testable, and this plate should be definitively withdrawn from Verrocchio or Zoan Andrea (see vol. i., p. 147, note). Two states are known. British Museum; the Windsor Library has a fragment of this engraving. A later copy of this plate is extant. It is in reverse, and contains some slight changes; the hatchings are different, the tufts between the horses' ears are larger, and the mane of the horse on the right looks as if it had been combed. British Museum. VIII. Four interlaced ornaments.1 Passavant (Peintre Graveur, vol. v., p. 183) only describes three. See vol. i., pp. 225-226, 228-229, 232. A. In the centre the word VICI: round it the words ACADEMIA LEONARDI forming a circle. Ambrosiana, British Museum, Cabinet des Estampes, Paris. 1 Not six, as misprinted above. E. M. Academy, Leonardo's, i. 225-227 INDEX Adda, Marchese d', i. 133, 219, 226, 250; ii. 22, Adoration of the Magi (Vinci), i. 40, 53, 58, 61, Adoration of the Magi (Botticelli), i. 31; ii. 231 (D. Ghirlandajo), i. 78 (Lippi), i. 62, 64, 78, 79 Adoration of the Shepherds, or Nativity, i. 65, Agricultural Labours, sketches, ii. 65 Alberti, Leone Battista, i. 16-17; ii. 13, 47, 50, Alciati (Emblems), ii. 28, 29 Alessandri, A. degli, ii. 91 Alibrando, G., ii. 239 Allegorical Composition, ii. 45, 53 Alps, The, ii. 59, 92, 207 Altissimo, Cristofano dell', ii. 227 Amatori, A. degli, i. 11; ii. 113 Amboise, Cardinal d', ii. 109, 175, 185 Charles d' (Maréchal de Chaumont), ii. 139, 174, 175-6, 177, 186-7, 191 Amboise, ii. 69, 174, 209, 210, 213, 216, 217, 218, 222, 224, 230 Ambrosiana, see Milan America, maps of, ii. 93-4 Amoretti, i. 121, 123; ii. 192, 231, 235 Anatomical study, ii. 50, 83-86 sketches, ii. 49, 84, 88 Anchiano, i. S Andrea, J., ii. 63, 106 André, Mme. Edouard, i. 155 Anghiari, Battle of, i. 63, 71, 74, 87, 135, 146, Annunciation, The, i. 45, (Louvre, 49–50), (Uffizi, Antique, the, and art of Leonardo, ii. 1–16 Aphorisms, ii. 10, 58, 59, 216 Aragon, Cardinal d', ii. 123, 158, 211 Archangels victorious, Oggione's, ii. 236 Archittetura, Trattato d', Alberti's, ii. 98 VOL. II Bacchiacca, F., ii. 167 Bambaja (Fanfoja), ii. 193 Bandello, Matteo, i. 123, 139, 183-6 Bandinelli, B., ii. 170 Baptism of Christ, i. 36, 40, 43, 44 Baroncelli, B. di Bandini, i. 59 Battle of Anghiari, see Anghiari Bazzi, Giov., see Sodoma Beatis of Amalfi, A. di, ii. 211 Belle Ferronière, see Crivelli Bellincioni, B., i. 98, 100, 103, 107, 123, 138, 205, Beltrami, Signor, ii. 17, 23, 31, 43, 46, 52, 98, Benci, Ginevra, portrait, ii. 159 Bentivoglio, Annibale, bas-relief, i. 144 Berlin Gallery, i. 50, 53, 133 Museum, i. 56, 155, 175 Berthelot, M., ii. 80, 94 Béthune, Marquis de, ii. 126 Biondo's Eulogy, ii. 103 Birds, studies of flight, ii. 69, 74 Bode, Herr, i. 50, 54, 116, 124, 130, 132, 133, Bologna, i. 144; ii. 51 Boltraffio, G. A., i. 49, 54; ii. 200, 201, 202, Bonnaffé, M., ii. 126 Canal of San Cristoforo, Milan, ii. 187, 219 Canals, ii. 52, 98 Cannon foundry, A, ii. 101 Caradosso (Ambrogio Foppa), i. 112, 115, 116, Cardan, ii. 60, 62, 63, 69, 70, 77, 78, 103 Castagno, A. del, i. 180 Castiglione, B., i. 100, 122, 233, 234; ii. 20 Cellini, B, ii. 103, 150, 207 Champfleury, M., i. 4 Chantilly, Condé Museum, i. 12, 37; ii. 129, Charles I. of England, ii. 125, 212 Charles VIII., ii. 95, 96, 105, 174, 209, 210 Chaumont, Maréchal de, ii. 171. See Amboise Chevreul, M., ii. 75, 77, 78 Christ among the Doctors, ii. 112 Chigi, Stefano, ii. 114 Child with Cat, i. 176 Christ bearing the Cross, i. 63 Christ, Head of, i. 88 Classicism, ii. 2 Codex Atlanticus, i. 83, 108, 204, 207, 218, 219, 226, 245; ii. 15, 21, 30, 38, 46, 72, 73, 75, 76, 80, 97, 99, 102, 149, 166, 187 Colleone Statue, sketches, ii. 114 Cologne Museum, i. 67, 68, 69, 77 Colours, complementary, ii. 75, 77, 78 Como, ii. 227 Conti, B. dei, i. 132, 176 Copernicus, ii. 52, 71 Corio, the chronicler, i. 90, 101, 102, 108, 115, Correggio, A. da, ii. 238, 240 Corsali, Andrea, i. 17 Cosimo, Piero di, i. 31; ii. 116 Costa, Lorenzo, ii. III Courajod, Louis, i. 150, 155 Credi, L. di A. i. 27, 28-30, 43, 49, 50, 51, 52; ii. 33, 116, 134 Crivelli, Lucrezia (La Belle Ferronière), i. 3, Crowe and Cavalcaselle, i. 73 Crucifixion, The (Montorfano's), i. 120, 135, (Perugino's), ii. 125 Daddi, B., i. 63 Dan, Père, ii. 168, 169 Darwin, C., i, 253; ii. 58, 68, 89 Michelangelo's, ii. 134, 135. (Leonardo's Day of S. Mary of the Snow, i. 37-8, 54 Descent into Hell, ii. 182 Discord, bas relief, i. 158, 159 Dispute of the Sacrament, Raphael, ii. 195 Donatello, i. 3, 5, 19, 25, 57, 125, 144, 149, 154 229; ii. II, 170, 212 Dresden Gallery, i. 52 Duccio, Agostino di, ii. 212 Duplessis, M. Georges, ii. 142 Durand-Gréville M., ii. 159 Dusseldorf Gallery, ii. 197 Duval, M. Mathias, ii. 82, 83, 84, 85, 86 Fall of Phaeton, ii. 12, 13, 14, 16 Fanti, S., of Ferrara, i. 251 Fashions in costume, ii. 7 Ferrara, J. A. da, i. 101 Ferri, Signor, i. 62 Ferrucci, F. di S., of Fiesole, i. 39 Fiesole, ii. 171, 224 Florence, i. 10, 16, 17, 19, 28, 32, 45, 56, 58, 60, |