Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷 |
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第 2 頁
The sea - god was represented on a car drawn by sea - horses on swelling
waves , and surrounded by all sorts of marine beasts . As the drawing has not
come down to us , it is impossible to form any opinion as to the measure in which
...
The sea - god was represented on a car drawn by sea - horses on swelling
waves , and surrounded by all sorts of marine beasts . As the drawing has not
come down to us , it is impossible to form any opinion as to the measure in which
...
第 10 頁
Envy , he explains , is represented making a contemptuous gesture towards
heaven with one hand , because , if she could , she would direct her strength
against the Deity ; her face is a benevolent mask ; her eyes are wounded by palm
and ...
Envy , he explains , is represented making a contemptuous gesture towards
heaven with one hand , because , if she could , she would direct her strength
against the Deity ; her face is a benevolent mask ; her eyes are wounded by palm
and ...
第 11 頁
In many of his sketches Leonardo has represented a horse rearing over a
conquered enemy , a motive which frequently occurs on ancient coins , on the
medals of Lucius Verus , for instance , and Probus ( Froehner , pp . 93 , 242 ) . A
coin of ...
In many of his sketches Leonardo has represented a horse rearing over a
conquered enemy , a motive which frequently occurs on ancient coins , on the
medals of Lucius Verus , for instance , and Probus ( Froehner , pp . 93 , 242 ) . A
coin of ...
第 22 頁
Religion and morals are not forgotten ; they are represented by the Bible , the
Psalms , Æsop , the Flowers of Virtue ; the champions of history are Livy ,
Justinian , and the chronicler Isidorus . Special treatises on arithmetic ,
cosmography ...
Religion and morals are not forgotten ; they are represented by the Bible , the
Psalms , Æsop , the Flowers of Virtue ; the champions of history are Livy ,
Justinian , and the chronicler Isidorus . Special treatises on arithmetic ,
cosmography ...
第 117 頁
... days of 1 Histoire de l'Art pendant la Renaissance , vol . ii . , p . 672 ELOGI . "
facile production , Da Vinci represented the very extreme of. PORTRAIT OF
CÆSAR BORGIA . FROM AN ENGRAVING IN PAOLO Giovio's “ Accademia ,
Venice . ).
... days of 1 Histoire de l'Art pendant la Renaissance , vol . ii . , p . 672 ELOGI . "
facile production , Da Vinci represented the very extreme of. PORTRAIT OF
CÆSAR BORGIA . FROM AN ENGRAVING IN PAOLO Giovio's “ Accademia ,
Venice . ).
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