The Living Authors of America: 1st serStringer and Townsend, 1850 - 365 頁 |
搜尋書籍內容
第 1 到 5 筆結果,共 33 筆
第 13 頁
... produce a successful romance ; and it is in this two- fold capacity that we consider Mr. Cooper so admirable a writer . Even in the very worst of his novels , there are glimpses of nature so exquisitely painted as to justify the highest ...
... produce a successful romance ; and it is in this two- fold capacity that we consider Mr. Cooper so admirable a writer . Even in the very worst of his novels , there are glimpses of nature so exquisitely painted as to justify the highest ...
第 22 頁
... producing the great poet or novelist ; on the other hand , we sometimes observe a writer who wilfully avoids the true path , or else clouds over his course by a peculiarity artificially created . Now we think this applies in a ...
... producing the great poet or novelist ; on the other hand , we sometimes observe a writer who wilfully avoids the true path , or else clouds over his course by a peculiarity artificially created . Now we think this applies in a ...
第 29 頁
... produced by the water in the timbers of the Ariel , at that moment added its impulse to the raging feelings of Dillon , and he cast himself headlong into the sea . * * * * * * * * * * “ Sheer to port , and clear the under - tow ! sheer ...
... produced by the water in the timbers of the Ariel , at that moment added its impulse to the raging feelings of Dillon , and he cast himself headlong into the sea . * * * * * * * * * * “ Sheer to port , and clear the under - tow ! sheer ...
第 30 頁
... produced by the Old Masters . Indeed , authors and painters are fellow artists ; one works with words , the other with colors ; one reaches nature through the eye , the other through the ear . The advantage , however , lies with the ...
... produced by the Old Masters . Indeed , authors and painters are fellow artists ; one works with words , the other with colors ; one reaches nature through the eye , the other through the ear . The advantage , however , lies with the ...
第 44 頁
... producing its effects by the subdued tone of the narrative . This death scene is admirably in keeping with the whole life of Natty Bumppo . " And such a stone you would have at your grave ? ' " I ! no , no , I have no son but Hard ...
... producing its effects by the subdued tone of the narrative . This death scene is admirably in keeping with the whole life of Natty Bumppo . " And such a stone you would have at your grave ? ' " I ! no , no , I have no son but Hard ...
其他版本 - 查看全部
常見字詞
Acadian admiration Alnwick Castle American Annabel Lee beauty beneath breath Bryant Byron Cachuca Carmelite character charm Coleridge consider Cooper critic Dana dark death dramatist dream earth elaborate elegant Emerson England English evidence expression fact fair feel force genius George Sand give gondola grave Halleck hand hath heard heart heaven HENRY WADSWORTH LONGFELLOW human HYPOLITO intellect JARED SPARKS Kirkland lady land Leigh Hunt light lines living Longfellow look Margaret Fuller mind Miss Fuller monomania nation Natty Bumppo nature never o'er once opinion passion peculiar poem poet poet's poetical poetry Prescott present prose quote Ralph Waldo Emerson reader remarks romance scene seems Shakspeare singular smile soul sound spirit stanza style sure sweet thee things thou thought throw tion true truth verse voice Willis woman word Wordsworth writings
熱門章節
第 127 頁 - The angels, not half so happy in Heaven, Went envying her and me Yes! that was the reason (as all men know. In this kingdom by the sea) That the wind came out of the cloud by night. Chilling and killing my Annabel Lee.
第 114 頁 - TO HELEN. Helen, thy beauty is to me Like those Nicean barks of yore, That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece And the grandeur that was Rome.
第 208 頁 - THE groves were God's first temples. Ere man learned To hew the shaft, and lay the architrave, And spread the roof above them — ere he framed The lofty vault, to gather and roll back The sound of anthems ; in the darkling wood, Amid the cool and silence, he knelt down, And offered to the Mightiest solemn thanks And supplication.
第 84 頁 - And marked the mild, angelic air, The rapture of repose that's there, The fixed yet tender traits that streak The languor of the placid cheek, And — but for that sad shrouded eye, That fires not, wins not, weeps not now, And but for that chill, changeless brow...
第 129 頁 - That I scarce was sure I heard you" — here I opened wide the door; Darkness there and nothing more.
第 194 頁 - I see before me the Gladiator lie : He leans upon his hand — his manly brow Consents to death, but conquers agony, And his drooped head sinks gradually low — And through his side the last drops, ebbing slow From the red gash, fall heavy, one by one, Like the first of a thunder shower ; and now The arena swims around him : he is gone, Ere ceased the inhuman shout which hailed the wretch who won.
第 126 頁 - It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of Annabel Lee ; And this maiden she lived with no other thought Than to love and be loved by me.
第 127 頁 - For the moon never beams, without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise, but I feel the bright eyes Of the beautiful Annabel Lee...
第 159 頁 - The village smithy stands ; The smith, a mighty man is he, With large and sinewy hands ; And the muscles of his brawny arms Are strong as iron bands. His hair is crisp, and black, and long, His face is like the tan ; His brow is wet with honest sweat, He earns whate'er he can, And looks the whole world in the face, For he owes not any man.
第 128 頁 - Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and. curious volume of forgotten lore — While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. " "Tis some visitor," I muttered, "tapping at my chamber door — Only this and nothing more.