Theories of the Theatre: A Historical and Critical Survey from the Greeks to the PresentCornell University Press, 1993 - 553 頁 Beginning with Aristotle and the Greeks and ending with semiotics and post-structuralism, Theories of the Theatre is the first comprehensive survey of Western dramatic theory. In this expanded edition the author has updated the book and added a new concluding chapter that focuses on theoretical developments since 1980, emphasizing the impact of feminist theory. |
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第 1 到 5 筆結果,共 83 筆
第 27 頁
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內容
Preface | 9 |
Preface to Expanded Edition | 11 |
Aristotle and the Greeks | 15 |
Roman and Late Classic Theory | 22 |
The Medieval Period | 31 |
The Italian Renaissance | 37 |
The Spanish Renaissance | 57 |
The French Renaissance | 67 |
Italy and France in the Early Nineteenth Century | 197 |
NineteenthCentury England | 219 |
Russian Theory to 1900 | 240 |
The Germanic Tradition in the Late Nineteenth Century | 248 |
France in the Late Nineteenth Century | 270 |
The Early Twentieth Century 19001914 | 302 |
The Twentieth Century 19301950 376 | 338 |
The Twentieth Century 19501965 | 411 |
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常見字詞
achieved acting action actor aesthetic analysis appeared approach argues Aristotle Aristotle's aroused Artaud artistic attempt audience authors Averroës Brecht calls century character classic comedy comedy and tragedy concept concerns condemns conflict considered contemporary Corneille create critical cultural developed Diderot drama dramatic theory dramatist elements emotional emphasis Encyclopédie English essay essentially expression expressionism feel feminist French genre German goal Goethe Greek Hegel hero historical human Ibid idea ideal imitation individual interest language literary literature Lukács major Meyerhold Minturno modern Molière moral nature neoclassic neoclassicism observations Oeuvres Paris passions performance play pleasure plot poet poetic poetry political preface production Racine realism reality rejected romantic romanticism rules says Scaliger Schiller Schlegel seek semiotic Shakespeare significant social society specific spectacle spectator stage Stanislavski structure suggests symbolist theatre theatrical theoretical theorists traditional tragic tragic hero tragicomedy trans Tulane Drama Review unity verisimilitude vision vols Voltaire writings York Zola