The Motivated SignOlga Fischer, Max Nänny John Benjamins Publishing, 2001年3月8日 - 387 頁 This volume, a sequel to Form Miming Meaning (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the mise en abyme , to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare s rhetoric, the structural design of Margaret Atwood s writings and the changing fashions in fictional landscape description. Thus, these analyses of the motivated sign represent yet another strong challenge to Saussure s dogma of arbitrariness (Jakobson). |
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第 1 到 5 筆結果,共 29 筆
第 1 頁
... (phonetic, graphemic, syntactic, lexical, etc.) in literary texts and in all kinds of verbal discourse. In a manner of speaking, the symposia and the papers were meant to challenge what Roman Jakobson has called “Saussure's dogma 0f ...
... (phonetic, graphemic, syntactic, lexical, etc.) in literary texts and in all kinds of verbal discourse. In a manner of speaking, the symposia and the papers were meant to challenge what Roman Jakobson has called “Saussure's dogma 0f ...
第 4 頁
... phonetic, graphemic, syntactic and textual) and from such different kinds of discourse (from cookerybook to poetic texts) that it is somewhat difficult to put the essays into welldefined sections. In a similar way, it is not really ...
... phonetic, graphemic, syntactic and textual) and from such different kinds of discourse (from cookerybook to poetic texts) that it is somewhat difficult to put the essays into welldefined sections. In a similar way, it is not really ...
第 6 頁
... phonetically remarkably similar across different languages: the common core of velarity, labiality and reduplication that characterises the words used for cucurbits resembles their shape and fast growth.5 Both these points are supported ...
... phonetically remarkably similar across different languages: the common core of velarity, labiality and reduplication that characterises the words used for cucurbits resembles their shape and fast growth.5 Both these points are supported ...
第 7 頁
... phonetic theories, Henry investigates ellipsis marks in the age of print when they were used to mark direct speech and indicate pauses. She shows that especially in seventeenth-century drama, asterisks, points, long or short rules ...
... phonetic theories, Henry investigates ellipsis marks in the age of print when they were used to mark direct speech and indicate pauses. She shows that especially in seventeenth-century drama, asterisks, points, long or short rules ...
第 24 頁
... phonetic difficulty of the tongue twister. 3.4 Literary self-reference and iconicity After extending the scope of iconicity from exophoric to endophoric iconicity, we can now reconsider the theory of literary mimesis. The thesis ...
... phonetic difficulty of the tongue twister. 3.4 Literary self-reference and iconicity After extending the scope of iconicity from exophoric to endophoric iconicity, we can now reconsider the theory of literary mimesis. The thesis ...
內容
1 | |
15 | |
67 | |
Typography and the use of images | 133 |
PART IV Iconicity in grammatical structures | 227 |
PART V Iconicity in textual structures | 303 |
Author index | 367 |
Subject index | 377 |
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常見字詞
adjective advertising anaphors arbitrary Atwood Caesar’s chiasmus clause cognitive context cucurbits defined definite diagrammatic iconicity Dryden ellipsis ellipsis marks embedding emotion endophoric iconicity Event Model example exophoric expressed fact fiction field final find first Fischer function Grammar hyperbaton iconic sign iconicity in language imitation infinite instance Jakobson landscape descriptions linear literary literature London long line metaphors Middle English miming mirror mise en abyme Modern English Music of Chance Nanny narrative nature noun novel object OF-genitive Old English onomatopoeic passage Peirce Peirce’s perception phonetic phrase poem poet poetic poetry position postnominal predicative prenominal present participle present participle constructions principle reader reference referential reflects reflexive relationship repetition rhetorical figures Robber Bride S-genitive sacrifice semantic semiosis semiotic sense sentence sequence significance sound sound-symbolic spatial perspective speaker specific structure suggests symbolic syntactic syntax temporal translation University Press verb verbal visual visual perception vowels words