110 Thee, dreaded censor, oft have I beheld Bewilder'd unawares: alas! too long Flush'd with thy comic triumphs and the spoils Of sly Derision! till on every side Hurling thy random bolts, offended Truth Assign'd thee here thy station with the slaves Of Folly. Thy once formidable name Shall grace her humble records, and be heard In scoffs and mockery, bandied from the lips Of all the vengeful brotherhood around, So oft the patient victims of thy scorn.
With holy ensigns, how sublime they move, And bending oft their sanctimonious eyes Take homage of the simple-minded throng; Ambassadors of Heaven! Nor much unlike Is he whose visage, in the lazy mist That mantles every feature, hides a brood Of politic conceits; of whispers, nods, And hints deep omen'd with unwieldy schemes, And dark porten's of state. Ten thousand more, Prodigious habits and tumultuous tongues, Pour dauntless in, and swell the boastful band. 120 Then comes the second order, all who seek The debt of praise, where watchful Unbelief Darts through the thin pretence her squinting eye On some retir'd appearance, which belies The boasted virtue, or annuls the applause That Justice else would pay. Here side by side I see two leaders of the solemn train Approaching: one a female old and grey, With eyes demure, and wrinkle-furrow'd brow, Pale as the cheeks of Death; yet still she stuns The sickening audience with a nauseous tale; 131 How many youths her myrtle-chains have worn, How many virgins at her triumphs pin'd! Yet how resolv'd she guards her cautious heart; Such is her terrour at the risks of love, And man's seducing tongue! The other seems A bearded sage, ungentle in his mien, And sordid all his habit; peevish Want Grins at his heels, while down the gazing throng He stalks, resounding in magnific phrase The vanity of riches, the contempt
Of pomp and power. Be prudent in your zeal, Ye grave associates! let the silent grace Of her who blushes at the fond regard Her charms inspire, more eloquent unfold The praise of spotless honour: Ict the man Whose eye regards not his illustrious pomp And ample store, but as indulgent streams To cheer the barren soil and spread the fruits Of joy, let him by juster measures fix The price of riches and the end of power. Another tribe succeeds; deluded long By Fancy's dazzling optics, these behold The images of some peculiar things With brighter hues resplendent, and pourtray'd With features nobler far than e'er adorn'd Their genuine objects. Hence the fever'd heart Pants with delirious hope for tinsel charms; Hence oft obtrusive on the eye of Scorn, Untimely Zeal her witless pride betrays! And serious tranhood from the towering aim Of Wisdom, stoops to emulate the boast Of childish toil. Behold yon mystic form, Bedeck'd with feathers, insects, weeds, and shells! Not with intenser view the Samian sage Bent his fixt eye on Heaven's intenser fires, When first the order of that radiant scene Swell'd his exulting thought, than this surveys A muckworm's entrails or a spider's fang. Next him a youth, with flowers and myrtles crov n'd, Attends that virgin form, and blushing kneels, With fondest gesture and a suppliant's tongue, To win her coy regard: adieu, for him, The dull engagements of the bustling world! Adieu the sick impertinence of praise! And hope, and action! for with her alone, By streams and shades, to steal these sighing hours, Is all he asks, and all that Fate can give! Thee too, facetious Momion, wandering here,
But now, ye gay! to whom indulgent Fate, Of all the Muse's empire hath assign'd The fields of folly, hither each advance Your sickles; here the teeming soil affords Its richest growth. A favourite brood appears; In whom the demon, with a mother's joy, Views all her charms reflected, al; her cares At full repay'd. Ye most illustrious band! Who, scorning Reason's tame, pedantic rules, And Order's vulgar bondage,,never meant For souls sublime as yours, with generous zeal Pay Vice the reverence Virtue long usurp'd, And yield Deformity the fond applause Which Beauty wont to claim; forgive my song, That for the blushing diffidence of youth, It shuns the unequal province of your praise. Thus far triumphant in the pleasing guile Of blaud Imagination, Folly's train Have dar'd our search: but now a dastard kind Advance reluctant, and with faultering feet Shrink from the gazer's eye; enfeebled hearts Whom Fancy chills with visionary fears, Or bends to servile tameness with conceits Of shame, of evil, or of base defect, Fantastic and delusive. Here the slave Who droops abash'd when sullen Pomp surveys His humbler habit; here the trembling wretch Unnerv'd and struck with Terrour's icy bolts, Spent in weak wailings, drown'd in shameful tears, At every dream of danger: here subdued 220 By frontless Laughter and the hardy scorn Of old, unfeeling Vice, the abject soul, Who blushing half resigns the candid praise Of Temperance and Honour; half disowns A freeman's hatred of tyrannic pride; And hears with sickly smiles the venal mouth With foulest licence mock the patriot's name.
