The Motivated SignOlga Fischer, Max Nänny John Benjamins Publishing, 2001年3月8日 - 387 頁 This volume, a sequel to Form Miming Meaning (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the mise en abyme , to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare s rhetoric, the structural design of Margaret Atwood s writings and the changing fashions in fictional landscape description. Thus, these analyses of the motivated sign represent yet another strong challenge to Saussure s dogma of arbitrariness (Jakobson). |
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第 5 頁
... significance in an endophoric relation can only be found if there is a relation between the repeated forms in question and some 'object' in the mind of the reader. The study by John White is a historical investigation devoted to an ...
... significance in an endophoric relation can only be found if there is a relation between the repeated forms in question and some 'object' in the mind of the reader. The study by John White is a historical investigation devoted to an ...
第 31 頁
... significance extends outwards from city-paradigm to encompass the entire planet viewed sub specie aeternitatis, the tantalizingly vacant space on the layout has been left deliberately free for a Chinese box-like construction of the room ...
... significance extends outwards from city-paradigm to encompass the entire planet viewed sub specie aeternitatis, the tantalizingly vacant space on the layout has been left deliberately free for a Chinese box-like construction of the room ...
第 46 頁
... significance of the Doorkeeper parable as a mise en abyme and consequently find themselves obliged to confront the limits of the tale's iconicity. Kafka's Doorkeeper legend illuminates by dint of its limited isomorphism. The reader may ...
... significance of the Doorkeeper parable as a mise en abyme and consequently find themselves obliged to confront the limits of the tale's iconicity. Kafka's Doorkeeper legend illuminates by dint of its limited isomorphism. The reader may ...
第 69 頁
... significance is prompted in a direct and spontaneous way by the very nature of the sound pattern (Jakobson 1979: 177—178). Despite the insistence of mainstream linguistics to treat language as a closed semiotic system, without reference ...
... significance is prompted in a direct and spontaneous way by the very nature of the sound pattern (Jakobson 1979: 177—178). Despite the insistence of mainstream linguistics to treat language as a closed semiotic system, without reference ...
第 89 頁
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內容
1 | |
15 | |
67 | |
Typography and the use of images | 133 |
PART IV Iconicity in grammatical structures | 227 |
PART V Iconicity in textual structures | 303 |
Author index | 367 |
Subject index | 377 |
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常見字詞
adjective advertising anaphors arbitrary Atwood Caesar’s chiasmus clause cognitive context cucurbits defined definite diagrammatic iconicity Dryden ellipsis ellipsis marks embedding emotion endophoric iconicity Event Model example exophoric expressed fact fiction field final find first Fischer function Grammar hyperbaton iconic sign iconicity in language imitation infinite instance Jakobson landscape descriptions linear literary literature London long line metaphors Middle English miming mirror mise en abyme Modern English Music of Chance Nanny narrative nature noun novel object OF-genitive Old English onomatopoeic passage Peirce Peirce’s perception phonetic phrase poem poet poetic poetry position postnominal predicative prenominal present participle present participle constructions principle reader reference referential reflects reflexive relationship repetition rhetorical figures Robber Bride S-genitive sacrifice semantic semiosis semiotic sense sentence sequence significance sound sound-symbolic spatial perspective speaker specific structure suggests symbolic syntactic syntax temporal translation University Press verb verbal visual visual perception vowels words