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"Jacopo-hither-dear Jacopo !'

"The mother of God aid thee, fisherman!--I come.'

"Jacopo-the boy!--the boy!'

"The water gurgled; an arm was visible in the air, and it disappeared. The gondola drove upon the spot where the limb had just been visible, and a backward stroke, that caused the ashen blade to bend like a reed, laid the trembling boat motionless. The furious action threw the Lagune into ebullition, but, when the foam subsided, it lay calm as the blue and peaceful vault it reflected.

"Antonio!' burst from the lips of the Bravo.

"A frightful silence succeeded the call. There was neither answer nor human form. Jacopo compressed the handle of his oar with fingers of iron, and his own breathing caused him to start. On every side he bent a phrensied eye, and on every side he beheld the profound repose of that treacherous element which is so terrible in its wrath. Like the human heart, it seemed to sympathize with the tranquil beauty of the midnight view; but, like the human heart, it kept its own fearful secrets."

This passage is so fine that we must overlook its length: it is necessary to enable us to judge how perfectly Mr. Cooper succeeds in detached parts. The style of this passage is also unexceptionable, and the slight obscurity in the narrative throws a gloom over the scene which serves as the chiar'oscuro of the picture.

It is evident from this novel, unsuccessful as it was, that the writer had faculties for writing romances of a more general character than the world at large gave him credit for, and that it only required perseverance to be as successful in this walk of fiction as in the other. If preference for American subjects

determined Mr. Cooper to abandon this path and return to the other, he should not complain of his want of general popularity, but remain content with his fame, which is sufficiently European to satisfy even an ambitious man.

Forest scenery has ever been a favorite with all classes of readers our boyish associations cling to us till we become the lean and slippered pantaloon. This will account for the delight we receive from those pages of the novelist which dwell on woods, old castles, and the pleasantest side of romantic life. If we all had the courage to speak aloud our thoughts, or our ideal occupations, we should find the world was a mass of madmen; that is, according to the present test. The maniac is one who speaks and acts, as all of us think and feel. What criminals should we stand forth if our intentions or wishes were realized? This may appear a hard thing to say of human nature, but it is the truth; and those who reflect the most, and probe their own natures deepest, know this too well sometimes for their peace of mind. Should this view be objected to, let it be borne in mind that it is insisted upon repeatedly in the Holy Scriptures. So with regard to our waking dreams: what a romance of madness, love, hatred, and vanity, is the unspoken life of every man :-unacted certainly in deed, but thoroughly acted in thought; visible not to men, but palpably known to ourselves and God! Ah! even here strongly suspected by the shrewdest of our fellow-creatures; but there is no direct evidence to convict us before the world.

Is there one of those whose eyes may rest on these pages who cannot bear testimony to the truth of this sketch? It is

to this early dream of forest wanderings that in after life we derive pleasure from works of fiction, and more especially from those parts which remind us more strongly of our chivalric longings. Who has not in many a tented field battled for his country? Where is the man who has not released his lady-love from haunted castle? Ah! even the fat old man who opens oysters at Florence's has had his vision of love and beauty; and, dear reader, where is the absurdity of his having had these delusions, any more than yourself? Leigh Hunt has often said, that every man had a strong suspicion he was eminently ridiculous on certain occasions, and yet this very man was to himself his own hero: thus confirming the saying, that no one was a hero in the eyes of his valet, but always in his own.

The horror of an event is often formed in the mind by the absurdity of the same under somewhat different aspect. We will trespass again on Leigh Hunt for an illustration. He told us that notwithstanding all he had read and all he had written on the horrors of war, he had never his mind filled with the perfect idea of its gigantic lawlessness, till on the occasion of a review, or sham fight, during the Napoleontic war.

The King had reviewed the Volunteers on Wimbledon Common one intensely sultry day, and as part of the regiment to which the lively author of "Rimini" belonged was marching home, they entered some little village near the scene of this mimic slaughter. They had neither eaten nor drunk since morning, and the corporeal part of their natures was becoming vociferous for sustenance. On a sudden they beheld a baker .carrying a large basket of newly-baked loaves; veni, vidi, vici,

was the order of the day; swift as thought the hapless baker was overthrown, his basket vanished from him, and ere the bewildered knight of the oven could look around him the contents had already been introduced to the gastric juice, and were undergoing its digestive process. Leigh Hunt paused to survey the scene, and said, "Good Heaven! if in a peaceful country like this so little regard is paid to the laws of property, what on earth must be the result when a brutal and maddened soldiery is let loose upon a defenceless town?"

While we are on this subject, the mention of Leigh Hunt's name reminds us of a singular anecdote he told us one day. It is well known that as editor of the Examiner he incited and encouraged Sir Francis Burdett to defy the House of Commons to imprison him. It is not so well known that the self-said editor of the Examiner (in his capacity of volunteer soldier) helped a few days afterwards to take him to the Tower of London for following his advice.

We remember one of the party took him to task for this apparent contradiction, if not treachery; but he defended himself on the ground that he was right in his capacity of public journalist to spirit him up to assist the liberty of the subject, and that it was no less his duty on the other hand as a soldier to obey the orders of his superior officer.

After this digression we shall enter one of Mr. Cooper's forests and refresh our readers' attention.

We must premise that this is by no means one of his best "bits of painting;" still it has all the characteristics of his style, and we present it, being the first that comes to hand.

"The river was confined between high and cragged rocks, one of which impended above the spot where the canoe rested. As these, again, were surmounted by tall trees, which appeared to totter on the brows of the precipice, it gave the stream the appearance of running through a deep and narrow dell. All beneath the fantastic limbs and ragged tree-tops, which were, here and there, dimly painted against the starry zenith, lay alike in shadowed obscurity. Behind them, the curvature of the banks soon bounded the view, by the same dark and wooded outline; but in front, and apparently at no great distance, the water seemed piled against the heavens whence it tumbled into caverns, out of which issued those sullen sounds that had loaded the evening atmosphere. It seemed, in truth, to be a spot devoted to seclusion, and the sisters imbibed a soothing impression of increased security, as they gazed upon its romantic, though not unappalling beauties. A general movement among their conductors, however, soon recalled them from a contemplation of the wild charms that night had assisted to lend the place, to a painful sense of their real peril.

“The horses had been secured to some scattering shrubs that grew in the fissures of the rocks, where, standing in the water, they were left to pass the night. The scout directed Heyward and his disconsolate fellow travellers to seat themselves in the forward end of the canoe, and took possession of the other himself, as erect and steady as if he floated in a vessel of much firmer materials. The Indians warily retraced their steps towards the place they had left, when the scout, placing his pole against a rock, by a powerful shove, sent his frail bark directly into the centre of the turbulent stream. For many minutes the struggle between the light bubble in which they floated, and the swift current, was severe and doubtful. Forbidden to stir even a hand, and almost afraid to breathe, lest they should expose the frail fabric to the fury of the stream,

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