Head imitated from Antique, ii. 197
Head, measurements of human, ii. 85
of an old man, ii. 45, 105, 152, 194–196, 204,
205
of a youth, ii. 173
Heaton, Mrs., 225, 226
Hermitage, see S. Petersburg
Holkham Hall, ii, 102
Holy Family, ii. 181, 182
Horses, Studies of, i. 89, 128, 129, 148, 152, 153,
161, 221; ii. 1, 4, 11, 132, 153
Horseman. study, i. 133
Houssaye, Arsène, ii. 174, 210, 220, 222, 223, 225,
229
Humboldt, Alex. von, ii. 60, 76, 157
Hydraulics, ii. 52
Italy, i. 89, 90, 119, 123, 139, 227; ii. 20, 34, 50,
/ 51, 52, 66, 99, 125, 240
Judas, Study for head, i. 188
Julius II., Pope, ii. 176, 192
Knight, Sketch of a, ii. 208, 209
Kucharzewski, M., ii. 214
Laborde, Marquis de, ii. 210, 222
Landscape, early, i. 37, 54
Landucci, i. 39; ii. 140
Last Judgment, Fra Bartolommeo's, ii. 117
Last Supper of our Lord, i. 6, 62, 71, 77, 123,
135, 136, 144, 156, 159, 169, 171, 179, 183-200,
221, 238, 242, 246, 251; ii. 5, 7, 17, 35, 38, 47,
70, 109, 128, 174, 178, 225, 236, 238, 240
Last Supper, Studies for, i. 178, 185, 187, 188,
210; ii. 12, 32
Last Supper (Giotto), i. 179, (Castagno) 180,
184, (Ghirlandajo) 182, (at Sant' Onofrio) 182
Latini, B., i. 8
196, 203, 206, 232
Leonardo, See Vinci
Leoni, Leone, i. 155
Levêque, M. Charles, ii. 35, 40
Libri, ii. 17, 71, 73, 76, 88
Lincei, Accademia dei, Rome, i. 14
Liphart, Baron, i. 38, 50
Lippi, Fra Filippino, i. 20, 58, 61, 62, 63, 64, 78,
137; ii. 116, 121, 122, 125, 134
Lomazzo, G. P., i. 56, 118, 123, 169, 187, 251;
ii. 97, 126, 164, 169, 205, 208, 222, 225, 238
Lombard artists, ii. 174
Lombardy, irrigation of, ii. 99
Lorenzo the Magnificent, i. 22, 56, 81, 85, 86,
92, 94, 95, 146
Lorenzo of Perugia, F. di, i. 28
Louis XI., ii. 173
Louis XII., i. 100, 101, 118, 154, 199; ii. 95, 96,
105, 107, 109, 114, 139, 171, 176 (letter), 179,
180, 186, 189, 205, 220
Louis XIII., ii. 125, 212
Louis XIV., ii. 212
Louis XVI., ii. 169
Louvre, The, i. 37, 39, 45, 50, 52, 61, 65, 66, 67,
68, 72, 80, 114, 119, 134, 158, 164, 166, 167,
169, 170, 176, 177, 187, 205, 207; ii. 8, 12, 39,
81, 111, 123, 124, 128, 129, 141, 147, 149,
153, 158, 160, 162, 163, 184, 197, 211, 227,
236
Luini, B., i. 96, 100, 131, 135, 160, 176; ii. 122,
131, 183, 231, 234, 237, 238
Lyell, Sir C., i. 89
Machiavelli, i. 144
Madonna Litta, i. 175; ii. 161
Madonna del Gatto, study, ii. 188, 202
Madonna, The Vaprio, ii. 187
Madonna with the Child on the lap of S. Anne,
Madonna of Sant' Onofrio, ii. 173
Madonna and Child, Boltraffio, ii. 200, 236
Madonna della Casa Casio, Boltraffio, ii. 202
Madonna, Boltraffio, ii. 202
Madonna, Palazzo Melzi, ii. 190
Madonna, C. da Sesto's, ii. 238
Madrid Museum, ii. 132
Magic, Supposed scenes of, ii. 56, 57
Malatesta, F., ii. 112
Mancel Gallery, i. 167, 172, 173
Mantegazzi, Cristoforo, i. 127
Antonio, i. 127
Mantegna, Andrea, i. 22, 25, 114, 127, 130, 133,
134, 175, 197, 255; ii. 3, 111, 156, 157
Mantelli, ii. 183
Mantua, ii. 109, 111, 235
Marco, Lorenzo di, ii. 138
Marks, Mr. Alfred, ii. 122, 123, 127, 128
Marriage of the Virgin, Luini's, ii. 231, 237
Martelli, P. di B., ii. 58
Martesana Canal, ii. 100-102
Martini, F. di G., ii. 118
Masaccio, i. 9, 19, 20, 21, 76
Masini, T. de G., ii. 138
Massalia, B. da, ii. 101
Maximilian, Emperor, i. 65, 104, 108, 131, 132,
151; ii. 105
Mazzenta, Signor, i. 86
Mazzieri, ii. 154
Medici, Cosimo de', i. 47, 81; ii. 127, 142
Duke Giuliano, i. 56, 107; ii. 66, 138, 158,
203, 206, 211, 228, 232
Ottavio de', i. 14, 47.
