The Time Is Out of Joint: Shakespeare as Philosopher of HistoryRowman & Littlefield Publishers, 2002年7月23日 - 384 頁 The Time Is Out of Joint handles the Shakespearean oeuvre from a philosophical perspective, finding that Shakespeare's historical dramas reflect on issues and reveal puzzles which were taken up by philosophy proper only in the centuries following them. Shakespeare's extraordinary handling of time and temporality, the difference between truth and fact, that of theory, and that of interpretation and revelatory truth are evaluated in terms of Shakespeare's own conjectural endeavors, and are compared with early modern, modern, and postmodern thought. Heller shows that modernity, which recognized itself in Shakespeare only from the time of Romanticism, found in Shakespeare's work a revelatory character which marked the end of both metaphysical system-building and a tragic reckoning with the inaccessibility of an absolute, timeless truth. Heller distinguishes the four stages found in constantly unique relation in Shakespeare's work (historical, personal, political, and existential) and probes their significance as time comes to fall 'out of joint' and may be again set aright. Rather than initially bestowing upon Shakespeare the dubious honorary title of philosopher, Heller probes the concretely situated reflections of characters who must face a blind and irrational fate either without taking responsibility for the discordance of time, or with a responsibility which may both transform history into politics, and set right the time which is out of joint. In the ruminations and undertakings of these characters, Shakespeare's dramas present a philosophy of history, a political philosophy, and a philosophy of (im)moral personality. Heller weighs each as distinctly modern confrontations with the possibility of truth and virtue within a human historical condition no less multifarious for its momentariness. |
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第 1 到 5 筆結果,共 40 筆
第 1 頁
... theater stage.The theater stage is home to another, four-dimensional stage. It is the stage of history, the world stage of historical time; it is the stage of life, of a lifetime. In the history plays and in some of the tragedies and ...
... theater stage.The theater stage is home to another, four-dimensional stage. It is the stage of history, the world stage of historical time; it is the stage of life, of a lifetime. In the history plays and in some of the tragedies and ...
第 16 頁
... theater.This sounds perhaps a bit odd. Shakespeare's tragedies are, after all, telling us stories of retribution.They show us crimes that are met by punishment; they portray sinners who end their miserable lives as vic- tims of their ...
... theater.This sounds perhaps a bit odd. Shakespeare's tragedies are, after all, telling us stories of retribution.They show us crimes that are met by punishment; they portray sinners who end their miserable lives as vic- tims of their ...
第 20 頁
... theater;yet there is an absolute Measure and ajust Judge beyond the historical stage.This is how (and perhaps why) the most significant Shakespearean heroes have the privilege to appear and to play their act in another theater, the theater ...
... theater;yet there is an absolute Measure and ajust Judge beyond the historical stage.This is how (and perhaps why) the most significant Shakespearean heroes have the privilege to appear and to play their act in another theater, the theater ...
第 52 頁
... theater, it is a dress rehearsal.That Harry tries on the crown tells a complete story: for Harry his royal crown, cloak, and scepter were like a period costume or like a nightgown tried on by a young boy who has been chosen to play the ...
... theater, it is a dress rehearsal.That Harry tries on the crown tells a complete story: for Harry his royal crown, cloak, and scepter were like a period costume or like a nightgown tried on by a young boy who has been chosen to play the ...
第 57 頁
... theater plays in the presentation of the dramatis personae as Shakespeare, the actor. Many of Shakespeare's heroes, first and foremost among them Hamlet, also disclose their opinion about playacting. And the aged Hamlet, Prospero, takes ...
... theater plays in the presentation of the dramatis personae as Shakespeare, the actor. Many of Shakespeare's heroes, first and foremost among them Hamlet, also disclose their opinion about playacting. And the aged Hamlet, Prospero, takes ...
內容
1 | |
13 | |
Part II The History Plays
| 161 |
Part III Three Roman Plays
| 279 |
Postscript Historical Truth and Poetic Truth
| 367 |
About the Author
| 375 |
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