Last of the motley bands on whom the power Of gay Derision bends her hostile aim, Is that where shameful Ignorance presides. Beneath her sordid banners, lo! they march, Like blind and lame. Whate'er their doubtful hands Attempt, Confusion straight appears behind, And troubles all the work. Through many a maze, Perplex'd they struggle, changing every path, O'erturning every purpose; then at last Sit down dismay'd, and leave the entangled scene For Scorn to sport with. Such then is the aboue Of Folly in the mind; and such the shapes in which she governs her obsequions train. Through every scene of ridicule in things To lead the tenour of my devious lay; Through every swift occasion, which the hand Ot Laughter points at, when the mirthful sting Distends her sallying nerves and chokes her tongue; Wha were it but to count each crystal drop Which Morning's dewy fingers on the blooms Of May distil? Suffice it to have said, Where'er the power of Radicule displays
Her quaint-ey'd visage, some incongruous form, Some stubborn dissonance of things combin'd, Strikes on the quick observer: whether Pomp, Or Praise, or Beauty, mix their partial claim Where sordid fashions, where ignoble deeds, Where foul deformity, are wont to dwell; Or whether these with violation loath'd, Invade resplendent Pomp's imperious mien, The charms of Beauty, or the boast of Praise.
Ask we for what fair end, the Almighty Sire In mortal bosoms wakes this gay contempt, These grateful stings of laughter, from disgust Educing pleasure? Wherefore, but to aid The tardy steps of Reason, and at once By this prompt impulse urge us to depress The giddy aims of Folly? Though the light Of Truth slow dawning on the inquiring mind, At length unfolds, through many a subtile tie, How these uncouth disorders end at last In public evil! yet benignant Heaven, Conscious how dim the dawn of Truth appears To thousands: conscious what a scanty pause From labours and from care, the wider lot Of humble life affords for studious thought To scan the maze of Nature; therefore stamp'd The glaring scenes with characters of scorn, As broad, as obvious, to the passing clown, As to the letter'd sage's curious eye.
Such are the various aspects of the mindSome heavenly genius, whose unclouded thoughts Attain that secret harmony which blends
The ethereal spirit with its mold of clay;
O! teach me to reveal the grateful charm
That searchless Nature o'er the sense of man Dufuses, to behold, in lifeless things, The inexpressive semblance of himself,
Of thought and passion. Mark the sable woods That shade sublime yon mountain's nodding brow; With what religious awe the solemn scene Commands your steps! as if the reverend form Of Minos or of Numa should forsake The Elysian seats, and down the embowering glade Move to your pausing eye! Behold the expanse Of yon gay landscape, where the silver clouds Flit o'er the heavens before the sprightly breeze: Now their grey cincture skirts the doubtful Sun; Now streams of splendour, through their opening veil Efulgent, sweep from off the gilded lawi The aerial shadows; on the curling brook, And on the shady margin's quivering leaves With quickest lustre glancing; while you view 500 The prospect, say, within your cheerful breast Plays not the lively sense of winning mirth With clouds and sunshine chequer'd, while the round Of social converse, to the inspiring tongue Of some gay nymph amid her subject train, Moves all obsequious? Whence is this effect, This kindred power of such discordant things? Or flows their semblauce from that my tic tone To which the new-born mind's harmonious powers At first were strung? Or rather from the Fnks 310 Which artful custom twines around her frame? For when the different images of things, By chance combin'd, have struck the attentive soul With deeper impulse, or, connected long, Have drawn her frequent eye; howe'er distinct The external scenes, yet oft the ideas gain From that conjunction an eternal tic, And sympathy unbroken. Let the mind Recall one partner of the various league,
Immediate, lo! the firm confederates rise, And each his former station straight resumes: One movement governs the consenting throng, And all at once with rosy pleasure shine, Or all are sadden'd with the glooms of care. 'Twas thus, if ancient Fame the truth unfold, Two faithful needles, from the informing touch Of the same parent-stone, together drew Its mystic virtue, and at first conspir'd With fatal impulse quivering to the pole: Then, though disjoin'd by kingdoms, though the main Roll'd its broad surge betwixt, and different stars Beheld their wakeful motions, yet preserv'd The former friendship, and remember'd still The alliance of their birth: whate'er the line Which once possess'd, nor pause, nor quiet knew The sure associate, ere with trembling speed He found its path, and fix'd unerring there. Such is the secret union, when we feel A song, a flower, a name, at once restore Those long-connected scenes where first they mov'd The attention: backward through her mazy walks Guiding the wanton Fancy to her scope,
To temples, courts, or fields; with all the band Of painted forms, of passions and designs Attendant: whence, if pleasing in itself, The prospect from that sweet accession gains Redoubled influence o'er the listening mind.