Piero de', i. 23, 81; ii. 133
Melzi, Francesco, i. 118; ii. 123, 189, 193,
208-9, 218, 219, 220, 222 (letter 223-4), 233,
234, 236
Melzi, The, i. 13, 118; ii. 84
Michel, M. Emile, ii. 131, 156, 185
Michelangelo, i. 6, 14, 18, 20, 22, 23, 60, 74, 77,
87, 88, 150, 156, 159, 228, 234, 241; ii. 23, 30,
31, 36, 86, 114, 116, 118, 127, 134, 135, 137,
138, 148, 152, 168, 176, 194, 207, 223
Michelet, ii. 232
Migliarotti, A. del, i. 32, 85 ; ii. 194
Milan, i. 86, 87, 98, 100, 103, 105, 108, 118,
124, 125, 126, 133, 134, 137, 138, 139, 162, 218,
249; ii. 40, 99, 105, 109, 110, 115, 116, 119,
137, 173, 178, 179, 189, 190, 191, 203, 205, 235,
236
Milan, the Ambrosiana, i. 207, 209, 218, 228,
229, 232; ii. 129, 149, 194, 206
the Brera, i. 113, 133; ii. 41
Castello di Porta Giovia, i. 200-5, 208,
226
Church of S. Francesco, i. 162, 169
Church of S. Maria delle Grazie, i, 120, 133,
Poldi Pezzoli Collection, ii. 200, 236
Milan, Duke of, i. 85, 90, 94, see Sforzi
Milanese Academy, ii. 35, 40, 67, 103
Milanese School, i. 91, 124, 128, 129, 130, 226;
Milanese, i. 95, 137 ; ii. 51, 94
Molinier, M. Emile, i. 51
Mona Lisa, La Gioconda, į. 3, 6, 40, 53, 114, 173,
175-6; ii. 7, 17, 70, 131, 153, 154-159, 163, 166
Montaiglon, A. de, ii. 210, 216, 222
Montorfano, G. D., i. 120, 135
Monza, Fra A. da, i. 219; ii. 234
Morelli, i. 36, 37, 43, 49, 52, 128, 129; ii. 147,
166, 167, 190, 201, 236, 238
Müller-Walde, Herr, i. 50, 54, 55, 56, 61, 63, 79,
107, 143, 146, 158, 164, 166, 203, 226; ii. 97,
135, 149, 164, 166, 230
Munich, i. 146; the Pinacothek, 51, 52
Parma, ii. 203
Pascal, ii. 75
Pavia, i. 109, 115, 116, 127, 128, 130; ii. 11, 33,
51, 84, 137, 205
Pavia, Lorenzo da, ii. 110
Penni, G. F., ii. 170
Peréal, J., ii. 174, 175
Peretola, Z., ii. 64-5
Perkins, Charles, i. 40
Perrier, M. Edouard, ii. 86
Perugia, i. 28; ii. 116
Perugino, P., i. 21, 25, 26-28, 43, 55, 138, 173,
175, 202; ii. 32, 111, 113, 116, 125, 134, 138,
162, 235
Pesth Museum, ii. 142, 148, 150
Petrarch, ii, 24, 25, 52
Piatta, Platino, i. 5
Piombo, S. del, ii. 137
Piot, E. ii. 2
Pisa, ii. 133, 134
Pisan War, The, ii. 152
Pisano, Leonardo (Fibonacci) ii. 51
Pittura, Trattato della, Leonardo's, i. 34, 35, 56,
76, 155, 184, 210, 230-245, 246, 247, 256; ii.
