Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷 |
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第 1 到 5 筆結果，共 39 筆
第 v 頁
AT MILAN— LEONARDO'S JOURNEYS TO MANTUA AND VENICE— HIS
RELATIONS WITH THE MARCHESA ISABELLA D'ESTE— HE ENTERS THE
SERVICE OF CESAR BORGIA— HE RETURNS TO FLORENCE — THE " SAINT
ANNE.
AT MILAN— LEONARDO'S JOURNEYS TO MANTUA AND VENICE— HIS
RELATIONS WITH THE MARCHESA ISABELLA D'ESTE— HE ENTERS THE
SERVICE OF CESAR BORGIA— HE RETURNS TO FLORENCE — THE " SAINT
ANNE.
第 vii 頁
Landscape and a Water-Spout. (Windsor Library.) 28 16. Head of an Old Man. (
Windsor Library.) 60 17. Portrait of the Marchesa Isabella d'Este. (The Louvre.)
110 18. Study for the Drapery of the Virgin in the "Saint Anne." (The Louvre.) 124
19 ...
Landscape and a Water-Spout. (Windsor Library.) 28 16. Head of an Old Man. (
Windsor Library.) 60 17. Portrait of the Marchesa Isabella d'Este. (The Louvre.)
110 18. Study for the Drapery of the Virgin in the "Saint Anne." (The Louvre.) 124
19 ...
第 x 頁
117 First Idea for the "Saint Anne." (Accademia, Venice.) 121 Study OF a Horse. (
Windsor Library) '32 Sketch for Engines of War. (Valton Collection, Paris.) 133 Skf
;tch for one of the Combatants in the "Battle of Anghiari." (Accademia, Venice.) ...
117 First Idea for the "Saint Anne." (Accademia, Venice.) 121 Study OF a Horse. (
Windsor Library) '32 Sketch for Engines of War. (Valton Collection, Paris.) 133 Skf
;tch for one of the Combatants in the "Battle of Anghiari." (Accademia, Venice.) ...
第 5 頁
of the Sforza statue was taken from the castle of St. Angelo at Rome. From these
... The principles of grouping which he followed in the Sforza statue, in his Last
Supper, in his Saint Anne, are in no way inconsistent with those of antique
models.
of the Sforza statue was taken from the castle of St. Angelo at Rome. From these
... The principles of grouping which he followed in the Sforza statue, in his Last
Supper, in his Saint Anne, are in no way inconsistent with those of antique
models.
第 39 頁
In a letter addressed to the Marchesa Isabella d'Este and published lately by M.
Charles Yriarte, Father Pietro da Nuvolaria discovers all kinds of symbolical
meanings in the Saint Anne of the Louvre. " He has imagined a Christ about one
year ...
In a letter addressed to the Marchesa Isabella d'Este and published lately by M.
Charles Yriarte, Father Pietro da Nuvolaria discovers all kinds of symbolical
meanings in the Saint Anne of the Louvre. " He has imagined a Christ about one
year ...
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常見字詞
Amboise Ambrosiana antique artist ascribed to Leonardo Autograph notes Battle of Anghiari beard beardless old Beaux Arts Bernardino Luini Black chalk blue paper Braun Bust cartoon Catalogue century Child Codex Atlanticus collection composition copy d'Este Doubtful drapery drawing engraving eyes False figure Florence Florentine Francesco full face Gazette des Beaux Gerli Giuliano Grosvenor Gallery grotesque heads hair hand heightened with white horse Infant Jesus Institut de France Isabella d'Este Italian chalk Last Supper Leda legs Leonardo da Vinci letter Lodovico Lodovico il Moro Lodovico Sforza Lorenzo Louis XII Louvre Madonna master Medici Melzi Michelangelo Milan Milanese Mona Lisa Morelli Museum naked nose painted painter picture Portrait of Leonardo pupils Raphael Ravaisson-Mollien Red chalk Reproduced Richter Rome Saint Anne Salai seated Sforza Signor Silver-point sketch Sodoma Study Trattato Turin turned Uffizi Uzielli Vasari Venice Virgin Windsor Library young woman
書目資訊
| 書名 | Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷 Leonardo Da Vinci, Artist, Thinker, and Man of Science: From the French of Eugène Müntz ... with Forty-eight Plates and Two Hundred and Fifty-two Text Illustrations第 2 卷, Eugène Müntz Leonardo Da Vinci: Artist, Thinker and Man of Science, Eugène Müntz |
| 作者 | Eugène Müntz |
| 出版者 | W. Heinemann, 1898 |
| 來源： | 密西根大學 |
| 已數位化 | 2009年5月22日 |
| 頁數 | 256 頁 |
| 匯出書目資料 | BiBTeX EndNote RefMan |