Shakespeare Adaptations from the Restoration: Five PlaysBarbara A. Murray Fairleigh Dickinson Univ Press, 2005 - 556 頁 Between 1660 and 1682 seventeen of Shakespeare's plays were altered for the new Restoration stages and times. Shakespeare Adaptations from the Restoration: Five Plays now publishes five of these plays for the first time in a critical edition. |
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第 1 到 5 筆結果,共 84 筆
第 ii 頁
Five Plays Barbara A. Murray. 21 from the Restoration Five Plays Edited by Barbara A. Murray. ոչորի Wren's sectional design for the second Theatre Royal , 1674 . D , aaaaa + . IIa das as Dalla ... 0 £ A11 C ... Ը.
Five Plays Barbara A. Murray. 21 from the Restoration Five Plays Edited by Barbara A. Murray. ոչորի Wren's sectional design for the second Theatre Royal , 1674 . D , aaaaa + . IIa das as Dalla ... 0 £ A11 C ... Ը.
第 vii 頁
... of Humphrey Duke of Glocester , 1681 JOHN CROWNE 271 The Injured Princess , or The Fatal Wager ( Cymbeline ) , 1682 THOMAS DURFEY 375 Notes Bibliography vii 455 541 Illustrations Wren's sectional design for the second Theatre Royal ,
... of Humphrey Duke of Glocester , 1681 JOHN CROWNE 271 The Injured Princess , or The Fatal Wager ( Cymbeline ) , 1682 THOMAS DURFEY 375 Notes Bibliography vii 455 541 Illustrations Wren's sectional design for the second Theatre Royal ,
第 ix 頁
Five Plays Barbara A. Murray. Illustrations Wren's sectional design for the second Theatre Royal , 1674. Courtesy of the Warden and Fellows of All Souls College , Oxford . Title page of Titus Andronicus , 1687 Frontispiece Courtesy of ...
Five Plays Barbara A. Murray. Illustrations Wren's sectional design for the second Theatre Royal , 1674. Courtesy of the Warden and Fellows of All Souls College , Oxford . Title page of Titus Andronicus , 1687 Frontispiece Courtesy of ...
第 xxi 頁
... Royal in Drury Lane , and the Duke's Company in 1671 to their theater at Dorset Garden . Christopher Wren's cross - sectional design for the Theatre Royal of 1674 , included as a frontispiece to this edition , clearly shows the raked ...
... Royal in Drury Lane , and the Duke's Company in 1671 to their theater at Dorset Garden . Christopher Wren's cross - sectional design for the Theatre Royal of 1674 , included as a frontispiece to this edition , clearly shows the raked ...
第 xliii 頁
... royal philandering.44 Crowne also added to the part of Lady Grey , hotly and callously wooed by Warwick over the corpse of her husband with images of burning and torture ( and later of tribute and taxation ) as the language of love . We ...
... royal philandering.44 Crowne also added to the part of Lady Grey , hotly and callously wooed by Warwick over the corpse of her husband with images of burning and torture ( and later of tribute and taxation ) as the language of love . We ...
內容
1 | |
The Misery of Civil War Henry VIs 1680 | 89 |
The History of King Richard the Second or The Sicilian Usurper Richard II 1680 | 193 |
Henry the Sixth The First Part with the Murder of Humphrey Duke of Glocester 1681 | 271 |
The Injured Princess or The Fatal Wager Cymbeline 1682 | 375 |
Notes | 455 |
Bibliography | 541 |
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Aron Arviragus Aumerle Bassianus Bellarius Bentley and Magnes Blood Brother Bullingbrook Cade Cardinal Chiron Clifford Cloten cou'd Crowne Crowne's Cymbeline damn'd dead Death Demetrius Duke Duke's Company Durfey e're Edward Emperour Enter Eugenia Exeunt Exit Father fear Friends Gaunt give Glocester Greek mythology heart Heaven Henry Henry VI Honour I'le I'me Jachimo John Crowne Junius kill'd King Lear King's Kingdom Lady Elianor Lady Grey Lavinia live London Lord Love Lucius Madam Marcus Misery of Civil Murderer Nahum Tate ne're Noble Northumberland Palladour Pisanio Plantagenet play play's Plot Popish Plot pray Prince prologue Queen Ravenscroft Restoration revenge Richard II Richard Plantagenet Roman Rome Royal Scene Shakespeare Shattillion shew shou'd Sons Soul Souldiers speak Suffolk Sword Tamora Tate Tate's Tears tell theater thee Thomas Durfey thou art thou hast Titus Andronicus Traytor University Press Ursaces Villain Warwick weep whilst Woman wou'd York
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第 256 頁 - Richard; no man cried, God save him; No joyful tongue gave him his welcome home : But dust was thrown upon his sacred head ; Which with such gentle sorrow he shook off, — His face still combating with tears and smiles, The badges of his grief and patience ; — That had not God, for some strong purpose, steel'd The hearts of men, they must perforce have melted, And barbarism itself have pitied him.
第 5 頁 - I have been told by some anciently conversant with the Stage, that it was not Originally his, but brought by a private Author to be Acted, and he only gave some Mastertouches to one or two of the Principal Parts or Characters...
第 196 頁 - Stage; with as little design of satyr on present Transactions, as Shakespear himself that wrote this Story before this Age began.
第 200 頁 - Quails popule& moerens Philomela sub umbra Amissos queritur foetus, quos durus arator Observans nido implumes detraxit ; at ilia Flet noctem, ramoque sedens miserabile carmen Integral, et moestis late loca questibus implet.
第 479 頁 - England's Worthies. Select Lives of the most eminent persons of the English nation from Constantine the Great down to these times.
第 199 頁 - Disadvantage: many things were by this means render 'd obscure and incoherent that in their native Dress had appear 'd not only proper but gracefull. I 150 call'd my Persons Sicilians but might as well have made 'em Inhabitants of the Isle of Pines, or, World in the Moon, for whom an Audience are like to have small Concern.
第 265 頁 - My brain I'll prove the female to my soul; My soul the father: and these two beget A generation of still-breeding thoughts...