The Motivated SignOlga Fischer, Max Nänny John Benjamins Publishing, 2001年3月8日 - 387 頁 This volume, a sequel to Form Miming Meaning (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the mise en abyme , to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare s rhetoric, the structural design of Margaret Atwood s writings and the changing fashions in fictional landscape description. Thus, these analyses of the motivated sign represent yet another strong challenge to Saussure s dogma of arbitrariness (Jakobson). |
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第 1 到 5 筆結果,共 12 筆
第 11 頁
... reflexive or (second-degree) diagrammatic iconicity of the French sentence in which the order of words exemplifies and also denotes the constitution of the linguistic sequence, its linearity. Finally, he states that the linguistic ...
... reflexive or (second-degree) diagrammatic iconicity of the French sentence in which the order of words exemplifies and also denotes the constitution of the linguistic sequence, its linearity. Finally, he states that the linguistic ...
第 33 頁
... reflexivity. I would therefore argue that the device can be of considerable interest to semioticians as a further example of iconicity as an aesthetic effect, and one displaying more complications and layers of semiosis than one finds ...
... reflexivity. I would therefore argue that the device can be of considerable interest to semioticians as a further example of iconicity as an aesthetic effect, and one displaying more complications and layers of semiosis than one finds ...
第 34 頁
... reflexivity, as D'allenbach himself had tended to do.4 Already the author of a study of the device in Michel Butor's fiction (D'allenbach 1972), D'allenbach had concentrated mainly on French examples of narrative duplication in the ...
... reflexivity, as D'allenbach himself had tended to do.4 Already the author of a study of the device in Michel Butor's fiction (D'allenbach 1972), D'allenbach had concentrated mainly on French examples of narrative duplication in the ...
第 38 頁
... reflexive dimension and insuflicient attention to the way in which it relates to aspects of the work's fictive world and, by extension, our own world. When, in Part Twelve of Jean Paul's Flegeljahre, Vult, brother of Walt, arrives at an ...
... reflexive dimension and insuflicient attention to the way in which it relates to aspects of the work's fictive world and, by extension, our own world. When, in Part Twelve of Jean Paul's Flegeljahre, Vult, brother of Walt, arrives at an ...
第 48 頁
... reflexivity. The reason for this being the fact that Mann was painfully aware that while the world of the early twentieth century was quite capable of reflecting the ugly vision of a hag devouring an innocent child, it had yet to find ...
... reflexivity. The reason for this being the fact that Mann was painfully aware that while the world of the early twentieth century was quite capable of reflecting the ugly vision of a hag devouring an innocent child, it had yet to find ...
內容
1 | |
15 | |
67 | |
Typography and the use of images | 133 |
PART IV Iconicity in grammatical structures | 227 |
PART V Iconicity in textual structures | 303 |
Author index | 367 |
Subject index | 377 |
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常見字詞
adjective advertising anaphors arbitrary Atwood Caesar’s chiasmus clause cognitive context cucurbits defined definite diagrammatic iconicity Dryden ellipsis ellipsis marks embedding emotion endophoric iconicity Event Model example exophoric expressed fact fiction field final find first Fischer function Grammar hyperbaton iconic sign iconicity in language imitation infinite instance Jakobson landscape descriptions linear literary literature London long line metaphors Middle English miming mirror mise en abyme Modern English Music of Chance Nanny narrative nature noun novel object OF-genitive Old English onomatopoeic passage Peirce Peirce’s perception phonetic phrase poem poet poetic poetry position postnominal predicative prenominal present participle present participle constructions principle reader reference referential reflects reflexive relationship repetition rhetorical figures Robber Bride S-genitive sacrifice semantic semiosis semiotic sense sentence sequence significance sound sound-symbolic spatial perspective speaker specific structure suggests symbolic syntactic syntax temporal translation University Press verb verbal visual visual perception vowels words