3, 7, 23, 25, 36, 44, 77, 82, 86, 87, 130, 141, 145,
158, 162, 208, 223
Pittura, Lomazzo's, Trattato della, i. 46, 118,
139
Raffalovitch, Madame, ii. 103
Raphael, i. 6, 9, 17, 18, 21, 28, 37, 43, 60, 70, 72,
138, 166, 172, 183, 192, 199, 228, 241, 246, 255;
ii. 2, 48, 114, 117, 132, 137, 138, 142, 144, 150,
167, 170, 194, 195, 223
Ravaisson-Mollien, M. Charles, i. 39, 57, 161,
228; ii. 6, 9, 10, 17, 31, 34, 37, 40, 46, 73, 74,
79, 87, 89, 185, 209, 230
Ravaisson, M. Felix, i. 243
Rembrandt, i. 212; ii. 240
Renaissance, Histoire de l'Art pendant la, i. 22;
Les Précurseurs de la, i. 19
Renaissance, The, ii. 52, 53, 110, 114, 115, 151,
173 (the French, 174), 207, 213
Resurrection (Berlin Museum), i. 53; ii. 182
Ricci, P., ii. 236
Riccio, A., ii. 81, 85
Richelieu, Cardinal, ii. 126
Richter, Dr. J. P., i. 12, 17, 21, 55, 57, 60, 82, 84,
104, 108, 118, 146, 150, 211, 218, 227, 230; ii.
4, 14, 17, 22, 24, 30, 32, 34, 35, 37, 38, 46, 68,
73, 80, 87,92, 114, 120, 147, 148, 149, 150, 159,
191, 193, 198, 203, 210, 215
Romano, G. C., i. 119, 122, 128, 158
Rome, i. 34 (Church of S. Giacomo, 43),
(Borghese Gallery, 55), 76, 97, 99, 101, 115,
126, 149, 201, 235, 248; ii, 5, 14, 139, 192, 203
Royal Academy, ii. 122, 123, 125, 127, 128
Rubens, ii, 12, 14, 141, 148, 239
Ruble Collection, ii. 165
Rustici, G. F., i. 87; 64, 115, 135, 170
Sesto, Cesare da, ii. 181, 182, 201, 214, 238
Sforza, Cardinal Ascanio, i. 97, 103, 115; ii.
105
Sforza, Duke Francesco, equestrian statue, i.
7, 63, 108, 123, 143, 144-156, 159, 221; ii. 5,
109, 139, 174
Duke Galeazzo Maria, i. 91, 105, 112, 116,
132, 141, 145, 208
Duke Ludovico (Il Moro), i. 12, 32, 46, 86,
87, 90, 91, 92-98, 101, 102, 103, 104,
105-112, 115, 116, 118, 119, 123, 124, 139,
(Leonardo letter to, 142-3), 151, 152, 178,
199, 219, 249; ii. 24, 33, 41, 61, 63, 96,
100, 105-108, 114, 116, 171, 177, 232
Sforza, Maximilian, ii. 191, 192
Bianca Maria, 104, 108, 115, 116, 124, 132,
Court of the, i. 85, 91, 227
Simonetta, G., i. 89, 119
Soderini, P., the Gonfaloniere, i. 219, 250; ii.
