God out of knowledge and good out of infinite pain As the marsh-hen secretly builds on the watery sod, In the freedom that fills all the space 'twixt the marsh and the skies: By so many roots as the marsh-grass sends in the sod I will heartily lay me a-hold on the greatness of God: And the sea lends large, as the marsh: lo, out of his plenty the sea Pours fast full soon the time of the flood-tide must be : Look how the grace of the sea doth go About and about through the intricate channels that flow Here and there, Everywhere, Till his waters have flooded the uttermost creeks and the low-lying lanes, And the marsh is meshed with a million veins, That like as with rosy and silvery essences flow Farewell, my lord Sun! The creeks overflow: a thousand rivulets run 'Twixt the roots of the sod; the blades of the marsh-grass stir; Passeth a hurrying sound of wings that westward whirr ; Passeth, and all is still; and the currents cease to run; And the sea and the marsh are one. How still the plains of the waters be! The tide is at his highest height: And it is night. And now from the Vast of the Lord will the waters of sleep But who will reveal to our waking ken The forms that swim and the shapes that creep Under the waters of sleep? And I would I could know what swimmeth below when the tide comes in On the length and the breadth of the marvelous marshes of Glynn. THE LATER NATIONAL PERIOD MINOR WRITERS BAYARD TAYLOR [Born at Kennett Square, Chester County, Pennsylvania, January 11, 1825; died at Berlin, December 19, 1878] BEDOUIN SONG From the Desert I come to thee And the midnight hears my cry: I love thee, I love but thee, With a love that shall not die And the stars are old, And the leaves of the Judgment Look from thy window and see My passion and my pain; I lie on the sands below, And I faint in thy disdain. Let the night-winds touch thy brow With the heat of my burning sigh, And melt thee to hear the vow Of a love that shall not die And the leaves of the Judgment My steps are nightly driven, By the fever in my breast, To hear from thy lattice breathed And the leaves of the Judgment THE SONG OF THE CAMP "Give us a song!" the soldiers cried, The dark Redan, in silent scoff, Lay, grim and threatening, under; And the tawny mound of the Malakoff No longer belched its thunder. There was a pause. A guardsman said "We storm the forts to-morrow; Sing while we may, another day Will bring enough of sorrow." They lay along the battery's side, Brave hearts, from Severn and from Clyde, They sang of love, and not of fame; But all sang "Annie Laurie." Voice after voice caught up the song, Rose like an anthem, rich and strong, Dear girl, her name he dared not speak, But, as the song grew louder, Something upon the soldier's cheek Washed off the stains of powder. Beyond the darkening ocean burned And once again a fire of hell Rained on the Russian quarters, With scream of shot, and burst of shell, And bellowing of the mortars! And Irish Nora's eyes are dim Sleep, soldiers! still in honored rest The bravest are the tenderest, AMERICA FROM THE NATIONAL ODE, JULY 4, 1876 Foreseen in the vision of sages, She was born of the longing of ages, |