Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷W. Heinemann, 1898 |
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第 1 到 5 筆結果,共 33 筆
第 11 頁
... Turning now to painting . We may point out , beside the more or less veiled reminiscences already alluded to , a certain number of textual imitations . In his studies for the Adoration of the Magi- the unfinished sketch in the Uffizi ...
... Turning now to painting . We may point out , beside the more or less veiled reminiscences already alluded to , a certain number of textual imitations . In his studies for the Adoration of the Magi- the unfinished sketch in the Uffizi ...
第 14 頁
... turned the same way as the original , he exactly reproduces the horse on the right in the cameo , while if we turn to Edelinck's engraving , which is reversed , he agrees exactly with the horse on the left . It was on this occasion that ...
... turned the same way as the original , he exactly reproduces the horse on the right in the cameo , while if we turn to Edelinck's engraving , which is reversed , he agrees exactly with the horse on the left . It was on this occasion that ...
第 25 頁
... turning occasionally to Petrarch as a model . " The divine strain which exists in the art of the painter puts an echo of the divine intellect in his , and enables him to create with perfect freedom a world of birds , of VOL . II . E ...
... turning occasionally to Petrarch as a model . " The divine strain which exists in the art of the painter puts an echo of the divine intellect in his , and enables him to create with perfect freedom a world of birds , of VOL . II . E ...
第 26 頁
... turned to watch the flight of the breeze.1 Or he shows us the swollen rivers flowing from the mountains , carrying down uprooted trees , mingled with rocks , roots , mud and foam , and driving before them everything that attempts to ...
... turned to watch the flight of the breeze.1 Or he shows us the swollen rivers flowing from the mountains , carrying down uprooted trees , mingled with rocks , roots , mud and foam , and driving before them everything that attempts to ...
第 28 頁
... turned to account both by Alciati ( Emblems , no . lxxxvi . ) and by La Fontaine.1 Leonardo's scheme is similar to that of the classic fabulists . As with Esop2 and Phædrus , the animals set out to teach ; but it was rather the shrubs ...
... turned to account both by Alciati ( Emblems , no . lxxxvi . ) and by La Fontaine.1 Leonardo's scheme is similar to that of the classic fabulists . As with Esop2 and Phædrus , the animals set out to teach ; but it was rather the shrubs ...
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