Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷 |
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第 1 到 5 筆結果，共 25 筆
第 39 頁
the actors in the sacred history in attitudes which, though full of poetry and
tenderness, are inconsistent with the terrible mysteries of religion : the Divine
Child teasing a lamb or a cat, the Virgin sitting on her mother's knees, and so on.
And yet ...
the actors in the sacred history in attitudes which, though full of poetry and
tenderness, are inconsistent with the terrible mysteries of religion : the Divine
Child teasing a lamb or a cat, the Virgin sitting on her mother's knees, and so on.
And yet ...
第 122 頁
that simplicity, beauty, and grace which characterise the Mother of Christ,
together with her modesty and humility, mixed with joy at the sight of the beautiful
Child she holds so lovingly on her lap. Her eyes, too, rest kindly on the little S.
John, ...
that simplicity, beauty, and grace which characterise the Mother of Christ,
together with her modesty and humility, mixed with joy at the sight of the beautiful
Child she holds so lovingly on her lap. Her eyes, too, rest kindly on the little S.
John, ...
第 123 頁
It will be remarked that these copyists or imitators have all clung to the graceful
fancy of making the Child Jesus embrace the lamb, an incident which does not
Occur in the Royal Academy cartoon. Personally, I am inclined to believe that the
...
It will be remarked that these copyists or imitators have all clung to the graceful
fancy of making the Child Jesus embrace the lamb, an incident which does not
Occur in the Royal Academy cartoon. Personally, I am inclined to believe that the
...
第 129 頁
It only shows the right leg of the Virgin, and a bare arm, stretched out towards the
Child, who does not appear in the drawing (Grosvenor Gallery, no. 100). For
other drawings of this period see the Catalogue at the end of this volume.
It only shows the right leg of the Virgin, and a bare arm, stretched out towards the
Child, who does not appear in the drawing (Grosvenor Gallery, no. 100). For
other drawings of this period see the Catalogue at the end of this volume.
第 168 頁
In all these copies a child or children appear on the ground to the left of the figure
of Leda. But what has become of Leonardo's original picture ? And was it ever
really at Fontainebleau ? Pere Dan, who published his Trdsor des Merveilles de
...
In all these copies a child or children appear on the ground to the left of the figure
of Leda. But what has become of Leonardo's original picture ? And was it ever
really at Fontainebleau ? Pere Dan, who published his Trdsor des Merveilles de
...
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常見字詞
Amboise Ambrosiana antique artist ascribed to Leonardo Autograph notes Battle of Anghiari beard beardless old Beaux Arts Bernardino Luini Black chalk blue paper Braun Bust cartoon Catalogue century Child Codex Atlanticus collection composition copy d'Este Doubtful drapery drawing engraving eyes False figure Florence Florentine Francesco full face Gazette des Beaux Gerli Giuliano Grosvenor Gallery grotesque heads hair hand heightened with white horse Infant Jesus Institut de France Isabella d'Este Italian chalk Last Supper Leda legs Leonardo da Vinci letter Lodovico Lodovico il Moro Lodovico Sforza Lorenzo Louis XII Louvre Madonna master Medici Melzi Michelangelo Milan Milanese Mona Lisa Morelli Museum naked nose painted painter picture Portrait of Leonardo pupils Raphael Ravaisson-Mollien Red chalk Reproduced Richter Rome Saint Anne Salai seated Sforza Signor Silver-point sketch Sodoma Study Trattato Turin turned Uffizi Uzielli Vasari Venice Virgin Windsor Library young woman
書目資訊
| 書名 | Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷 Leonardo Da Vinci, Artist, Thinker, and Man of Science: From the French of Eugène Müntz ... with Forty-eight Plates and Two Hundred and Fifty-two Text Illustrations第 2 卷, Eugène Müntz Leonardo Da Vinci: Artist, Thinker and Man of Science, Eugène Müntz |
| 作者 | Eugène Müntz |
| 出版者 | W. Heinemann, 1898 |
| 來源： | 密西根大學 |
| 已數位化 | 2009年5月22日 |
| 頁數 | 256 頁 |
| 匯出書目資料 | BiBTeX EndNote RefMan |