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American appear arms asked beauty become called cause character civilization close continued course dear death earth existence eyes face fact fall fear feel flowers give ground hand head heard heart hope hour human interest Italy kind labor lady land leave less letter light live look lost means ment mind nature never night once party passed passion person poet poor present reason received remarkable seemed seen side soon soul speak spirit stand tell thee thing thou thought tion trees true truth turn voice whole write young
第 432 頁 - The glories of our blood and state Are shadows, not substantial things. There is no armour against fate ; Death lays his icy hand on kings : Sceptre and crown Must tumble down, And in the dust be equal made With the poor crooked scythe and spade.
第 53 頁 - I shall detain you now no longer in the demonstration of what we should not do, but straight conduct you to a hill-side, where I will point you out the right path of a virtuous and noble education; laborious indeed at the first ascent, but else so smooth, so green, so full of goodly prospect, and melodious sounds on every side, that the harp of Orpheus was not more charming.
第 194 頁 - As for jest, there be certain things which ought to be privileged from it; namely, religion, matters of state, great persons, any man's present business of importance, and any case that deserveth pity.
第 277 頁 - LET me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O, no! it is an ever -fixed mark, That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken.
第 163 頁 - ... A poem, in my opinion, is opposed to a work of science by having, for its immediate object, pleasure, not truth ; to romance, by having, for its object, an indefinite instead of a definite pleasure, being a poem only so far as this object is attained ; romance presenting perceptible images with definite, poetry with indefinite sensations, to which end music is an essential, since the comprehension of sweet sound is our most indefinite conception.
第 378 頁 - And taste, to him the gushing of the wave Far far away did seem to mourn and rave On alien shores...
第 163 頁 - A poem, in my opinion, is opposed to a work of science by having, for its immediate object, pleasure, not truth; to romance, by having for its object an indefinite instead of a definite pleasure, being a poem only so far as this object is attained : romance presenting perceptible images with definite, poetry with indefinite sensations, to which end music is an essential, since the comprehension of sweet sound is our most indefinite conception. Music, when combined with a pleasurable idea, is poetry;...
第 57 頁 - What then I was. The sounding cataract Haunted me like a passion : the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye.
第 192 頁 - Haste thee, nymph, and bring with thee Jest, and youthful Jollity, Quips, and cranks,* and wanton* wiles, Nods, and becks, and wreathed smiles, Such as hang on Hebe's cheek, And love to live in dimple sleek; Sport that wrinkled Care derides, And Laughter holding both his sides.