Shakespeare Adaptations from the Restoration: Five PlaysBarbara A. Murray Fairleigh Dickinson Univ Press, 2005 - 556 頁 Between 1660 and 1682 seventeen of Shakespeare's plays were altered for the new Restoration stages and times. Shakespeare Adaptations from the Restoration: Five Plays now publishes five of these plays for the first time in a critical edition. |
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第 1 到 5 筆結果,共 85 筆
第 xv 頁
... eye for powerful adaptation to a new medium and new stage theory and practices , as well as for the strikingly contemporary , topical , and even explicitly political . This is not the place to explore the whole history of this ...
... eye for powerful adaptation to a new medium and new stage theory and practices , as well as for the strikingly contemporary , topical , and even explicitly political . This is not the place to explore the whole history of this ...
第 xxiii 頁
... eyes " ( from Satires , Epistles , Ars Poetica , trans . H. Rushton Fairclough , Loeb Classical Library , Cambridge , Mass .: Harvard University Press , 1929 ) . 13. Gildon , The Life of Mr Thomas Betterton ( 1710 ) , in J. I. McCollum ...
... eyes " ( from Satires , Epistles , Ars Poetica , trans . H. Rushton Fairclough , Loeb Classical Library , Cambridge , Mass .: Harvard University Press , 1929 ) . 13. Gildon , The Life of Mr Thomas Betterton ( 1710 ) , in J. I. McCollum ...
第 xxvii 頁
... eye.24 Updated in this way for new stages , and for developing ideals of dramatic poetry , many of the plays of this period have a strong political consciousness and , as will be shown , this is particularly true of the three history ...
... eye.24 Updated in this way for new stages , and for developing ideals of dramatic poetry , many of the plays of this period have a strong political consciousness and , as will be shown , this is particularly true of the three history ...
第 xxix 頁
... eye on what would have been appropriate nearly a decade earlier when the play was written . The satire of the " Prologue , Spoken in Lent " ( originally written by him for Whitaker's The Conspiracy of 1680 ) is directed not only at the ...
... eye on what would have been appropriate nearly a decade earlier when the play was written . The satire of the " Prologue , Spoken in Lent " ( originally written by him for Whitaker's The Conspiracy of 1680 ) is directed not only at the ...
第 xxxiv 頁
... eyes , but Ravenscroft has also added moments for characters to stress the importance of what is seen , and thereby the significance of who is to look , and why : " See those gray hairs , behold the good old man " , newly says the ...
... eyes , but Ravenscroft has also added moments for characters to stress the importance of what is seen , and thereby the significance of who is to look , and why : " See those gray hairs , behold the good old man " , newly says the ...
內容
1 | |
The Misery of Civil War Henry VIs 1680 | 89 |
The History of King Richard the Second or The Sicilian Usurper Richard II 1680 | 193 |
Henry the Sixth The First Part with the Murder of Humphrey Duke of Glocester 1681 | 271 |
The Injured Princess or The Fatal Wager Cymbeline 1682 | 375 |
Notes | 455 |
Bibliography | 541 |
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常見字詞
Aron Arviragus Aumerle Bassianus Bellarius Bentley and Magnes Blood Brother Bullingbrook Cade Cardinal Chiron Clifford Cloten cou'd Crowne Crowne's Cymbeline damn'd dead Death Demetrius Duke Duke's Company Durfey e're Edward Emperour Enter Eugenia Exeunt Exit Father fear Friends Gaunt give Glocester Greek mythology heart Heaven Henry Henry VI Honour I'le I'me Jachimo John Crowne Junius kill'd King Lear King's Kingdom Lady Elianor Lady Grey Lavinia live London Lord Love Lucius Madam Marcus Misery of Civil Murderer Nahum Tate ne're Noble Northumberland Palladour Pisanio Plantagenet play play's Plot Popish Plot pray Prince prologue Queen Ravenscroft Restoration revenge Richard II Richard Plantagenet Roman Rome Royal Scene Shakespeare Shattillion shew shou'd Sons Soul Souldiers speak Suffolk Sword Tamora Tate Tate's Tears tell theater thee Thomas Durfey thou art thou hast Titus Andronicus Traytor University Press Ursaces Villain Warwick weep whilst Woman wou'd York
熱門章節
第 256 頁 - Richard; no man cried, God save him; No joyful tongue gave him his welcome home : But dust was thrown upon his sacred head ; Which with such gentle sorrow he shook off, — His face still combating with tears and smiles, The badges of his grief and patience ; — That had not God, for some strong purpose, steel'd The hearts of men, they must perforce have melted, And barbarism itself have pitied him.
第 5 頁 - I have been told by some anciently conversant with the Stage, that it was not Originally his, but brought by a private Author to be Acted, and he only gave some Mastertouches to one or two of the Principal Parts or Characters...
第 196 頁 - Stage; with as little design of satyr on present Transactions, as Shakespear himself that wrote this Story before this Age began.
第 200 頁 - Quails popule& moerens Philomela sub umbra Amissos queritur foetus, quos durus arator Observans nido implumes detraxit ; at ilia Flet noctem, ramoque sedens miserabile carmen Integral, et moestis late loca questibus implet.
第 479 頁 - England's Worthies. Select Lives of the most eminent persons of the English nation from Constantine the Great down to these times.
第 199 頁 - Disadvantage: many things were by this means render 'd obscure and incoherent that in their native Dress had appear 'd not only proper but gracefull. I 150 call'd my Persons Sicilians but might as well have made 'em Inhabitants of the Isle of Pines, or, World in the Moon, for whom an Audience are like to have small Concern.
第 265 頁 - My brain I'll prove the female to my soul; My soul the father: and these two beget A generation of still-breeding thoughts...