By these mysterious ties the busy power Of Memory her ideal train preserves Entire; or when they would elude her watch, 750 Reclaims their fleeting footsteps from the waste Of dark oblivion; thus collecting all
The various forms of being to present, Pefore the curious aim of mimic Art,
Their largest choice: like spring's unfolded blooms Exhaling sweetness, that the skilful bee May taste at will, from their selected spoils To work her dulcet food. For not the expanse Of living lakes in summer's noontide calmı, Reflects the bordering shade, and sun-bright heavens With fairer semblance; not the sculptur'd gold More faithful keeps the graver's lively trace, Than he, whose birth the sister powers of Art Propitious view'd, and from his genial star Shed influence to the seeds of fancy kind; Than his attemper'd bosom must preserve The seal of Nature. There alone unchang'd, Her form remains. The balmy walks of May There breathe perennial sweets: the trembling chord Resounds for ever in the abstracted ear, $70 Melodious and the virgin's radiant eye, Superior to disease, to grief, and time, Shines with unbating lustre. Thus at length Endow'd with all that Nature can bestow, The child of Fancy oft in silence bends O'er these mixt treasures of his pregnant breast, With conscious pride. From them he oft resolves To frame he knows not what excelling things; And win he knows not what sublime reward Of praise and wonder. By degrees, the mind 90 Feels her young nerves d late: the plastic powers Labour for action: blond emotions heave His bosom, and with love liest frenzy caught, Trom Earth to Heaven he tolls his daring eye, From Heavento Earth. Anon then thousand shapes, Like spectres trooping to the wizard's call, Flit swift before him. From the womb of Earth, From Ocean's bed they come: the eternal Heavens Disclose their splendours, and the dark Abyss
With fixed gaze Now compares
Pours out her births unknown. He marks the rising phantoms. Their different forms; now blends them, now divides, Enlarges, and extenuates by turns; Opposes, ranges in fantastic bands,
Now thither fluctuates his inconstant aim,
Result from airy motion; and from shape The lovely phantoms of sublime and fair. By what fine ties hath God connected things When present in the mind, which in themselves Have no connection? Sure the rising Sun O'er the cerulean convex of the sea, With equal brightness and with equal warmth
With endless choice perplex'd. At length his plan Might roll his fiery orb; nor yet the soul
Begins to open. Lucid order dawns; And as from Chaos old the jarring seeds Of Nature at the voice divine repair'd Each to its place, till rosy Earth unveil'd Her fragrant bosom, and the joyful Sun Sprung up the blue serene; by swift degrees Thus disentangled, his entire design Emerges.
