Shakespeare Adaptations from the Restoration: Five PlaysBarbara A. Murray Fairleigh Dickinson Univ Press, 2005 - 556 頁 Between 1660 and 1682 seventeen of Shakespeare's plays were altered for the new Restoration stages and times. Shakespeare Adaptations from the Restoration: Five Plays now publishes five of these plays for the first time in a critical edition. |
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第 1 到 5 筆結果,共 80 筆
第 頁
... by significant Restoration dramatists . The Introduction also sets each play in the context of a close account of contem- ( Continued on back flap ) Shakespeare Adaptations from the Restoration This One 217W - PH3-6TU1.
... by significant Restoration dramatists . The Introduction also sets each play in the context of a close account of contem- ( Continued on back flap ) Shakespeare Adaptations from the Restoration This One 217W - PH3-6TU1.
第 xxvii 頁
... Play " , and what the adapters created from their Shakespearean material were strongly visual pieces for their new stage conditions , whose appeal also lay in a language now less " pestered with figurative expressions " , as Dryden had ...
... Play " , and what the adapters created from their Shakespearean material were strongly visual pieces for their new stage conditions , whose appeal also lay in a language now less " pestered with figurative expressions " , as Dryden had ...
第 xxix 頁
... play , one can generally tell something about the relationship that was being struck in the theater between audience and actors . This is not possible with Ravenscroft's Titus Andronicus , however , since — as the address to the Reader ...
... play , one can generally tell something about the relationship that was being struck in the theater between audience and actors . This is not possible with Ravenscroft's Titus Andronicus , however , since — as the address to the Reader ...
第 xxx 頁
... play ( either Titus in the early Popish Plot months , or The Conspiracy while the Exclusion Crisis still festered ) full of excitement to see a play on their own distracted times . They were bound to be disappointed , however : the ...
... play ( either Titus in the early Popish Plot months , or The Conspiracy while the Exclusion Crisis still festered ) full of excitement to see a play on their own distracted times . They were bound to be disappointed , however : the ...
第 xxxi 頁
... play's subject in the naive assumption that his readers would enjoy an outdated political relevance ; much more ... play was licensed for printing in December ) James had been steadily ensuring that Catholics held office from the Privy ...
... play's subject in the naive assumption that his readers would enjoy an outdated political relevance ; much more ... play was licensed for printing in December ) James had been steadily ensuring that Catholics held office from the Privy ...
內容
1 | |
The Misery of Civil War Henry VIs 1680 | 89 |
The History of King Richard the Second or The Sicilian Usurper Richard II 1680 | 193 |
Henry the Sixth The First Part with the Murder of Humphrey Duke of Glocester 1681 | 271 |
The Injured Princess or The Fatal Wager Cymbeline 1682 | 375 |
Notes | 455 |
Bibliography | 541 |
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Aron Arviragus Aumerle Bassianus Bellarius Bentley and Magnes Blood Brother Bullingbrook Cade Cardinal Chiron Clifford Cloten cou'd Crowne Crowne's Cymbeline damn'd dead Death Demetrius Duke Duke's Company Durfey e're Edward Emperour Enter Eugenia Exeunt Exit Father fear Friends Gaunt give Glocester Greek mythology heart Heaven Henry Henry VI Honour I'le I'me Jachimo John Crowne Junius kill'd King Lear King's Kingdom Lady Elianor Lady Grey Lavinia live London Lord Love Lucius Madam Marcus Misery of Civil Murderer Nahum Tate ne're Noble Northumberland Palladour Pisanio Plantagenet play play's Plot Popish Plot pray Prince prologue Queen Ravenscroft Restoration revenge Richard II Richard Plantagenet Roman Rome Royal Scene Shakespeare Shattillion shew shou'd Sons Soul Souldiers speak Suffolk Sword Tamora Tate Tate's Tears tell theater thee Thomas Durfey thou art thou hast Titus Andronicus Traytor University Press Ursaces Villain Warwick weep whilst Woman wou'd York
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第 256 頁 - Richard; no man cried, God save him; No joyful tongue gave him his welcome home : But dust was thrown upon his sacred head ; Which with such gentle sorrow he shook off, — His face still combating with tears and smiles, The badges of his grief and patience ; — That had not God, for some strong purpose, steel'd The hearts of men, they must perforce have melted, And barbarism itself have pitied him.
第 5 頁 - I have been told by some anciently conversant with the Stage, that it was not Originally his, but brought by a private Author to be Acted, and he only gave some Mastertouches to one or two of the Principal Parts or Characters...
第 196 頁 - Stage; with as little design of satyr on present Transactions, as Shakespear himself that wrote this Story before this Age began.
第 200 頁 - Quails popule& moerens Philomela sub umbra Amissos queritur foetus, quos durus arator Observans nido implumes detraxit ; at ilia Flet noctem, ramoque sedens miserabile carmen Integral, et moestis late loca questibus implet.
第 479 頁 - England's Worthies. Select Lives of the most eminent persons of the English nation from Constantine the Great down to these times.
第 199 頁 - Disadvantage: many things were by this means render 'd obscure and incoherent that in their native Dress had appear 'd not only proper but gracefull. I 150 call'd my Persons Sicilians but might as well have made 'em Inhabitants of the Isle of Pines, or, World in the Moon, for whom an Audience are like to have small Concern.
第 265 頁 - My brain I'll prove the female to my soul; My soul the father: and these two beget A generation of still-breeding thoughts...