Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷 |
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第 2 頁
In his pictures , indeed , it plays a very insignificant part , while in his writings , it
never manifests itself at all . In his youth , he drew inspiration once or twice from
classic sources , as when he painted a Medusa's head entwined with serpents ...
In his pictures , indeed , it plays a very insignificant part , while in his writings , it
never manifests itself at all . In his youth , he drew inspiration once or twice from
classic sources , as when he painted a Medusa's head entwined with serpents ...
第 3 頁
1 Given Leonardo's independent spirit and his critical tendencies , it is evident
that he was never of those who accept stereotyped formulæ and ready - made
principles , either in his maturity or in his youth . Nothing would have been more ...
1 Given Leonardo's independent spirit and his critical tendencies , it is evident
that he was never of those who accept stereotyped formulæ and ready - made
principles , either in his maturity or in his youth . Nothing would have been more ...
第 10 頁
Her hand must hold a filled with flowers , scorpions , toads , and other venomous
animals ; and she must ride upon Death , because Envy , being deathless , is
never tired of commanding . The bridle she holds should be charged with various
...
Her hand must hold a filled with flowers , scorpions , toads , and other venomous
animals ; and she must ride upon Death , because Envy , being deathless , is
never tired of commanding . The bridle she holds should be charged with various
...
第 12 頁
It had never occurred to me to investigate in that direction , when accident , the
great explorer , brought under my eyes a cameo presenting remarkable
analogies , not to say more , with one of the motives employed by Leonardo . This
cameo ...
It had never occurred to me to investigate in that direction , when accident , the
great explorer , brought under my eyes a cameo presenting remarkable
analogies , not to say more , with one of the motives employed by Leonardo . This
cameo ...
第 19 頁
... of art sprang from tolerance or indifference , in matters of learning it is to be
explained by an only too well founded distrust of his own knowledge . It is , in fact
, hopeless to deny that , in spite of all his efforts , Leonardo never became a ...
... of art sprang from tolerance or indifference , in matters of learning it is to be
explained by an only too well founded distrust of his own knowledge . It is , in fact
, hopeless to deny that , in spite of all his efforts , Leonardo never became a ...
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常見字詞
according admiration antique appear arms artist ascribed assert Battle body Braun called carried cartoon century Charles Child Christ close collection composition connection copy desire doubt drawing edition expression eyes face fact famous figure Florence Florentine France Francesco friends Gallery give given hair hand head holding horse idea Italian Italy kind King leave Leonardo da Vinci less letter light look Louis Louvre Madonna master Milan Milanese mind Museum nature never once original painter painting Paris passed person picture portrait possessed published Red chalk represented Reproduced Richter Rome Saint Anne seems seen shows side sketch standing taken things took turned Vasari Virgin whole Windsor Library woman writing young
書目資訊
| 書名 | Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷 Leonardo Da Vinci, Artist, Thinker, and Man of Science: From the French of Eugène Müntz ... with Forty-eight Plates and Two Hundred and Fifty-two Text Illustrations第 2 卷, Eugène Müntz Leonardo Da Vinci: Artist, Thinker and Man of Science, Eugène Müntz |
| 作者 | Eugène Müntz |
| 出版者 | W. Heinemann, 1898 |
| 來源： | 密西根大學 |
| 已數位化 | 2009年5月22日 |
| 匯出書目資料 | BiBTeX EndNote RefMan |