Dramatic Discourse: Dialogue as Interaction in PlaysRoutledge, 2005年6月20日 - 340 頁 Whilst poetry and fiction have been subjected to extensive linguistic analysis, drama has long remained a neglected field for detailed study. Vimala Herman argues that drama should be of particular interest to linguists because of its form, dialogue and subsequent translation into performance. The subsequent interaction that occurs on stage is a rich and fruitful source of analysis and can be studied by using discourse methods that linguists employ for real-life interaction. Shakespeare, Pinter, Osborne, Beckett, Chekhov, and Shaw are just some of the dramatists whose material is drawn upon. Each chapter contains a theoretical section in which major concepts of each framework are explained before the relevance of the framework to dramatic discourse is analyzed and explored using textual examples. This book will be of interest to undergraduates and postgraduates studying in the areas of literary linguistics and stylistics, or anyone specialising in the relationship between the text and performance. |
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Dialogue as Interaction in Plays Vimala Herman. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library ofCongress Cataloguing in Publication Data A catalogue record ...
Dialogue as Interaction in Plays Vimala Herman. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library ofCongress Cataloguing in Publication Data A catalogue record ...
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Dialogue as Interaction in Plays Vimala Herman. addressee—the I and you of the speech situation of dialogue— ensures that facetoface encounter is presupposed by the form. The progressofdialogue over time is, consequently, dependent on ...
Dialogue as Interaction in Plays Vimala Herman. addressee—the I and you of the speech situation of dialogue— ensures that facetoface encounter is presupposed by the form. The progressofdialogue over time is, consequently, dependent on ...
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Dialogue as Interaction in Plays Vimala Herman. commonality in being speech exchange systems, which sets them apart from poetic genres like the ode or the lyric, or narrator language inthenovel. Moreover, where the relationhas been ...
Dialogue as Interaction in Plays Vimala Herman. commonality in being speech exchange systems, which sets them apart from poetic genres like the ode or the lyric, or narrator language inthenovel. Moreover, where the relationhas been ...
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Dialogue as Interaction in Plays Vimala Herman. activity through which subjectively experienced values, principles and modes of conduct, which ate naturalized in social culture, may be reflexively confronted by members ofthat culture ...
Dialogue as Interaction in Plays Vimala Herman. activity through which subjectively experienced values, principles and modes of conduct, which ate naturalized in social culture, may be reflexively confronted by members ofthat culture ...
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Dialogue as Interaction in Plays Vimala Herman. is unhelpful in providing us with clearcut, unambiguous categories, in which something is to be identified in its difference from somethingelse as ifthe boundaries between standard and ...
Dialogue as Interaction in Plays Vimala Herman. is unhelpful in providing us with clearcut, unambiguous categories, in which something is to be identified in its difference from somethingelse as ifthe boundaries between standard and ...
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常見字詞
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