Shakespeare Adaptations from the Restoration: Five PlaysBarbara A. Murray Fairleigh Dickinson Univ Press, 2005 - 556 頁 Between 1660 and 1682 seventeen of Shakespeare's plays were altered for the new Restoration stages and times. Shakespeare Adaptations from the Restoration: Five Plays now publishes five of these plays for the first time in a critical edition. |
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第 1 到 5 筆結果,共 85 筆
第 xxxii 頁
... speak of his invisible blushes in response to praise ; the burial of Mutius ; new lines ( 11.177-87 ) for the developing hypocrisy of Tamora and Aron ; and quite a long new passage ( 11.308-73 ) for the latter's temptation of Chiron and ...
... speak of his invisible blushes in response to praise ; the burial of Mutius ; new lines ( 11.177-87 ) for the developing hypocrisy of Tamora and Aron ; and quite a long new passage ( 11.308-73 ) for the latter's temptation of Chiron and ...
第 xxxv 頁
... speak of . A hint is there for this in Shakespeare from Aaron who says of white skin ( 4.2.116– 17 ) " Fie , treacherous hue , that will betray with blushing / The close enacts and counsels of thy heart " . For Aron , newly , his baby's ...
... speak of . A hint is there for this in Shakespeare from Aaron who says of white skin ( 4.2.116– 17 ) " Fie , treacherous hue , that will betray with blushing / The close enacts and counsels of thy heart " . For Aron , newly , his baby's ...
第 xxxvi 頁
... speak to [ him ] " . The Gothic soldier , husband of the murdered child - minder , declares that the speech of soldiers is short and blunt , " to the purpose " , but , a lonely sight on his rack , it is Aron who will not speak at first ...
... speak to [ him ] " . The Gothic soldier , husband of the murdered child - minder , declares that the speech of soldiers is short and blunt , " to the purpose " , but , a lonely sight on his rack , it is Aron who will not speak at first ...
第 lxv 頁
... speak powerfully of the almost venomous effect of their illicit lovemaking on the little creatures witnessing it that " have danc'd to Death as they were stung " ( III.ii.219 ) . Generally , however , this world is not inhabited by such ...
... speak powerfully of the almost venomous effect of their illicit lovemaking on the little creatures witnessing it that " have danc'd to Death as they were stung " ( III.ii.219 ) . Generally , however , this world is not inhabited by such ...
第 lxxxi 頁
... speak much more urgently to the equally turbulent politics of the late seventeenth century , which is why two of them were banned . Here royal succession is uncertain , or threatened , and plots are laid , or murder is planned by ...
... speak much more urgently to the equally turbulent politics of the late seventeenth century , which is why two of them were banned . Here royal succession is uncertain , or threatened , and plots are laid , or murder is planned by ...
內容
1 | |
The Misery of Civil War Henry VIs 1680 | 89 |
The History of King Richard the Second or The Sicilian Usurper Richard II 1680 | 193 |
Henry the Sixth The First Part with the Murder of Humphrey Duke of Glocester 1681 | 271 |
The Injured Princess or The Fatal Wager Cymbeline 1682 | 375 |
Notes | 455 |
Bibliography | 541 |
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常見字詞
Aron Arviragus Aumerle Bassianus Bellarius Bentley and Magnes Blood Brother Bullingbrook Cade Cardinal Chiron Clifford Cloten cou'd Crowne Crowne's Cymbeline damn'd dead Death Demetrius Duke Duke's Company Durfey e're Edward Emperour Enter Eugenia Exeunt Exit Father fear Friends Gaunt give Glocester Greek mythology heart Heaven Henry Henry VI Honour I'le I'me Jachimo John Crowne Junius kill'd King Lear King's Kingdom Lady Elianor Lady Grey Lavinia live London Lord Love Lucius Madam Marcus Misery of Civil Murderer Nahum Tate ne're Noble Northumberland Palladour Pisanio Plantagenet play play's Plot Popish Plot pray Prince prologue Queen Ravenscroft Restoration revenge Richard II Richard Plantagenet Roman Rome Royal Scene Shakespeare Shattillion shew shou'd Sons Soul Souldiers speak Suffolk Sword Tamora Tate Tate's Tears tell theater thee Thomas Durfey thou art thou hast Titus Andronicus Traytor University Press Ursaces Villain Warwick weep whilst Woman wou'd York
熱門章節
第 256 頁 - Richard; no man cried, God save him; No joyful tongue gave him his welcome home : But dust was thrown upon his sacred head ; Which with such gentle sorrow he shook off, — His face still combating with tears and smiles, The badges of his grief and patience ; — That had not God, for some strong purpose, steel'd The hearts of men, they must perforce have melted, And barbarism itself have pitied him.
第 5 頁 - I have been told by some anciently conversant with the Stage, that it was not Originally his, but brought by a private Author to be Acted, and he only gave some Mastertouches to one or two of the Principal Parts or Characters...
第 196 頁 - Stage; with as little design of satyr on present Transactions, as Shakespear himself that wrote this Story before this Age began.
第 200 頁 - Quails popule& moerens Philomela sub umbra Amissos queritur foetus, quos durus arator Observans nido implumes detraxit ; at ilia Flet noctem, ramoque sedens miserabile carmen Integral, et moestis late loca questibus implet.
第 479 頁 - England's Worthies. Select Lives of the most eminent persons of the English nation from Constantine the Great down to these times.
第 199 頁 - Disadvantage: many things were by this means render 'd obscure and incoherent that in their native Dress had appear 'd not only proper but gracefull. I 150 call'd my Persons Sicilians but might as well have made 'em Inhabitants of the Isle of Pines, or, World in the Moon, for whom an Audience are like to have small Concern.
第 265 頁 - My brain I'll prove the female to my soul; My soul the father: and these two beget A generation of still-breeding thoughts...