118, 132, 140, 175, 176, 232
Sodoma, G. Bazzi, I., i. 166, 167, 190, 192,
238; ii. 183, 194
Solario, Andrea, i. 130; ii. 185
Cristoforo, i. 104, 105, 127
South Kensington Museum, i. 49, 57, 158
Spagnolo, F., ii. 138
Springer, Anton., ii. 2, 80, 122
Straparola, Notti ii. 30
Suardi, B., i. 131
Three Dancing Girls or Bacchantes, i. 160
Timbal, C., ii. 142
Tintoretto, i. 35
Torre, Marc Antonio della, ii. 81, 84
Torrigiano, Pietro, ii. 119
Valenciennes Museum, ii. 74
Valle, B. della, ii. 101
P. della, ii. 190
Valton, P., collection, i. 16, 66, 67, 76, 141, 207
225; ii. 9, 95, 133
Vasari, i. 40
Vasari, G., i. 10, 14, 15, 17, 18, 20, 21, 27, 35, 46,
47, 56, 57, 75, 77, 85, 124, 145, 153, 187, 210,
225; ii. 66, 84, 98, 121, 123, 135, 136, 138, 139,
142, 150, 155, 157-58, 159, 164, 170, 195, 197,
198, 205, 220, 221, 225, 226, 228, fresco Court
of Leo X., 227-228
Vatican, i. 40, 79, 230, 231, 234, 235: ii. 66,
208
Verrocchio, A., i. 17, 20, 22-26, 27, 28, 32, 34,
35, 36, 38, 39, 40, 43, 52, 56, 57, 87, 144, 147,
171, 229; 49, 50, 194
Vertumnus and Pomona, ii. 208
Vigevano, i. 103, 104, 109, 131
Vignole, i. 19
Villanis, B. di, ii. 218, 224
Vinci, hamlet of, i. 7; ii. 18
Vinci, F. da, i. 13; ii. 171
Vinci, G. da, ii. 203
Vinci, Leonardo da, i. drawings, 1-2, 210; un-
captivated by fair sex, 3; their artistic
treatment, 3-4; as a sculptor, 4-5; poet, 5;
scientist, 6; birthplace, 7; parents and
kindred, 10-13; ii. 171, 219; genealogy, i.
15; handsome, strong and dexterous, 15--
16; character, 17; varied talents, 18; pupil
of Verrocchio, 21, 35; their contrast, 26;
master and fellow-students, 26-34; refuta-
tion of calumny, 32; art thesis, 34-5; in-
fluence on master, 36; early efforts, 35, 37 ;
method of handwriting, 38, 39, 141, 227-
229; ii. 62, 103; collaboration of Vinci and
Verrocchio, 37-44; first shield, 45-6, 141;
early cartoons, 47; ascribed works, 49-54,
219-221; early drawings, 54-56; efforts in
sculpture, 56; canal projects, 56, 143, 175;
ii. 98; dated works, i. 57; fame in Florence,
58; study of death agonies, 59-60; works
uncompleted, 58, 62, 78; lacked precision
of conception, 66; classic inspiration, 67,
75; love and study of horses, 74, 146-148,
150; his influence, 74, 159, 225-227 ; ii. 132;
conception of a picture, i 76; compositions
devoid of portraiture, 77; evolution of paint-
ing, 78, 80; enters Guild of Painters at
Florence, 79; ii. 133; tendencies, i. 80-
81; quits Florence, 82; theory of travels to
East, 82-85; ii. 62; fond of geography, i.
85; ii. 93-94; at the Court of Milan, 85-87,
118; musical talent, 86, 106, 205; influence
on Milanese school, 91, 129, 130, 131; patron
and friends, 92-101; called to Vigevano,
103; contracts to finish works, 104, 178;
pageants, 107; princely patrons, 114-115,
118; contact with D. Lodovico, 120-122;
indifferent courtier, 122; income, 123, 185;
ii. 136, 193, 207. Style of living, i. 123; ii.
135. Milan contemporaries, i. 126–134, 139;
his art and theirs, 134-136; letter to Duke of
Milan stating skill, 142-143; felt restraints
of architecture, 150; Sforza statue, dilatori-
ness, 150-151; its explanation, 186, 210;
experiments in bronze casting, 152-153;
impassive, 156; in sculpture and painting
equal, 158; chronology of works, 161 ; agree-
ment for Virgin of the Rocks, 162; use of
greenish paper, 164, 165, 166, 167, 175, 211;
process of adaptation, 167; germs of his
art of gesture, 171; neutral shades, 173;
love of rocky landscape, 174; opposed to
fresco, 179, 246; matured study in Last
Supper, 183-184; its unfinished state ex-
plained, 187; an epoch in painting, 191;
architectural attitude, 196-197; ii. 4, 5;
work in Castle of Milan, i. 202-205; easel
pictures and portraits, 205-208; ii. 154-
160. Methods, i. 210-211; grotesque draw-
ings, 217 218; list of his drawings, 218;
architectural designs, 222-224; manuscripts,
227-230; treatise on painting, 230-245,
253; his pigments, 246; pupils, 254-255;
ii. 232-238. His studio, i. 256.
