Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷 |
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第 ix 頁
44 Allegorical Composition, dated 1516. (Windsor Library.) 45 Study of an Old
Man's Head. (Windsor Library.) 45 Anatomical Sketches, dated 15 10. (Windsor
Library.) 49 Allegorical Composition. Pleasure and Pain. (Christ Church Library ...
44 Allegorical Composition, dated 1516. (Windsor Library.) 45 Study of an Old
Man's Head. (Windsor Library.) 45 Anatomical Sketches, dated 15 10. (Windsor
Library.) 49 Allegorical Composition. Pleasure and Pain. (Christ Church Library ...
第 5 頁
When Leonardo lamented that he was unable to equal the ancients in symmetry,
he was, perhaps, thinking of their mastery of the science of composition. One of
his own contemporaries, a certain Platino Piatta, places the following declaration
...
When Leonardo lamented that he was unable to equal the ancients in symmetry,
he was, perhaps, thinking of their mastery of the science of composition. One of
his own contemporaries, a certain Platino Piatta, places the following declaration
...
第 6 頁
... the brilliancy of their ornaments and surroundings. And what simplicity in his
composition ! What rigour in his selection ! What thoroughness and completeness
in his synthesis ! The young painter had little sympathy with realism in costume.
... the brilliancy of their ornaments and surroundings. And what simplicity in his
composition ! What rigour in his selection ! What thoroughness and completeness
in his synthesis ! The young painter had little sympathy with realism in costume.
第 23 頁
When he had, at the cost of infinite labour, succeeded in giving form and unity to
a composition, what a sublimity it reached ! Leonardo made up, and more than •
made up, for his lack of education by his natural gifts. His contemporaries agree ...
When he had, at the cost of infinite labour, succeeded in giving form and unity to
a composition, what a sublimity it reached ! Leonardo made up, and more than •
made up, for his lack of education by his natural gifts. His contemporaries agree ...
第 44 頁
/<S^. CHAPTER III J THE SAVANT— DID THE STUDY OF ANTIQUITY. STUDY
OP THE INFANT CHRIST AND THK LITTLE S. JOHN. (Windsor Library.)
ALLEGORICAL COMPOSITION, DATED 1516. (Windsor Library.) STUDY OF AN
OLD.
/<S^. CHAPTER III J THE SAVANT— DID THE STUDY OF ANTIQUITY. STUDY
OP THE INFANT CHRIST AND THK LITTLE S. JOHN. (Windsor Library.)
ALLEGORICAL COMPOSITION, DATED 1516. (Windsor Library.) STUDY OF AN
OLD.
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常見字詞
Amboise Ambrosiana antique artist ascribed to Leonardo Autograph notes Battle of Anghiari beard beardless old Beaux Arts Bernardino Luini Black chalk blue paper Braun Bust cartoon Catalogue century Child Codex Atlanticus collection composition copy d'Este Doubtful drapery drawing engraving eyes False figure Florence Florentine Francesco full face Gazette des Beaux Gerli Giuliano Grosvenor Gallery grotesque heads hair hand heightened with white horse Infant Jesus Institut de France Isabella d'Este Italian chalk Last Supper Leda legs Leonardo da Vinci letter Lodovico Lodovico il Moro Lodovico Sforza Lorenzo Louis XII Louvre Madonna master Medici Melzi Michelangelo Milan Milanese Mona Lisa Morelli Museum naked nose painted painter picture Portrait of Leonardo pupils Raphael Ravaisson-Mollien Red chalk Reproduced Richter Rome Saint Anne Salai seated Sforza Signor Silver-point sketch Sodoma Study Trattato Turin turned Uffizi Uzielli Vasari Venice Virgin Windsor Library young woman
書目資訊
| 書名 | Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷 Leonardo Da Vinci, Artist, Thinker, and Man of Science: From the French of Eugène Müntz ... with Forty-eight Plates and Two Hundred and Fifty-two Text Illustrations第 2 卷, Eugène Müntz Leonardo Da Vinci: Artist, Thinker and Man of Science, Eugène Müntz |
| 作者 | Eugène Müntz |
| 出版者 | W. Heinemann, 1898 |
| 來源： | 密西根大學 |
| 已數位化 | 2009年5月22日 |
| 頁數 | 256 頁 |
| 匯出書目資料 | BiBTeX EndNote RefMan |