The Motivated SignOlga Fischer, Max Nänny John Benjamins Publishing, 2001年3月8日 - 387 頁 This volume, a sequel to Form Miming Meaning (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the mise en abyme , to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare s rhetoric, the structural design of Margaret Atwood s writings and the changing fashions in fictional landscape description. Thus, these analyses of the motivated sign represent yet another strong challenge to Saussure s dogma of arbitrariness (Jakobson). |
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第 1 到 5 筆結果,共 51 筆
第 vii 頁
... Norrman Old English poetic texts and their Latin sources: Iconicity in Caedmon's Hymn and The Phoenix Earl R. Anderson xi xiii 17 29 55 69 89 109 PART III Visual iconicity: Typography and the use of images Table of contents.
... Norrman Old English poetic texts and their Latin sources: Iconicity in Caedmon's Hymn and The Phoenix Earl R. Anderson xi xiii 17 29 55 69 89 109 PART III Visual iconicity: Typography and the use of images Table of contents.
第 viii 頁
Olga Fischer, Max Nänny. PART III Visual iconicity: Typography and the use of images Iconic punctuation: Ellipsis marks in a historical perspective Anne C. Henry Iconic functions of long and short lines Max Na'nny Iconicity in ...
Olga Fischer, Max Nänny. PART III Visual iconicity: Typography and the use of images Iconic punctuation: Ellipsis marks in a historical perspective Anne C. Henry Iconic functions of long and short lines Max Na'nny Iconicity in ...
第 4 頁
... visual (eg. Nanny, and to some extent White), an oral (Anderson, Norrman), or a more clearly structural kind (Ljungberg, Muller and Wolf). It is therefore not surprising to find that the great Mexican poet Octavio Paz sees iconicity as ...
... visual (eg. Nanny, and to some extent White), an oral (Anderson, Norrman), or a more clearly structural kind (Ljungberg, Muller and Wolf). It is therefore not surprising to find that the great Mexican poet Octavio Paz sees iconicity as ...
第 7 頁
... visual, especially the graphemic level. Thus, Anne C. Henry investigates the iconic value of punctuation, especially of the ellipsis mark. She demonstrates how over the last four hundred years the variant graphic forms of ellipsis have ...
... visual, especially the graphemic level. Thus, Anne C. Henry investigates the iconic value of punctuation, especially of the ellipsis mark. She demonstrates how over the last four hundred years the variant graphic forms of ellipsis have ...
第 8 頁
... visual length of a poetic line by such seventeenth- and eighteenth-century poets as Milton, Dryden and Pope. His study first looks at the iconic functions of the visually long line: as an iconic image it may indicate length, distance ...
... visual length of a poetic line by such seventeenth- and eighteenth-century poets as Milton, Dryden and Pope. His study first looks at the iconic functions of the visually long line: as an iconic image it may indicate length, distance ...
內容
1 | |
15 | |
67 | |
Typography and the use of images | 133 |
PART IV Iconicity in grammatical structures | 227 |
PART V Iconicity in textual structures | 303 |
Author index | 367 |
Subject index | 377 |
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常見字詞
adjective advertising anaphors arbitrary Atwood Caesar’s chiasmus clause cognitive context cucurbits defined definite diagrammatic iconicity Dryden ellipsis ellipsis marks embedding emotion endophoric iconicity Event Model example exophoric expressed fact fiction field final find first Fischer function Grammar hyperbaton iconic sign iconicity in language imitation infinite instance Jakobson landscape descriptions linear literary literature London long line metaphors Middle English miming mirror mise en abyme Modern English Music of Chance Nanny narrative nature noun novel object OF-genitive Old English onomatopoeic passage Peirce Peirce’s perception phonetic phrase poem poet poetic poetry position postnominal predicative prenominal present participle present participle constructions principle reader reference referential reflects reflexive relationship repetition rhetorical figures Robber Bride S-genitive sacrifice semantic semiosis semiotic sense sentence sequence significance sound sound-symbolic spatial perspective speaker specific structure suggests symbolic syntactic syntax temporal translation University Press verb verbal visual visual perception vowels words