Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷 |
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第 1 到 5 筆結果，共 46 筆
第 6 頁
He was interested in man himself, and not in man's historical setting.1 Leonardo's
proscription of the costume of his own time, a cos* ime reproduced with so much
care by the "quattrocentisti '' was, like the retrospective nature of his ...
He was interested in man himself, and not in man's historical setting.1 Leonardo's
proscription of the costume of his own time, a cos* ime reproduced with so much
care by the "quattrocentisti '' was, like the retrospective nature of his ...
第 13 頁
Examples mostly date from the third century of our era.1 The horse on the left,
which stretches himself upwards, is textually repeated on four sarcophagi
reproduced by Wieseler. 2 That which offers the most striking" analogies with the
Battle of ...
Examples mostly date from the third century of our era.1 The horse on the left,
which stretches himself upwards, is textually repeated on four sarcophagi
reproduced by Wieseler. 2 That which offers the most striking" analogies with the
Battle of ...
第 106 頁
2 The very curious letter in which he describes this ceremony to his sister-in-law,
Isabella d'Este, is reproduced by Luzio and Renier (p. 155 — 158). 3 It was an
Italian resident at the French Court, one Fausto Andrelini, who celebrated the ...
2 The very curious letter in which he describes this ceremony to his sister-in-law,
Isabella d'Este, is reproduced by Luzio and Renier (p. 155 — 158). 3 It was an
Italian resident at the French Court, one Fausto Andrelini, who celebrated the ...
第 131 頁
The strangeness of these backgrounds of Leonardo's is increased by the fact that
the details of his foregrounds are, as a rule, faithfully taken from nature, and
reproduced with the scrupulous care and skill in which no artist has ever
equalled ...
The strangeness of these backgrounds of Leonardo's is increased by the fact that
the details of his foregrounds are, as a rule, faithfully taken from nature, and
reproduced with the scrupulous care and skill in which no artist has ever
equalled ...
第 143 頁
In the work of (another member of the Tuscan School, Piero della " FrancesciT {
Battle between Heraclius and Chosroes), the incidents of the fray are closely
observed and well reproduced. The Tartar soldier, who seizes by the hair the
foeman ...
In the work of (another member of the Tuscan School, Piero della " FrancesciT {
Battle between Heraclius and Chosroes), the incidents of the fray are closely
observed and well reproduced. The Tartar soldier, who seizes by the hair the
foeman ...
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常見字詞
Amboise Ambrosiana antique artist ascribed to Leonardo Autograph notes Battle of Anghiari beard beardless old Beaux Arts Bernardino Luini Black chalk blue paper Braun Bust cartoon Catalogue century Child Codex Atlanticus collection composition copy d'Este Doubtful drapery drawing engraving eyes False figure Florence Florentine Francesco full face Gazette des Beaux Gerli Giuliano Grosvenor Gallery grotesque heads hair hand heightened with white horse Infant Jesus Institut de France Isabella d'Este Italian chalk Last Supper Leda legs Leonardo da Vinci letter Lodovico Lodovico il Moro Lodovico Sforza Lorenzo Louis XII Louvre Madonna master Medici Melzi Michelangelo Milan Milanese Mona Lisa Morelli Museum naked nose painted painter picture Portrait of Leonardo pupils Raphael Ravaisson-Mollien Red chalk Reproduced Richter Rome Saint Anne Salai seated Sforza Signor Silver-point sketch Sodoma Study Trattato Turin turned Uffizi Uzielli Vasari Venice Virgin Windsor Library young woman
書目資訊
| 書名 | Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷 Leonardo Da Vinci, Artist, Thinker, and Man of Science: From the French of Eugène Müntz ... with Forty-eight Plates and Two Hundred and Fifty-two Text Illustrations第 2 卷, Eugène Müntz Leonardo Da Vinci: Artist, Thinker and Man of Science, Eugène Müntz |
| 作者 | Eugène Müntz |
| 出版者 | W. Heinemann, 1898 |
| 來源： | 密西根大學 |
| 已數位化 | 2009年5月22日 |
| 頁數 | 256 頁 |
| 匯出書目資料 | BiBTeX EndNote RefMan |