Byron: Lyric and romanceBritish Council, 1970 |
搜尋書籍內容
第 1 到 3 筆結果,共 27 筆
第 15 頁
... Canto I - a curiously ' land - locked ' canto , in view of its peninsular contours - the dominant elements are earth and fire ; these ' die ' into the earth and water of Canto II , which ' dies ' in its turn into the fire and water of ...
... Canto I - a curiously ' land - locked ' canto , in view of its peninsular contours - the dominant elements are earth and fire ; these ' die ' into the earth and water of Canto II , which ' dies ' in its turn into the fire and water of ...
第 25 頁
... Canto III ( published 1816 ) and Canto IV ( 1818 ) are the product of his second Continental sojourn , from which he never returned to England . Much of Canto III expresses Byron's bitterness at his rejection by English society after ...
... Canto III ( published 1816 ) and Canto IV ( 1818 ) are the product of his second Continental sojourn , from which he never returned to England . Much of Canto III expresses Byron's bitterness at his rejection by English society after ...
第 34 頁
... Canto I gives us nothing , and Canto II presents structures which , being Greek , are conceived of in existential terms transcending those of art , and which in any case have been so far ab- sorbed into the landscape that they are no ...
... Canto I gives us nothing , and Canto II presents structures which , being Greek , are conceived of in existential terms transcending those of art , and which in any case have been so far ab- sorbed into the landscape that they are no ...
常見字詞
action already Athens beginning brought Canto Canto II Childe Harold Chillon cities close column correlatives Corsair course death dimension drama early earth elements England ENGLISH EPIGRAM essay express feeling fiery figure finally finds fire Giaour gives Greece Greek hero Hours of Idleness human ideograms Italy John land landscape Lara later letters lines live London lonely looks LORD BYRON lost March Mazeppa meaning MICHIGAN mind mother mountains narrative Nature never Newstead o'er once opening Oriental pass passage passion past pattern phrase poem poet poetry present Prisoner projection published reflection remained returns Review satiric scene seen sense separation Shelley stanzas stood structure successful Tale theme THOMAS thought Turkish turn UNIVERSITY Venice verse voice wanderer wave whole wisdom Wordsworth writing written Young