Dramatic Discourse: Dialogue as Interaction in PlaysRoutledge, 2005年6月20日 - 340 頁 Whilst poetry and fiction have been subjected to extensive linguistic analysis, drama has long remained a neglected field for detailed study. Vimala Herman argues that drama should be of particular interest to linguists because of its form, dialogue and subsequent translation into performance. The subsequent interaction that occurs on stage is a rich and fruitful source of analysis and can be studied by using discourse methods that linguists employ for real-life interaction. Shakespeare, Pinter, Osborne, Beckett, Chekhov, and Shaw are just some of the dramatists whose material is drawn upon. Each chapter contains a theoretical section in which major concepts of each framework are explained before the relevance of the framework to dramatic discourse is analyzed and explored using textual examples. This book will be of interest to undergraduates and postgraduates studying in the areas of literary linguistics and stylistics, or anyone specialising in the relationship between the text and performance. |
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第 1 到 5 筆結果,共 84 筆
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... Instances of verbal communication actuallyexceed conversational contexts alone, but moststudies have prioritized conversation as the exemplary genre of spontaneous, spoken speech. Before we move toaconsideration of the manyframeworks of ...
... Instances of verbal communication actuallyexceed conversational contexts alone, but moststudies have prioritized conversation as the exemplary genre of spontaneous, spoken speech. Before we move toaconsideration of the manyframeworks of ...
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... instances of dialogue. It also erases the variety which characterizes speech forms indaily life whichare at leastas remarkable asthose found in plays.Forinstance,an informed discussion between two academic colleagues writing a book ...
... instances of dialogue. It also erases the variety which characterizes speech forms indaily life whichare at leastas remarkable asthose found in plays.Forinstance,an informed discussion between two academic colleagues writing a book ...
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... behaviourinuniform fashioninevery instance of communication or conduct eitherinside or outside drama.For a start, rulesmaybebroken withinthe contingencies ofspecific situations, assumptions might have to be abandoned or the performance.
... behaviourinuniform fashioninevery instance of communication or conduct eitherinside or outside drama.For a start, rulesmaybebroken withinthe contingencies ofspecific situations, assumptions might have to be abandoned or the performance.
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... Instances ofthe formerinclude neologisms, archaismsand highly stylized, metredlanguage as inclassical Frenchtragedy orverse dramas writtenbyaFry oranEliot. Examples ofthelatter canbe found inFry and Eliot, too, whose stylizations are ...
... Instances ofthe formerinclude neologisms, archaismsand highly stylized, metredlanguage as inclassical Frenchtragedy orverse dramas writtenbyaFry oranEliot. Examples ofthelatter canbe found inFry and Eliot, too, whose stylizations are ...
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... instance,where other forms of imbalance arealso visible, but which are drawnon intermittently, not comprehensively, inthisstudy. Eachchapterreviewsthe particular frameworkunder consideration and, havingset the context ofterms and ...
... instance,where other forms of imbalance arealso visible, but which are drawnon intermittently, not comprehensively, inthisstudy. Eachchapterreviewsthe particular frameworkunder consideration and, havingset the context ofterms and ...
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常見字詞
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