Shakespearean CriticismMichael Magoulias Gale Research International, Limited, 1996 - 1011 頁 Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
搜尋書籍內容
第 1 到 3 筆結果,共 87 筆
第 22 頁
... character in the play turns out to be " cred- ulous to false prints . " As Shakespeare represents the situation , the more a character denies his or her sus- ceptibility , the greater the damage that occurs . Acquis- itive and ...
... character in the play turns out to be " cred- ulous to false prints . " As Shakespeare represents the situation , the more a character denies his or her sus- ceptibility , the greater the damage that occurs . Acquis- itive and ...
第 99 頁
... character . In fact as I show else- where Shakespeare again and again creates from noth- ing or from the barest hint in his sources a character I call the " verso , " who , like the underplot , stands in- and is constructed from - a ...
... character . In fact as I show else- where Shakespeare again and again creates from noth- ing or from the barest hint in his sources a character I call the " verso , " who , like the underplot , stands in- and is constructed from - a ...
第 179 頁
... character . ... [ Shake- speare ] developed within the chronicle material con- text a broad comic plot in which the Falstaff - Oldcastle character could be manipulated to reflect not only the image of the ancestral Lollard martyr but ...
... character . ... [ Shake- speare ] developed within the chronicle material con- text a broad comic plot in which the Falstaff - Oldcastle character could be manipulated to reflect not only the image of the ancestral Lollard martyr but ...
常見字詞
Adonis Angelo argues Arthur audience authority becomes body Caliban Cambridge carnival character circumcision claim Claudio context critics cultural Cymbeline death desire discourse dramatic Duke early modern edition Edward Edward III Elizabethan England English essay Falstaff father figure flesh Gertred grace Griselda Hamlet Harvey hath Henry Henry IV Henry's Holinshed Isabella Katherine King John language Lear lines literary London lord male Marprelate Martin Martin Marprelate Measure for Measure Merchant of Venice Mercutio narrative Nashe Nashe's notes Oldcastle Othello Oxford Petruchio play's political Prince Prospero puritan Queen Renaissance rhetorical Richard Richard II role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare's play Shrew sion social Sonnet Sonnet 99 speech stage suggests Tempest textual theater theatrical thee thou tion Titus Andronicus traditional Troublesome Raigne truth University Press Venice Venus vols words York