...
第3页
... Richard's deposition mirrors the earlier deposition of Edward II,2 will not even give him this much: the glass will reflect an image, but not necessarily the substance of that image. “The shadow of your sorrow hath destroyed The shadow ...
... Richard's deposition mirrors the earlier deposition of Edward II,2 will not even give him this much: the glass will reflect an image, but not necessarily the substance of that image. “The shadow of your sorrow hath destroyed The shadow ...
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常见术语和短语
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