Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷W. Heinemann, 1898 |
搜尋書籍內容
第 1 到 5 筆結果,共 50 筆
第 3 頁
... show no trace of classic influences . " 1 Given Leonardo's independent spirit and his critical tendencies , it is evident that he was never of those who accept stereotyped formulæ and ready - made principles , either in his maturity or ...
... show no trace of classic influences . " 1 Given Leonardo's independent spirit and his critical tendencies , it is evident that he was never of those who accept stereotyped formulæ and ready - made principles , either in his maturity or ...
第 10 頁
... shows a woman astride of a skeleton on all fours ; she has pendulous breasts , one hand raised in the air , the other supporting a vase . We should have found this an enigma very difficult to solve had the master not provided it with a ...
... shows a woman astride of a skeleton on all fours ; she has pendulous breasts , one hand raised in the air , the other supporting a vase . We should have found this an enigma very difficult to solve had the master not provided it with a ...
第 11 頁
... . 93 , 242 ) . A coin of Patræos ( 340-315 ) shows us a horseman fighting a man on foot ( Duruy , Histoire des Grecs , vol . ii . , p . 76 ) . In his studies for the Last Supper , the apostle C 2 LEONARDO AND THE ANTIQUE II.
... . 93 , 242 ) . A coin of Patræos ( 340-315 ) shows us a horseman fighting a man on foot ( Duruy , Histoire des Grecs , vol . ii . , p . 76 ) . In his studies for the Last Supper , the apostle C 2 LEONARDO AND THE ANTIQUE II.
第 16 頁
... show how , in those directions also , we continually encounter the Greeks and the Romans . THE FALL OF PHAETON . " ( Museum , Florence . ) ( Windsor Library . ) CHAPTER II THE POET ,. AN ANCIENT CAMEO COPIED BY LEONARDO IN " THE BATTLE ...
... show how , in those directions also , we continually encounter the Greeks and the Romans . THE FALL OF PHAETON . " ( Museum , Florence . ) ( Windsor Library . ) CHAPTER II THE POET ,. AN ANCIENT CAMEO COPIED BY LEONARDO IN " THE BATTLE ...
第 23 頁
... show that he took a deep interest in poetry . What kind of attempts did he make in it himself ? Did he write love songs , or did he pen those light verses of which Florentines were so fond ? Did he follow the example of his great rival ...
... show that he took a deep interest in poetry . What kind of attempts did he make in it himself ? Did he write love songs , or did he pen those light verses of which Florentines were so fond ? Did he follow the example of his great rival ...
內容
1 | |
8 | |
16 | |
17 | |
20 | |
25 | |
33 | |
41 | |
111 | |
133 | |
140 | |
144 | |
152 | |
153 | |
157 | |
164 | |
45 | |
49 | |
56 | |
64 | |
65 | |
72 | |
84 | |
92 | |
96 | |
104 | |
105 | |
172 | |
181 | |
189 | |
205 | |
214 | |
224 | |
234 | |
241 | |
274 | |
283 | |
其他版本 - 查看全部
常見字詞
admiration Amboise Andrea antique arms Arsène Houssaye artist ascribed assert Battle of Anghiari beardless old Beaux Arts Bernardino Luini Braun Cæsar Borgia canal cartoon Catalogue century Charles Charles d'Amboise Child Christ Codex Atlanticus collection composition copy d'Este doubt drawing engraving eyes face famous figure Florence Florentine Francesco Gazette des Beaux genius Gerli Gioconda Giuliano hair hand head horse imitation Institut de France Isabella d'Este Italian chalk Italy King Last Supper Leda Léonard Leonardo da Vinci letter Lodovico Lodovico il Moro Lodovico Sforza Lorenzo Louis XII Louvre Madonna master Medici Melzi Messire Michelangelo Milan Milanese Mona Lisa Morelli Müller-Walde Museum nature painter painting Paris Pavia picture Piero Pittura PORTRAIT OF LEONARDO pupils Raphael Ravaisson-Mollien Red chalk Renaissance Reproduced Richter Rome Saint Anne Salai savant Sforza shows Signor sketch Sodoma Trattato turned Uffizi Uzielli Vasari Venice Virgin Windsor Library woman young