Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 1996 - 1011 頁 Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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第 1 到 3 筆結果,共 52 筆
第 60 頁
... possible corruptions , textual , that is , which editors have noted in the Ovidian text Lucentio is using and to possible lapses in Lucentio's erudition , 33 it is clear that she does at least know enough about the rhetoric of learned ...
... possible corruptions , textual , that is , which editors have noted in the Ovidian text Lucentio is using and to possible lapses in Lucentio's erudition , 33 it is clear that she does at least know enough about the rhetoric of learned ...
第 148 頁
... possible sign of weakness or lack of interest , begrudging Shakespeare his return to profes- sional activity in the wake of The Tempest . Yet it is also possible to see the play's disjunctions as deliber- ate , and to argue that , in ...
... possible sign of weakness or lack of interest , begrudging Shakespeare his return to profes- sional activity in the wake of The Tempest . Yet it is also possible to see the play's disjunctions as deliber- ate , and to argue that , in ...
第 212 頁
... possible in interpretation , but tests for valid- ity can still judge some readings to be more plausible than others . " As a pluralist who nonetheless believes in literary criticism as a rational enterprise , Armstrong proposes three ...
... possible in interpretation , but tests for valid- ity can still judge some readings to be more plausible than others . " As a pluralist who nonetheless believes in literary criticism as a rational enterprise , Armstrong proposes three ...
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Adonis Angelo argues Arthur audience authority becomes body Caliban Cambridge carnival character circumcision claim Claudio context critics cultural Cymbeline death desire discourse dramatic Duke early modern edition Edward Edward III Elizabethan England English essay Falstaff father figure flesh Gertred grace Griselda Hamlet Harvey hath Henry Henry IV Henry's Holinshed Isabella Katherine King John language Lear lines literary London lord male Marprelate Martin Martin Marprelate Measure for Measure Merchant of Venice Mercutio narrative Nashe Nashe's notes Oldcastle Othello Oxford Petruchio play's political Prince Prospero puritan Queen Renaissance rhetorical Richard Richard II role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare's play Shrew sion social Sonnet Sonnet 99 speech stage suggests Tempest textual theater theatrical thee thou tion Titus Andronicus traditional Troublesome Raigne truth University Press Venice Venus vols words York