The Motivated SignOlga Fischer, Max Nänny John Benjamins Publishing, 2001年3月8日 - 387 頁 This volume, a sequel to Form Miming Meaning (1999), offers a selection of papers given at the second international symposium on iconicity (Amsterdam 1999). In the light of semiotic, linguistic and literary theory the studies gathered here investigate how iconicity works on all levels of language, in literary texts and other forms of verbal discourse. They investigate, among other subjects, the semiotic foundations of iconicity, the role played by iconicity in language evolution and in the way words are positioned syntactically. Special consideration is given to the iconic nature of metaphor and the mise en abyme , to iconically motivated punctuation and other typographic matters such as the manipulation of colour, fonts and spacing in advertising and in poetry. Other studies show how iconicity influences Shakespeare s rhetoric, the structural design of Margaret Atwood s writings and the changing fashions in fictional landscape description. Thus, these analyses of the motivated sign represent yet another strong challenge to Saussure s dogma of arbitrariness (Jakobson). |
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第 1 到 5 筆結果,共 86 筆
第 viii 頁
... Iconic punctuation: Ellipsis marks in a historical perspective Anne C. Henry Iconic functions of long and short lines Max Na'nny Iconicity in advertising signs: Motive and method in miming 'the body' Robbie B. H. Goh Iconoclasm and ...
... Iconic punctuation: Ellipsis marks in a historical perspective Anne C. Henry Iconic functions of long and short lines Max Na'nny Iconicity in advertising signs: Motive and method in miming 'the body' Robbie B. H. Goh Iconoclasm and ...
第 2 頁
... iconic relation between the sign and its referent in the world, or rather our perception of the world), 'endophoric' iconicity refers to form miming form (thus being purely intra-linguistic).3 However, we would like to add at this point ...
... iconic relation between the sign and its referent in the world, or rather our perception of the world), 'endophoric' iconicity refers to form miming form (thus being purely intra-linguistic).3 However, we would like to add at this point ...
第 3 頁
Olga Fischer, Max Nänny. that is iconic: for this relationship is similar to the one that connects the historical events the verbal sequence refers to. In other words, Caesar's dictum represents an iconic diagram. As Johansen writes: “A ...
Olga Fischer, Max Nänny. that is iconic: for this relationship is similar to the one that connects the historical events the verbal sequence refers to. In other words, Caesar's dictum represents an iconic diagram. As Johansen writes: “A ...
第 4 頁
... sign system is, in semiotic terms, symbolical or conventional, that is, basically arbitrary. But as Johansen has rightly emphasised, there may be a “friendly cohabitation of iconic and symbolic features (or similarity and ...
... sign system is, in semiotic terms, symbolical or conventional, that is, basically arbitrary. But as Johansen has rightly emphasised, there may be a “friendly cohabitation of iconic and symbolic features (or similarity and ...
第 5 頁
... iconic. In other words, iconic significance in an endophoric relation can only be found if there is a relation between the repeated forms in question and some 'object' in the mind of the reader. The study by John White is a historical ...
... iconic. In other words, iconic significance in an endophoric relation can only be found if there is a relation between the repeated forms in question and some 'object' in the mind of the reader. The study by John White is a historical ...
內容
1 | |
15 | |
67 | |
Typography and the use of images | 133 |
PART IV Iconicity in grammatical structures | 227 |
PART V Iconicity in textual structures | 303 |
Author index | 367 |
Subject index | 377 |
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常見字詞
adjective advertising anaphors arbitrary Atwood Caesar’s chiasmus clause cognitive context cucurbits defined definite diagrammatic iconicity Dryden ellipsis ellipsis marks embedding emotion endophoric iconicity Event Model example exophoric expressed fact fiction field final find first Fischer function Grammar hyperbaton iconic sign iconicity in language imitation infinite instance Jakobson landscape descriptions linear literary literature London long line metaphors Middle English miming mirror mise en abyme Modern English Music of Chance Nanny narrative nature noun novel object OF-genitive Old English onomatopoeic passage Peirce Peirce’s perception phonetic phrase poem poet poetic poetry position postnominal predicative prenominal present participle present participle constructions principle reader reference referential reflects reflexive relationship repetition rhetorical figures Robber Bride S-genitive sacrifice semantic semiosis semiotic sense sentence sequence significance sound sound-symbolic spatial perspective speaker specific structure suggests symbolic syntactic syntax temporal translation University Press verb verbal visual visual perception vowels words