Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷 |
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第 1 到 5 筆結果，共 46 筆
第 2 頁
In his pictures , indeed , it plays a very insignificant part , while in his writings , it
never manifests itself at all . In his youth , he drew inspiration once or twice from
classic sources , as when he painted a Medusa ' s head entwined with serpents ...
In his pictures , indeed , it plays a very insignificant part , while in his writings , it
never manifests itself at all . In his youth , he drew inspiration once or twice from
classic sources , as when he painted a Medusa ' s head entwined with serpents ...
第 3 頁
1 Given Leonardo ' s independent spirit and his critical tendencies , it is evident
that he was never of those who accept stereotyped formulæ and ready - made
principles , either in his maturity or in his youth . Nothing would have been more ...
1 Given Leonardo ' s independent spirit and his critical tendencies , it is evident
that he was never of those who accept stereotyped formulæ and ready - made
principles , either in his maturity or in his youth . Nothing would have been more ...
第 10 頁
... because Envy , being deathless , is never tired of commanding . The bridle she
holds should be charged with various weapons , instruments of death . A second
design on the same sheet represents the Combat between Envy and Virtue .
... because Envy , being deathless , is never tired of commanding . The bridle she
holds should be charged with various weapons , instruments of death . A second
design on the same sheet represents the Combat between Envy and Virtue .
第 12 頁
It had never occurred to me to investigate in that direction , when accident , the
great explorer , brought under my eyes a cameo presenting remarkable
analogies , not to say more , with one of the motives employed by Leonardo . This
cameo ...
It had never occurred to me to investigate in that direction , when accident , the
great explorer , brought under my eyes a cameo presenting remarkable
analogies , not to say more , with one of the motives employed by Leonardo . This
cameo ...
第 19 頁
... in matters of art sprang from tolerance or indifference , in matters of learning it
is to be explained by an only too well founded distrust of his own knowledge . It is
, in fact , hopeless to deny that , in spite of all his efforts , Leonardo never ...
... in matters of art sprang from tolerance or indifference , in matters of learning it
is to be explained by an only too well founded distrust of his own knowledge . It is
, in fact , hopeless to deny that , in spite of all his efforts , Leonardo never ...
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according admiration antique appear arms artist ascribed assert Battle of Anghiari beardless bears body Braun called carried cartoon century Charles Child Christ close collection composition connection copy desire doubt drawing expression eyes face fact figure Florence Florentine four France Francesco friends Gallery give given hair hand head holding horse idea Italian Italy kind King leave Leonardo da Vinci less letter look Louis Louvre Madonna master Milan Milanese Museum nature never once original painted painter Paris passed person picture portrait possessed present published Red chalk represented Reproduced Richter Rome Saint Anne seated seems seen shows side sketch standing things turned Vasari Virgin whole Windsor Library woman writing young
書目資訊
| 書名 | Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷 Leonardo Da Vinci, Artist, Thinker, and Man of Science: From the French of Eugène Müntz ... with Forty-eight Plates and Two Hundred and Fifty-two Text Illustrations第 2 卷, Eugène Müntz Leonardo Da Vinci: Artist, Thinker and Man of Science, Eugène Müntz |
| 作者 | Eugène Müntz |
| 出版者 | W. Heinemann, 1898 |
| 來源： | 密西根大學 |
| 已數位化 | 2009年5月22日 |
| 匯出書目資料 | BiBTeX EndNote RefMan |