Byron: Lyric and romanceBritish Council, 1970 |
搜尋書籍內容
第 1 到 3 筆結果,共 9 筆
第 22 頁
... never a father figure as with Wordsworth . The opening stanzas of Canto II move through archi- tectural symbolism ( notice here how the skull image expands and contracts through the ' temple ' metaphor from the ' enduring bone ' of the ...
... never a father figure as with Wordsworth . The opening stanzas of Canto II move through archi- tectural symbolism ( notice here how the skull image expands and contracts through the ' temple ' metaphor from the ' enduring bone ' of the ...
第 25 頁
... never returned to England . Much of Canto III expresses Byron's bitterness at his rejection by English society after the Annabella - Augusta scandal , and in this it is the most personal of the cantos , the sour first - fruits of exile ...
... never returned to England . Much of Canto III expresses Byron's bitterness at his rejection by English society after the Annabella - Augusta scandal , and in this it is the most personal of the cantos , the sour first - fruits of exile ...
第 42 頁
... never allowed to run to waste , where the hemlock reaches to the height of the turban and the cedar bends down to touch it too , and both are kept in bounds by an intervention which is never seen but is constantly ( or perhaps ...
... never allowed to run to waste , where the hemlock reaches to the height of the turban and the cedar bends down to touch it too , and both are kept in bounds by an intervention which is never seen but is constantly ( or perhaps ...
常見字詞
action already Athens beginning brought Canto Canto II Childe Harold Chillon cities close column correlatives Corsair course death dimension drama early earth elements England ENGLISH EPIGRAM essay express feeling fiery figure finally finds fire Giaour gives Greece Greek hero Hours of Idleness human ideograms Italy John land landscape Lara later letters lines live London lonely looks LORD BYRON lost March Mazeppa meaning MICHIGAN mind mother mountains narrative Nature never Newstead o'er once opening Oriental pass passage passion past pattern phrase poem poet poetry present Prisoner projection published reflection remained returns Review satiric scene seen sense separation Shelley stanzas stood structure successful Tale theme THOMAS thought Turkish turn UNIVERSITY Venice verse voice wanderer wave whole wisdom Wordsworth writing written Young