Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 1996 - 1011 頁 Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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第 1 到 3 筆結果,共 85 筆
第 218 頁
... early 1600s may have included signifiers linked to onstage figures limited in their ability to " see " impor- tant things around them . One possible way to signal or heighten such " not - seeing " ( as with Claudio - Don Pedro and ...
... early 1600s may have included signifiers linked to onstage figures limited in their ability to " see " impor- tant things around them . One possible way to signal or heighten such " not - seeing " ( as with Claudio - Don Pedro and ...
第 376 頁
... early modern soci- ety , also governed that period's construction of the ancient British relation to Rome . In the section that follows , I shall examine this phenomenon through the early modern historiography of two ancient Britons ...
... early modern soci- ety , also governed that period's construction of the ancient British relation to Rome . In the section that follows , I shall examine this phenomenon through the early modern historiography of two ancient Britons ...
第 381 頁
... early modern constructions of national origins . In Mosse's formula- tion the greatest threat to the male bonding of nation- alism is overt male homosexuality , an anxiety Gold- berg discovers as early as the 1630s in Plimoth Plan ...
... early modern constructions of national origins . In Mosse's formula- tion the greatest threat to the male bonding of nation- alism is overt male homosexuality , an anxiety Gold- berg discovers as early as the 1630s in Plimoth Plan ...
常見字詞
Adonis Angelo argues Arthur audience authority becomes body Caliban Cambridge carnival character circumcision claim Claudio context critics cultural Cymbeline death desire discourse dramatic Duke early modern edition Edward Edward III Elizabethan England English essay Falstaff father figure flesh Gertred grace Griselda Hamlet Harvey hath Henry Henry IV Henry's Holinshed Isabella Katherine King John language Lear lines literary London lord male Marprelate Martin Martin Marprelate Measure for Measure Merchant of Venice Mercutio narrative Nashe Nashe's notes Oldcastle Othello Oxford Petruchio play's political Prince Prospero puritan Queen Renaissance rhetorical Richard Richard II role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare's play Shrew sion social Sonnet Sonnet 99 speech stage suggests Tempest textual theater theatrical thee thou tion Titus Andronicus traditional Troublesome Raigne truth University Press Venice Venus vols words York