ii. The antique and nature, 2-3; the nude, 6;
abstract and idealistic mind, 6; draperies,
6-7; symbolism, 9-10; the antique, 11-16;
meagre education, 18-19; catalogue of his
library, 21 2, 82; interest in poetry, 23; as
poet, 24 7; fabulist, 27-29; moralist, 30-31;
religion, 32-34; Prophecies or Enigmas, 35-
38; indifferent to money, 38; philosophy,
39-44; scientific labours, 46-60; Alpine ex-
cursions, 59, 92, 207; occult sciences, 61-70;
mathematical studies, 71-74; knowledge of
steam, 73-74;, inventive power, 74, 94; ac-
quainted with screw and parachute, 74-75 ;
physics, 75; optics, 76-77; colour, 78-79;
acoustics, 79; natural science, 81-82; an-
atomical studies and drawings, 83-86;
ideas on medicine, 86 87; geological views,
35, 89-92; as engineer, 95; position as
regards canals, 95-102, 187, 214; loss of
patron, Duke of Milan, 108; leaves Milan
for Mantua and Venice, 109, 110, 115;
sought by Isabella d'Este, 110-113; con-
joint labours as engineer and painter, 114;
serves Cæsar Borgia, 114, 118; at Florence,
115-118; Borgia's patent, 119; official
travels, 119-120; cartoon of S. Anne, 121-
132; variety of life, 124; landscape art,
131-132; joins Florentine life, 133; work
at Palazzo Vecchio, 136; Battle of Anghi-
ari contract, 136; Michelangelo's aversion,
138; fails in process with Battle of Anghiari,
leaves Florence, 139; Mona Lisa Gioconda,
her sittings,-155; his female ideal, 160-163;
draperies, 162, 163; pupils at Florence,
170; occupations, 171; death of father and
uncle-lawsuit and letter to Cardinal d'Este,
171, 186; goes to Milan, esteemed by
Maréchal de Chaumont, 176–7 by Louis
XII., 178, 179, 186-187; letter to Chaumont,
188-189; master of ceremonies at Milan,
189; at Vaprio, 189; old before his time,
192; tries Rome, Milan, and Florence,
192, 193, 203-204; in suite of G. de' Medici,
193; companions, 194; lodged by Pope
Leo X., 196; petty troubles, 198-99; me-
chanical lion, 205; honoured by Francis I.,
207; home at Amboise, 209-211; paralysis
of right hand, 211, 216; unreceptive French
pupils, 213; his will, 216-220; death, 220;
in arms of Francis I., 221–2; portraits of
him, 217, 221, 225-231; patrons, 232;
artistic influence, 239-240
Vinci, Lesandra, ii. 203
Pierino, i. 14
Piero Antonio da, i. 10, 45, 46
Tommaso da, i. 14
Virgin and Child with a Donor, ii. 200, 201
Virgin holding the Infant Jesus, ii. 197
Virgin of the Bas Relief, ii. 181
Virgin of the Magnificat, i. 31
Waggon and horses, sketch, ii. 104
Wallace Museum, i. 132
War Chariots, Design for, ii. 105
Warrior, i. 55, 57
Weapons, designs for, ii. 97, 100
Weimar Museum, i. 33, 38
Windsor, Royal Library, i. 2, 4, 5, 13, 16, 43,
44, 53, 54, 55, 56, 74, 79, 83, 89, 107, 121, 125,
128, 133, 137, 146, 147, 148, 149, 152, 153, 156,
157, 160, 161, 163, 166, 169, 175, 176, 177, 188,
189, 190, 193, 231, 233, 236, 245, 249; ii. 1, 4,
5, 8, 12, 15, 17, 25, 44, 45, 49, 65, 84, 88, 89,
92, 93, 101, 127, 129, 132, 134, 137, 145, 147,
149, 153, 155, 157, 160, 161, 162, 166, 167, 182,
183, 185, 201, 204, 205, 206, 208, 221, 225, 226,
228, 229, 230
Yriate, M. Charles, i. 11, 114; ii. 39, 110, III,
Zacchia of Lucca, L., ii. 141
Zenale, B., i. 131, 133, 187, 229; ii. 35, 41, 200
RICHARD CLAY AND SONS, LIMITED, LONDON AND BUNGAY.
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