Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷 |
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第 1 到 5 筆結果，共 51 筆
第 1 頁
Down to about the third quarter of the fifteenth century, painting, if we except the
painting of the school of Padua, had sought inspiration from Roman models for
details of costume or ornament only. But now, taking example by the sister arts of
...
Down to about the third quarter of the fifteenth century, painting, if we except the
painting of the school of Padua, had sought inspiration from Roman models for
details of costume or ornament only. But now, taking example by the sister arts of
...
第 13 頁
Examples mostly date from the third century of our era.1 The horse on the left,
which stretches himself upwards, is textually repeated on four sarcophagi
reproduced by Wieseler. 2 That which offers the most striking" analogies with the
Battle of ...
Examples mostly date from the third century of our era.1 The horse on the left,
which stretches himself upwards, is textually repeated on four sarcophagi
reproduced by Wieseler. 2 That which offers the most striking" analogies with the
Battle of ...
第 22 頁
We know from the researches of the Marchese d'Adda that printed editions of all
these existed in the fifteenth century. To form his collection Leonardo had only
then to apply to the printers of Milan and its neighbourhood, for most of the books
...
We know from the researches of the Marchese d'Adda that printed editions of all
these existed in the fifteenth century. To form his collection Leonardo had only
then to apply to the printers of Milan and its neighbourhood, for most of the books
...
第 25 頁
... descriptive poetry, in which landscape and effects of light and atmosphere are
rendered, sixteenth-century Italian literature produced nothing finer. Here and
there we find a few subtle resemblances to the "concetti," which prove that ...
... descriptive poetry, in which landscape and effects of light and atmosphere are
rendered, sixteenth-century Italian literature produced nothing finer. Here and
there we find a few subtle resemblances to the "concetti," which prove that ...
第 30 頁
... in the refined and artificial literature of sixteenth-century Italy to be passed over
in silence. Side by side with the poet we find the moralist and thinker. In the
Codex Atlanticus (fol. ii) we find this maxim, touched a little with bitterness, set
down ...
... in the refined and artificial literature of sixteenth-century Italy to be passed over
in silence. Side by side with the poet we find the moralist and thinker. In the
Codex Atlanticus (fol. ii) we find this maxim, touched a little with bitterness, set
down ...
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常見字詞
Amboise Ambrosiana antique artist ascribed to Leonardo Autograph notes Battle of Anghiari beard beardless old Beaux Arts Bernardino Luini Black chalk blue paper Braun Bust cartoon Catalogue century Child Codex Atlanticus collection composition copy d'Este Doubtful drapery drawing engraving eyes False figure Florence Florentine Francesco full face Gazette des Beaux Gerli Giuliano Grosvenor Gallery grotesque heads hair hand heightened with white horse Infant Jesus Institut de France Isabella d'Este Italian chalk Last Supper Leda legs Leonardo da Vinci letter Lodovico Lodovico il Moro Lodovico Sforza Lorenzo Louis XII Louvre Madonna master Medici Melzi Michelangelo Milan Milanese Mona Lisa Morelli Museum naked nose painted painter picture Portrait of Leonardo pupils Raphael Ravaisson-Mollien Red chalk Reproduced Richter Rome Saint Anne Salai seated Sforza Signor Silver-point sketch Sodoma Study Trattato Turin turned Uffizi Uzielli Vasari Venice Virgin Windsor Library young woman
書目資訊
| 書名 | Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷 Leonardo Da Vinci, Artist, Thinker, and Man of Science: From the French of Eugène Müntz ... with Forty-eight Plates and Two Hundred and Fifty-two Text Illustrations第 2 卷, Eugène Müntz Leonardo Da Vinci: Artist, Thinker and Man of Science, Eugène Müntz |
| 作者 | Eugène Müntz |
| 出版者 | W. Heinemann, 1898 |
| 來源： | 密西根大學 |
| 已數位化 | 2009年5月22日 |
| 頁數 | 256 頁 |
| 匯出書目資料 | BiBTeX EndNote RefMan |