The Motivated SignOlga Fischer, Max Nänny John Benjamins Publishing, 2001年3月8日 - 387 頁 This volume, a sequel to Form Miming Meaning (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the mise en abyme , to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare s rhetoric, the structural design of Margaret Atwood s writings and the changing fashions in fictional landscape description. Thus, these analyses of the motivated sign represent yet another strong challenge to Saussure s dogma of arbitrariness (Jakobson). |
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第 1 到 5 筆結果,共 31 筆
第 vii 頁
... mise-en-abyme John J. White Good probes: Icons, anaphors, and the evolution of language William J. Herlofsky PART II Sounds and beyond The sound as an echo to the sense: The iconicity of English gl- words Piotr Sadowski On natural ...
... mise-en-abyme John J. White Good probes: Icons, anaphors, and the evolution of language William J. Herlofsky PART II Sounds and beyond The sound as an echo to the sense: The iconicity of English gl- words Piotr Sadowski On natural ...
第 5 頁
... mise en abyme. Ranging through American, French and German literature, White discusses whether the mise en abyme may be seen as an example of iconicity. His analysis of the various uses of the device starts with Paul Auster's novel The ...
... mise en abyme. Ranging through American, French and German literature, White discusses whether the mise en abyme may be seen as an example of iconicity. His analysis of the various uses of the device starts with Paul Auster's novel The ...
第 28 頁
... Benjamins. Waugh, L. 1992. “Let's Take the Con out of Iconícity: Constraints on Iconicity in the Lexicon”. The American Journal ofSemioties 9: 7—48. The semiotics of the mise-en-abyme JOhn J. White King's College, 28 WINFRIED NÕTH.
... Benjamins. Waugh, L. 1992. “Let's Take the Con out of Iconícity: Constraints on Iconicity in the Lexicon”. The American Journal ofSemioties 9: 7—48. The semiotics of the mise-en-abyme JOhn J. White King's College, 28 WINFRIED NÕTH.
第 29 頁
Olga Fischer, Max Nänny. The. semiotics. of. the. mise-en-abyme. JOhn. J. White. King's College, London 1. Willie Stone's “City of the World”: The microcosmic model as mise en abyme In Chapter 4 of Paul Auster's The Music ofChance, Nashe ...
Olga Fischer, Max Nänny. The. semiotics. of. the. mise-en-abyme. JOhn. J. White. King's College, London 1. Willie Stone's “City of the World”: The microcosmic model as mise en abyme In Chapter 4 of Paul Auster's The Music ofChance, Nashe ...
第 30 頁
... mise en abyme's semiotic status as a potential iconic device is concerned, Flower's assertion that the City of the World is no more than “an imaginary place” (80), notwithstanding its copious realistic detail, could even be seen as an ...
... mise en abyme's semiotic status as a potential iconic device is concerned, Flower's assertion that the City of the World is no more than “an imaginary place” (80), notwithstanding its copious realistic detail, could even be seen as an ...
內容
1 | |
15 | |
67 | |
Typography and the use of images | 133 |
PART IV Iconicity in grammatical structures | 227 |
PART V Iconicity in textual structures | 303 |
Author index | 367 |
Subject index | 377 |
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常見字詞
adjective advertising anaphors arbitrary Atwood Caesar’s chiasmus clause cognitive context cucurbits defined definite diagrammatic iconicity Dryden ellipsis ellipsis marks embedding emotion endophoric iconicity Event Model example exophoric expressed fact fiction field final find first Fischer function Grammar hyperbaton iconic sign iconicity in language imitation infinite instance Jakobson landscape descriptions linear literary literature London long line metaphors Middle English miming mirror mise en abyme Modern English Music of Chance Nanny narrative nature noun novel object OF-genitive Old English onomatopoeic passage Peirce Peirce’s perception phonetic phrase poem poet poetic poetry position postnominal predicative prenominal present participle present participle constructions principle reader reference referential reflects reflexive relationship repetition rhetorical figures Robber Bride S-genitive sacrifice semantic semiosis semiotic sense sentence sequence significance sound sound-symbolic spatial perspective speaker specific structure suggests symbolic syntactic syntax temporal translation University Press verb verbal visual visual perception vowels words