Colours mingle, features join,
And lines converge: the fainter parts retire; The fairer eminent in light advance; And every image on its neighbour smiles. Awhile he stands, and with a father's joy Contemplates. Then with Promethean art, Into its proper vehicle he breathes
The fair conception; which, embodied thus, And permanent, becomes to eyes or ears An object ascertain'd: while thus inform'd, The various organs of his mimic skill, The consonance of sounds, the featur'd rock, The shadowy picture and impassion'd verse, Beyond their proper powers attract the soul By that expressive semblance, while in sight Of Nature's great original we scan
The lively child of Art; while line by line, And feature after feature we refer
Thus feel her frame expanded, and her powers Exulting in the splendour she beholds;
400 Like a young conqueror moving through the pomp Of some triumphal day. When join'd at eve, Soft-murmuring streams and gales of gentlest breath Melodious Philomela's wakeful strain Attemper, could not man's discerning car Through all its tones the sympathy pursue;
Nor yet this breath divine of nameless joy
Steal through his veins, and fan the awaken'd heart, Mild as the breeze, yet rapturous as the song. But were not Nature still endow'd at large 410 With all which life requires, though unadorn'd 480 With such enchantment: wherefore then her form So exquisitely fair? her breath perfum'd With such ethereal sweetness? whence her voice Inform'd at will to raise or to depress
The impassion'd soul? and whence the robesof light Which thus invest her with more lovely pomp Than fancy can describe! Whence but from thee, O source divine of ever-flowing love, And thy unmeasur'd goodness? Not content 420 With every food of life to nourish man,
To that sublime exemplar whence it stole Those animating charms. Thus beauty's palm Betwixt them wavering hangs: applauding love Doubts where to choose; and mortal man aspires To tempt creative praise. As when a cloud Of gathering hail, with limpid crusts of ice Enclos'd and obvious to the beaming Sun, Collects his large effulgence; straight the Heavens With equal flames present on either hand The radiant visage: Persia stands at gaze, Appall'd; and on the brink of Ganges doubts The snowy-vested seer, in Mithra's name, To which the fragrance of the south shall burn, To which his warbled orisons ascend.
Such various bliss the well-tun'd heart enjoys, Favour'd of Heaven! while, plung'd in sordid cares, The unfeeling vulgar mocks the boon divine: And harsh Austerity, from whose rebuke Young Love and smiling Wonder shrink away Abash'd and chill of heart, with sager frowns Condemns the fair enchantment. On my strain, Perhaps even now, some cold, fastidious judge Casts a disdainful eye; and calls my toil, And calls the love and beauty which I sing, The dream of folly. Thou, grave censor! say, Is Beauty then a dream, because the glooms Of dulness hang too heavy on thy sense, To let her shine upon thee? So the man Whose eye ne'er open'd on the light of Heaven, Might smile with scorn while raptur'd vision tells Of the gay colour'd radiance flushing bright O'er all creation. From the wise be far Such gross unhallow'd pride; nor needs my song Descend so low; but rather now unfold, If human thought could reach, or words unfold, By what mysterious fabric of the mind, The deep-felt joys and harmony of sound
By kind illusions of the wondering sense Thou mak'st all nature beauty to his eye, Or music to his car: well pleas'd he scans The goodly prospect; and with inward smiles Treads the gay verdure of the painted plain ; Beholds the azure canopy of Heaven, And living lamps that over-arch his head With more than regal splendour; bends his ears To the full choir of water, air, and earth;
Nor heeds the pleasing errour of his thought, 500 Nor doubts the painted green or azure arch, Nor questions more the music's mingling sounds Than space, or motion, or eternal time; So sweet he feels their influence to attract The fixed soul; to brighten the dull glooms Of care, and make the destin'd road of life Delightful to his feet. So fables tell,
The adventurous hero, bound on hard exploits, Beholds with glad surprise, by secret spells Of some kind sage, the patron of his toils, A visionary paradise disclos'd
Amid the dubious wild: with streams, and shades, And airy songs, the enchanted landscape smiles, Cheers his long labours, and renews his frame.
