The Motivated SignOlga Fischer, Max Nänny John Benjamins Publishing, 2001年3月8日 - 387 頁 This volume, a sequel to Form Miming Meaning (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the mise en abyme , to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare s rhetoric, the structural design of Margaret Atwood s writings and the changing fashions in fictional landscape description. Thus, these analyses of the motivated sign represent yet another strong challenge to Saussure s dogma of arbitrariness (Jakobson). |
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第 1 到 5 筆結果,共 21 筆
第 4 頁
... symbolic features (or similarity and conventionality) within one and the same sign” (Johansen 1993: 227). And, referring to the iconic use of sounds in particular, he adds: “The iconicity of linguistic sound, which plays a minor part in ...
... symbolic features (or similarity and conventionality) within one and the same sign” (Johansen 1993: 227). And, referring to the iconic use of sounds in particular, he adds: “The iconicity of linguistic sound, which plays a minor part in ...
第 7 頁
... sound-symbolic devices: such as the use of high versus low vowels to contrast height, brightness and lightness with lowness, darkness and heaviness; the use of repeated heavy consonant clusters to indicate extreme contrasts; the use of ...
... sound-symbolic devices: such as the use of high versus low vowels to contrast height, brightness and lightness with lowness, darkness and heaviness; the use of repeated heavy consonant clusters to indicate extreme contrasts; the use of ...
第 59 頁
... sound, not yet having developed the necessary control to suppress these ... symbolic communication, is controversial. Whether it was warning calls ... symbolic communication will perhaps never be known.5 What we can be certain of, however ...
... sound, not yet having developed the necessary control to suppress these ... symbolic communication, is controversial. Whether it was warning calls ... symbolic communication will perhaps never be known.5 What we can be certain of, however ...
第 61 頁
Olga Fischer, Max Nänny. (C) a symbolic expression is free from resemblance or necessary ... sound, etc., with which the icon shares certain similarity features [of ... Symbolic expressions are abbreviated to s-expressions. We can now ...
Olga Fischer, Max Nänny. (C) a symbolic expression is free from resemblance or necessary ... sound, etc., with which the icon shares certain similarity features [of ... Symbolic expressions are abbreviated to s-expressions. We can now ...
第 69 頁
Olga Fischer, Max Nänny. The. sound. as. an. echo. to. the. sense. The. iconicity. of. English. gl-. words. Piotr Sadowski American College Dublin 1. Introductory remarks The object of this paper is to examine the sound-symbolic, or iconic, ...
Olga Fischer, Max Nänny. The. sound. as. an. echo. to. the. sense. The. iconicity. of. English. gl-. words. Piotr Sadowski American College Dublin 1. Introductory remarks The object of this paper is to examine the sound-symbolic, or iconic, ...
內容
1 | |
15 | |
67 | |
Typography and the use of images | 133 |
PART IV Iconicity in grammatical structures | 227 |
PART V Iconicity in textual structures | 303 |
Author index | 367 |
Subject index | 377 |
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常見字詞
adjective advertising anaphors arbitrary Atwood Caesar’s chiasmus clause cognitive context cucurbits defined definite diagrammatic iconicity Dryden ellipsis ellipsis marks embedding emotion endophoric iconicity Event Model example exophoric expressed fact fiction field final find first Fischer function Grammar hyperbaton iconic sign iconicity in language imitation infinite instance Jakobson landscape descriptions linear literary literature London long line metaphors Middle English miming mirror mise en abyme Modern English Music of Chance Nanny narrative nature noun novel object OF-genitive Old English onomatopoeic passage Peirce Peirce’s perception phonetic phrase poem poet poetic poetry position postnominal predicative prenominal present participle present participle constructions principle reader reference referential reflects reflexive relationship repetition rhetorical figures Robber Bride S-genitive sacrifice semantic semiosis semiotic sense sentence sequence significance sound sound-symbolic spatial perspective speaker specific structure suggests symbolic syntactic syntax temporal translation University Press verb verbal visual visual perception vowels words