Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷W. Heinemann, 1898 |
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第 1 到 5 筆結果,共 78 筆
第 xi 頁
... PAINTER . MARRIAGE OF THE VIRGIN , BY BERNARDINO LUINI . STUDY FOR THE EQUESTRIAN STATUE OF FR . SFORZA . 221 225 229 ( The Uffizi , Florence . ) ( Church at Saronno . ) ( Windsor Library . ) 233 237 240 HEAD OF A YOUTH . ( Windsor ...
... PAINTER . MARRIAGE OF THE VIRGIN , BY BERNARDINO LUINI . STUDY FOR THE EQUESTRIAN STATUE OF FR . SFORZA . 221 225 229 ( The Uffizi , Florence . ) ( Church at Saronno . ) ( Windsor Library . ) 233 237 240 HEAD OF A YOUTH . ( Windsor ...
第 1 頁
... painting , if we except the painting of the school of Padua , had sought inspiration from Roman models for details of costume or ornament only . But now , taking example by the sister arts of architecture and sculpture , it strove to ...
... painting , if we except the painting of the school of Padua , had sought inspiration from Roman models for details of costume or ornament only . But now , taking example by the sister arts of architecture and sculpture , it strove to ...
第 2 頁
... painter . ' The study of nature , untrammelled by absorption in classic ideals , a constant and un- remitting study ... painted a Medusa's head entwined with serpents , and drew a Neptune for his friend , Antonio Segni . The sea - god ...
... painter . ' The study of nature , untrammelled by absorption in classic ideals , a constant and un- remitting study ... painted a Medusa's head entwined with serpents , and drew a Neptune for his friend , Antonio Segni . The sea - god ...
第 3 頁
... painter should never attach himself servilely to another master's manner , for his aim should be , not to reproduce ... painting effects proper to sculpture , as the great Andrea Mantegna was doing at this very time . For this reason he ...
... painter should never attach himself servilely to another master's manner , for his aim should be , not to reproduce ... painting effects proper to sculpture , as the great Andrea Mantegna was doing at this very time . For this reason he ...
第 6 頁
... painter had little sympathy with realism in costume . Living in an ideal world , the modes and habits of his time ... painted are robed after the antique ; they wear tunics , togas , cloaks ; and wear toom with an ease which justifies us ...
... painter had little sympathy with realism in costume . Living in an ideal world , the modes and habits of his time ... painted are robed after the antique ; they wear tunics , togas , cloaks ; and wear toom with an ease which justifies us ...
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