What then is taste, but these internal powers Active, and strong, and feelingly alive To each fine impulse? a discerning sense Of decent and sublime, with quick disgust From things deform'd, or disarrang`d, or gross In species? This, nor gems, nor stores of gold, 520 Nor purple state, nor culture can bestow; But God alone when first his active hand Imprints the secret bias of the soul. He, mighty parent! wise and just in all, Free as the vital breeze or light of Heaven, Reveals the charms of Nature. Ask the swan Who journies homeward from a summer day's Long labour, why, forgetful of his toils And due repose, he loiters to behold
How lovely! how commanding! But though Heaven In every breast hath sown these early seeds Of love and admiration, yet in vain, Without fair Culture's kind parental aid, Without enlivening suns, and genial showers, And shelter from the blast, in vain we hope The tender plant should rear its blooming head, Or yield the harvest promis'd in its spring. Nor yet will every soil with equal stores Repay the tiller's labour; or attend His will, obsequious, whether to produce The olive or the laurel. Different minds Incline to different objects: one pursues The vast alone, the wonderful, the wild; Another sighs for harmony, and grace, And gentlest beauty. Hence when lightning fires The arch of Heaven, and thunders rock the ground, When furious whirlwinds rend the howling air, And Ocean, groaning from its lowest bed, Heaves his tempestuous billows to the sky; Amid the mighty uproar, while below
By this harmonious action on her powers, Becomes herself harmonious: wont so oft In outward things to meditate the charm Of sacred order, soon she seeks at home To find a kindred order, to exert Within herself this elegance of love,
This fair inspir'd delight: her temper'd powers Refine at length, and every passion wears A chaster, milder, more attractive mien. But if to ampler prospects, if to gaze On Nature's form, where, negligent of all These lesser graces, she assumes the port Of that eternal majesty that weigh'd The world's foundations, if to these the mind Exalts her daring eye; then mightier far Will be the change, and nobler. Of servile custoin cramp her generous powers? Would sordid policies, the barbarous growth Of ignorance and rapine, bow her down To tame pursuits, to indolence and fear? Lo! she appeals to Nature, to the winds And rolling waves, the Sun's unwearied course, The elements and seasons: all declare For what the eternal Maker has ordain'd The powers of man: we feel within ourselves His energy divine: he tells the heart,
The nations tremble, Shakspeare looks abroad From soine high cliff, superior, and enjoys The elemental war. But Waller longs, All on the margin of some flowery stream, To spread his careless limbs amid the cool Of plantane shades, and to the listening deer The tale of slighted vows and love's disdain Resound soft-warbling all the live-long day: Consenting Zephyr sighs; the weeping rill Joins in his plaint, melodious; mute the groves; And hill and dale with all their echoes mourn. Such and so various are the tastes of men.
Oh! blest of Heaven, whom not the languid songs Of Luxury, the syren! not the bribes
Of sordid Wealth, nor all the gaudy spoils Of pageant Honour, can seduce to leave Those ever-blooming sweets, which from the store Of Nature fair Imagination culls
To charm the enliven'd soul! What though not all Of mortal offspring can attain the heights Of envied life; though only few possess Patrician treasures or imperial state; Yet Nature's care, to all her children just, With richer treasures and an ampler state, Endows at large whatever happy man Will deign to use them. His the city's pomp, The rural honours his. Whate'er adorns The princely dome, the column and the arch, The breathing marbles and the sculptur'd gold, Beyond the proud possessor's narrow claim His tuneful breast enjoys. For him, the Spring Distils her dews, and from the silken gem Its Incid leaves unfolds: for him, the hand Of Autumn tinges every fertile branch With blooming goid, and blushes like the morn. Each passing hour sheds tribute from her wings; And still new beauties meet his lonely walk, And loves unfelt attract him. Not a brecze Flies o'er the meadow, not a cloud imbibes The setting Sun's effulgence, rot a strain From all the tenants of the warbling shade Ascends, but whence his bosom can partake Fresh pleasure, unreprov'd. Nor thence partakes Fresh pleasure only: for the attentive mind,
PLEASURES OF IMAGINATION.
VER. 151. Say, why was man, &c.] In apologizing for the frequent negligences of the sublimest authors of Greece, "Those godlike geniuses," says Longinus, "were well assured, that Nature had not intended man for a low-spirited or ignoble being: but bringing us in life and the midst of this wide universe, as before a multitude assembled at some heroic solemnity, that we might be spectators of all her magnificence, and candidates high in emulation for the prize of glory; she has therefore implanted in our souls an inextinguishable love of every thing great and exalted, of every thing which appears divine beyond our comprehension. Whence it comes to pass, that even the whole world is not an object sufficient for the depth and rapidity of human imagination, which often sallies forth beyond the limits of all that surrounds us. Let any man cast his eye through the whole circle of our existence, and consider how especially it abounds in excellent and grand objects; he will soon acknowledge for what enjoyments and pursuits we were destined. Thus by the very propensity of nature we are led to admire, not little springs or shallow rivulets, however clear aud delicious, but the Nile,
the Rhine, the Danube, and, much more than all, the Ocean, &c." Dionys. Longin. de Sublim. § xxiv.
Ver. 202. The empyreal waste.] “Ne se peut-il point qu'il y a un grand espace au dela de la region des etoiles? Que se soit le ciel empyrée, ou non, toujours cet espace immense qui environne toute cette region, pourra etre rempli de bonheur et de gloire. Il pourra etre concu comme l'ocean, où se rendent les fleuves de toutes les creatures bienheureuses, quand elles seront venues à leur perfection dans le systeme des etoiles." Leibnitz dans la Theodicée, part. i. §. 19.
