The Motivated SignOlga Fischer, Max Nänny John Benjamins Publishing, 2001年3月8日 - 387 頁 This volume, a sequel to Form Miming Meaning (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the mise en abyme , to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare s rhetoric, the structural design of Margaret Atwood s writings and the changing fashions in fictional landscape description. Thus, these analyses of the motivated sign represent yet another strong challenge to Saussure s dogma of arbitrariness (Jakobson). |
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第 1 到 5 筆結果,共 27 筆
第 3 頁
... syntax (i.e. its lack of syntactic links) mirrors the swiftness of Caesar's actions. Miiller also demonstrates that the repetition of first-person-singular verb forms, apart from their endings contributing to the sound effect ...
... syntax (i.e. its lack of syntactic links) mirrors the swiftness of Caesar's actions. Miiller also demonstrates that the repetition of first-person-singular verb forms, apart from their endings contributing to the sound effect ...
第 6 頁
... syntax. He takes the group of words beginning with glin English for his case study. He shows that these words form a coherent group referring to closely related semantic fields. According to Sadowski, this grouping cannot be accidental ...
... syntax. He takes the group of words beginning with glin English for his case study. He shows that these words form a coherent group referring to closely related semantic fields. According to Sadowski, this grouping cannot be accidental ...
第 11 頁
... syntax of emotion plays with and against the syntax of information and communication, Lecercle turns to the French sentence again. He investigates its syntactic structure in terms of iconic distortions: the spatial iconicity ...
... syntax of emotion plays with and against the syntax of information and communication, Lecercle turns to the French sentence again. He investigates its syntactic structure in terms of iconic distortions: the spatial iconicity ...
第 17 頁
... syntax, the text, and in the domain of language change (Bouissac et al., eds. 1986; Waugh 1992; Hinton et a1. 1994; Landsberg, ed. 1995; Simone, ed. 1995; Anderson 1999; Nanny and Fischer, eds. 1999). My own contribution to this volume ...
... syntax, the text, and in the domain of language change (Bouissac et al., eds. 1986; Waugh 1992; Hinton et a1. 1994; Landsberg, ed. 1995; Simone, ed. 1995; Anderson 1999; Nanny and Fischer, eds. 1999). My own contribution to this volume ...
第 27 頁
... Syntax. Amsterdam: Benjamins. Hinton, L., J. Nichols and J. J. Ohalla (eds). 1994. Sound Symbolism. Cambridge University Press. Jakobson, R. 1960. “Linguistics and Poetics”. In T.A. Sebeok (ed.), 350—377. Jakobson, R. (1965) 1971 ...
... Syntax. Amsterdam: Benjamins. Hinton, L., J. Nichols and J. J. Ohalla (eds). 1994. Sound Symbolism. Cambridge University Press. Jakobson, R. 1960. “Linguistics and Poetics”. In T.A. Sebeok (ed.), 350—377. Jakobson, R. (1965) 1971 ...
內容
1 | |
15 | |
67 | |
Typography and the use of images | 133 |
PART IV Iconicity in grammatical structures | 227 |
PART V Iconicity in textual structures | 303 |
Author index | 367 |
Subject index | 377 |
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常見字詞
adjective advertising anaphors arbitrary Atwood Caesar’s chiasmus clause cognitive context cucurbits defined definite diagrammatic iconicity Dryden ellipsis ellipsis marks embedding emotion endophoric iconicity Event Model example exophoric expressed fact fiction field final find first Fischer function Grammar hyperbaton iconic sign iconicity in language imitation infinite instance Jakobson landscape descriptions linear literary literature London long line metaphors Middle English miming mirror mise en abyme Modern English Music of Chance Nanny narrative nature noun novel object OF-genitive Old English onomatopoeic passage Peirce Peirce’s perception phonetic phrase poem poet poetic poetry position postnominal predicative prenominal present participle present participle constructions principle reader reference referential reflects reflexive relationship repetition rhetorical figures Robber Bride S-genitive sacrifice semantic semiosis semiotic sense sentence sequence significance sound sound-symbolic spatial perspective speaker specific structure suggests symbolic syntactic syntax temporal translation University Press verb verbal visual visual perception vowels words