Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 1996 - 1011 頁 Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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第 1 到 3 筆結果,共 60 筆
第 16 頁
... human desires result from human relationships instead of the reverse . Desire thus under- stood is model - oriented , and its mode of communica- tion is imitational ( or mimetic ) . This approach runs contrary to object - oriented ...
... human desires result from human relationships instead of the reverse . Desire thus under- stood is model - oriented , and its mode of communica- tion is imitational ( or mimetic ) . This approach runs contrary to object - oriented ...
第 127 頁
... human rulers like Saul , David and Solomon . Yet in the language of address and in the manifestations of royal behaviour , the demarcations separating these two levels of king- ship are often blurred . No matter what level , the es ...
... human rulers like Saul , David and Solomon . Yet in the language of address and in the manifestations of royal behaviour , the demarcations separating these two levels of king- ship are often blurred . No matter what level , the es ...
第 282 頁
... human domain because humanity realizes itself through language , but words , once admitted , proceed to impose their own laws in defiance of man's private exigencies . Human beings can never be the authors of their own destinies , but ...
... human domain because humanity realizes itself through language , but words , once admitted , proceed to impose their own laws in defiance of man's private exigencies . Human beings can never be the authors of their own destinies , but ...
常見字詞
Adonis Angelo argues Arthur audience authority becomes body Caliban Cambridge carnival character circumcision claim Claudio context critics cultural Cymbeline death desire discourse dramatic Duke early modern edition Edward Edward III Elizabethan England English essay Falstaff father figure flesh Gertred grace Griselda Hamlet Harvey hath Henry Henry IV Henry's Holinshed Isabella Katherine King John language Lear lines literary London lord male Marprelate Martin Martin Marprelate Measure for Measure Merchant of Venice Mercutio narrative Nashe Nashe's notes Oldcastle Othello Oxford Petruchio play's political Prince Prospero puritan Queen Renaissance rhetorical Richard Richard II role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare's play Shrew sion social Sonnet Sonnet 99 speech stage suggests Tempest textual theater theatrical thee thou tion Titus Andronicus traditional Troublesome Raigne truth University Press Venice Venus vols words York