Ver. 204. Whose unfading light, &c.] It was a notion of the great Mr. Huygens, that there may be fixed stars at such a distance from our solar system, as that their light should not have had time to reach us, even from the creation of the world to this day. Ver. 234.
Of all familiar prospects, &c.] It is here said, that in consequence of the love of novelty, objects, which at first were highly delightful to the mind, lose that effect by repeated attention to them. But the instance of habit is opposed to this observation; for there, objects at first distasteful are in time rendered entirely agreeable by repeated attention.
And beauty dwells in them, &e.j Do you imagine," says Socrates to Aristippus, "that what is good is not beautiful? Have you not observed that these appearances always coincide? Virtue, for instance, in the same respect as to which we call it good, is ever acknowledged to be beautiful also. In the characters of mea we always join the two denominations together. The beauty of human bodies corresponds, in like manner, with that economy of parts which constitutes them good; and in every circumstance of Efe, the same object is constantly accounted both beautiful and good, inasmuch as it answers the purposes for which it was designed." Xenophont. Memorab. Socrat. I. iii. c. 8.
This excellent observation has been illustrated and extended by the noble restorer of ancient philosophy; (sce the Characteristics, vol. ii. p. 339 and 422, and vol. iii. p. 181.) And another ingeThe difficulty in this case will be removed, if we nious author has particularly shown, that it holds consider, that when objects, at first agreeabic, lose in the general laws of Nature, in the works of art, that influence by frequently recurring, the mind is and the conduct of the sciences; (Inquiry irto the wholly passive, and the perception involuntary; but | Original of our Ideas of Beauty and Virtue, Treat. habit, on the other hand, generally supposes choicei. § 8.) As to the connection between beauty and and activity accompanying it: so that the pleasure truth, there are two opinions concerning it. Some arises here not from the object, but from the mind's philosophers assert an independent and invariable conscious determination of its own activity; and, law in Nature, in consequence of which "all raconsequently, increases in proportion to the fre- tional beings must alike perceive beauty in some quency of that determination. certain proportions, and deformity in the contrary.” And this necessity being supposed the same with that which commands the assent or dissent of the understanding, it follows of course that beauty is founded on the universal and unchangeable law of truth.
It will still be urged, perhaps, that a familiarity with disagreeable objects renders them at length acceptable, even when there is no room for the mind to resolve or act at all. In this case, the appearance must be accounted for, one of these ways. The pleasure from habit may be merely negative. The object at first gave uneasiness: this uneasiness gradually wears off, as the object grows familiar: and the mind, finding it at last entirely removed, reckons its situation really pleasurable, compared with what it had experienced before.
The dislike conceived of the object at first, might be owing to prejudice or want of attention. sequently the mind, being necessitated to review it often, may at length perceive its own mistake, and be reconciled to what it had looked on with aversion. In which case, a sort of instinctive justice naturally leads it to make amends for the jury, by running toward the other extreme of fouess and attachment.
Or, lastly, though the object itself should always continue disagreeable, yet chcumstances of pleasure or good fortune may occur along with it. Thus an association may arise in the mind, and the object never be remembered without those pleasing circumstances attending it; by which means the disagreeable impression which it at first occasioned will in time be quite obliterated. Ver. 240.
this desire Of objects new and strange 1 These two ideas are often confounded, though it is evident the mere novelty of an object makes it agreeable,
But others there are, who believe beauty to be merely a relative and arbitrary thing; that indeed it was a benevolent provision in Nature to annex so delightful a sensation to those objects which are best and most perfect in themselves, that so we might be engaged to the choice of them at once, and without staying to infer their usefulness from their structure and effects; but that it is not impossible, in a physical sense, that two beings, of equal capacities for truth, should perceive, one of them Ley and the other deformity, in the same proporti as. And upon this supposition, by that bath v which is always connected with beauty, nothing | ipore can be meant than the conformity of any objeet to those proportions upon which, after careful examination, the beauty of that species is found to depend. Polyeletus, for instance, a famous aneleni sculptor, from an accurate mensuration of the several parts of the most pericet human bodies, deduced a canon or system of proportions, which was the rule of all succeeding artists. Suppose a statue modelled according to this: a man of mere natural taste, upon looking at it, without entering into its proportions, confesses and admires its
This the Athenians did in a particular manner, by the word wahexaqulis, nshonaya11x.
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